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What is the Renaissance?

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Title: What is the Renaissance?


1
What is the Renaissance?
  • What do you associate with Renaissance characters?

2
Renaissance
  • How do Renaissance writers portray characters?

3
Renaissance characters
  • They follow in the tradition of the Middle
    Ages they explore the relationship of their
    characters to their social roles (Canterbury
    Tales)
  • Yet the most memorable characters of the
    Renaissance enjoy greater autonomy and more fully
    realized personalities than Chaucers pilgrims
  • Broad-minded Gargantua
  • Idealistic but mad Quixote,
  • Romantic but doomed Othello
  • Characters are presented in acts of thought,
    fantasy, doubt, and internal debate

4
Salvadore Dali, Don Quixote
5
Fabrizio Moraes,Don Quixote
6
Gargantua
7
Gustave Dore, Gargantua
8
Othello
9
Othello and Desdemona
10
Hamlet
11
Renaissance
  • What are the reasons for the shift toward
    internal, mental portraiture?

12
Revolutionary changes
  • On scientific, geographical, and scholarly
    fronts, the world of Renaissance Europe was
    undergoing revolutionary change
  • Renaissance authors could not passively receive
    the traditional wisdom of previous ages

13
Revolutionary changes
  • As a result of the new discoveries (Copernicus,
    Galileo, Columbus), the Renaissance mind had to
    reconcieve the nature of the universe
  • The new discoveries challenged European and human
    centrality in the world
  • The compass, the printing press, and the gun were
    signs of the union of the entire world
  • For John Donne, the new discoveries amount to a
    second creation, so radical is the new theory of
    the worlds construction (no firm ground to stand
    on)

14
Renaissance
  • What is the meaning of the term Renaissance?

15
the term Renaissance
  • rebirth- one impulse toward creativity came
    from the example of ancient culture
  • The restoration of ancient canons was regarded as
    a glorious achievement
  • Machiavelli rulers should be as keen on the
    imitation of ancient virtues as are artists,
    lawyers, and the scientists

16
What is the chronological span of the movement?
  • The peak of the Renaissance can be shown to have
    occurred at different times in different
    countries (elasticity)
  • Inception in Italy (visual arts)
  • It developed later in England (main achievements
    in drama)
  • The meaning of the word widened it conveys
    artistic creativity, zest for life and knowledge,
    sensory delight
  • References to classical mythology, philosophy,
    and literature are not ornaments or affectations
  • E.g. Erasmus speaks in a cluster of classical
    allusions in The Praise of Folly

17
Erasmus
18
Erasmus, In Praise of Folly
19
Humanist
  • What is the meaning of the term Humanist?

20
meaning of the term humanist
  • 14th c. the people who gave new impulse to the
    emulation of the classics
  • The word is related to what we call the
    humanities, and the humanities at that time were
    Latin and Greek
  • Every cultivated person wrote and spoke Latin,
    with the result that a Western community of
    intellectuals could exist, a spiritual republic
    of letters above individual nations

21
Vocation
  • Where does the archetype of literature as a
    vocation come from?

22
Vocation
  • Petrarch anticipated certain ideals of the high
    Renaissance
  • A lofty conception of the literary art, a taste
    for the good life, basic pacifism, strong sense
    of the memories of antiquity
  • Visionary and imaginative element
  • Lack of a scientific sense of history (e.g.
    Shakespeares Romans)
  • Hackneyed, inaccurate notion that the light of
    the Renaissance broke through a long night of
    the Middle Ages

23
Francesco Petrarca
24
Petrarch
25
Renaissance
  • What is the definition of Renaissance?

26
Definition of the Renaissance
  • Preoccupation with this life rather than with the
    life beyond
  • Medieval man conceives of life on earth as
    transient
  • Renaissance man earthly interests, immediate
    enjoyment

27
Renaissance
  • What is the Renaissance code of behavior?

28
TThe Renaissance code of behavior
  • Human action is judged not in terms of right or
    wrong, of good and evil, but in terms of its
    effectiveness, of the delight it affords (amoral,
    aesthetic character?)
  • Architecture, sculpture, rhetoric taste for the
    harmonious and the memorable
  • Virtue connotes active power, technical skill,
    virtuoso
  • Machiavellian prince efficient management of
    princely powers not goodness

29
Florence
30
Renaissance architecture
31
Sculpture
32
The presence of God in the Renaissance
  • Unrestrained and self-sufficient practice of
    ones virtues (Machiavelli, Rabelais, Cellini)
  • such virtues and skills are God's gift
  • But the presence of God in the Renaissance is
    less dominating than in the Middle Ages
    (extemporal design)
  • Conflict between the values of worldly goods and
    spiritual renunciation
  • Church and state inextricably bound together
  • Papacy-political as well as spiritual power

33
Machiavelli
34
Machiavelli
  •   "These methods are very cruel, and enemies to
    all government not merely Christian but human,
    and any man ought to avoid them and prefer to
    live a private life rather than to be a king who
    brings such ruin on men. Notwithstanding, a ruler
    who does not wish to take that first good way of
    lawful government, if he wishes to maintain
    himself, must enter upon this evil one. But men
    take certain middle ways that are very injurious
    indeed, they are unable to be altogether good or
    altogether bad."
  • Niccolo MachiavelliThe Prince

35
Machiavelli
36
Church and state
  • Charles V of Spain united most of Europe under
    his rule and declared himself the Holy Roman
    Emperor
  • Henry VIII of England broke with the Catholic
    church and declared himself head of the Church of
    England
  • The Reformist movements (Luther, Calvin) were
    rapidly adopted by Renaissance princes bridling
    under papal authority

37
Religion vs. pleasure
  • Sensuous appraisal of a womans beauties plays a
    large part in poetry
  • Religious convictions did not hamper poets to
    appreciate sensuous beauty
  • A womans body a spiritual experience and a
    paradise on earth to conquer
  • E.g. Renaissance Madonnas serve celebrations of
    earthly beauty rather than mystical hopes of
    salvation

38
Raphael, Madonna
39
Raphael, Madonna
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