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Lecture Nine: Cultural Research

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salesmanship (Miller, Updike, Mamet) Generation X (Coupland) too-much-ness (Easton Ellis) ... Matthew Barney. Thomas Kinkade. W.B. Yeats, Marketing Man ... – PowerPoint PPT presentation

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Title: Lecture Nine: Cultural Research


1
Lecture NineCultural Research
  • Stephen Brown
  • www.sfxbrown.com

2
Imagining Marketing Art, Aesthetics and the
Avant-Garde
  • Edited by
  • Stephen Brown and Anthony Patterson
  • Routledge, London, 2000

3
The Critics Raved!
Truth to tell, its magnificent
I have seen the future of marketing and its in
focus for once. Stretch your imagination with
Imagining Marketing
Ted Levitt
Shelby Hunt
Morris Holbrook
If you plan to buy one marketing book this year,
plan to buy this one
Avoid anxiety, acquire this book
Malcolm McDonald
4
Shopper Typologies
  • Stone - Economic, Personalising, Ethical
    Apathetic
  • Kotler - Marshallian, Pavlovian, Freudian,
    Veblenian
  • Stephenson Willett - Price-led, Store Loyal,
    Convenience, Recreational
  • Lesser Hughes - Traditional, Inactive,
    Dedicated Fringe etc.

5
The Apathetic Shopper
  • Those who have no real interest in or actively
    dislike shopping and who appear to endure rather
    than enjoy the whole experience
  • (Brown and Reid 1997, p. 80)

6
The Sunday Times10/13/96
  • A shopper died yesterday in what police are
    regarding as Britains first trolley rage
    fatality. Gordon Edwards, 71, a retired
    businessman, clashed with another customer in the
    car park of a supermarket in Darlington, Co.
    Durham. A man was helping police last night.

7
Sex n Shopping
  • We met in Exotic Fruit. I had first seen him in
    green vegetables, our eyes had - possibly - met,
    but we finally spoke over the Honeydew Melons.
    When he stopped by the counter, I had one melon
    in each hand, holding them up as though to
    imitate someone with huge bosoms. I offered them
    to him. How can you tell if these are ripe? I
    asked. He looked at me quickly. I was about to
    ask you that, he replied, giving the fruit
    little squeezes with his thumbs. My
  • heart quickened.
  • (Lonrigg, The Independent, 5/25/98)

8
Cultural Marketing Research
  • More insight from cultural artefacts than
    conventional research methods
  • Broad definition of culture (low culture
    especially)
  • Elevates art over science
  • Different methods of evaluation
  • Appropriate in post-shopper epoch

9
Art for Arts Sake
  • art can be a useful way of generating
    knowledge..art has much to contribute to consumer
    behaviourart may be seen to provide an
    attractive alternative to more traditional
    scientific means of consumer research
  • (Belk 1986, p. 29)
  • Fiction can serve as our reconnaissance into
    all those jungles and up those precipices of
    human behaviour that psychiatry, history,
    theology and sociology are too intellectually
    encumbered to try
  • (Mailer 1991, p.159)
  • Ironically, fiction is now the closest were
    likely to come to the truth and as such it should
    be loved and cherished
  • (Young and Caveney 1992, p. viii)

10
Cultural Marketing Research
  • Examine works of art
  • Explore artists themselves
  • Apply tools of artistic appreciation
  • Adopt artistic modes of representation

11
Works of Art
  • Books
  • compulsive consumption (Fitzgerald)
  • department store (Zola)
  • advertising meaning (Lodge)
  • salesmanship (Miller, Updike, Mamet)
  • Generation X (Coupland)
  • too-much-ness (Easton Ellis)
  • shopping/brands/obsessive fandom (Fielding,
    Hornby)

12
Books Etc.
  • Harry Potter
  • magic
  • mystery
  • imagination
  • Nicolson Baker
  • soda drinking
  • shoelaces
  • PLC

13
Prell Life Cycle
  • Prells green is too simple a green for us now
    the false French of its name seems kitschy not
    chic, and where once it was enveloped in my
    TV-soaked mind by the immediacy and throatiness
    of womanly voice-overs, it is now late in its
    decline, lightly advertised, having descended
    year by year through the thick but hygroscopic
    emulsions of our esteem , like the large
    descending pearl that was used in one of its
    greatest early ads to prove how lusciously thick
    it was.

14
Scruples
  • In Beverly Hills only the infirm and the senile
    do not drive their own cars. The local police
    are accustomed to odd combinations of vehicle and
    driver the stately, nearsighted retired banker
    making an illegal left-hand turn in his Dino
    Ferrari, the teenager speeding to a tennis lesson
    in a fifty-five thousand dollar Rolls-Royce
    Corniche, the matronly civic leader blithly
    parking her bright red Jaguar at a bus stop

15
Scruples II
  • Content analysis of brand names
  • Difference by category
  • Difference between books
  • Evidence of product placement

16
Never Mind the Width, Feel the Quality
  • Hedonic consumption
  • Obsessive collecting
  • Gift-giving
  • Shopper apathy
  • Shopping addiction

17
Shopaholics Anonymous
  • There was something which almost relieved her
    constant tension in prowling daily through the
    boutiques and department stores of Beverly Hills,
    buying always buying - what did it matter if she
    needed the clothes or notBilly knew perfectly
    well as she walked into the General Store or
    Dorsos or Saks, that she was falling into the
    classic occupation of rich, idle women buying
    supremely unnecessary clothes to feed, but never
    fill, the emptiness within. Its that or get fat
    again, she told herself, as she walked up Rodeo
    or down Camden, feeling a sexual buzz as she
    searched through the windows for new merchandise.
    The thrill was in the trying on, in the buying.
    The moment after she had acquired something new
    it became meaningless to her.
  • (Krantz, 1978, pp.205-6)

18
Cultural Marketing Research Artists
  • Edouard Manet
  • Salvadore Dali
  • Andy Warhol
  • Richard Prince
  • Duane Hanson
  • Barbara Kruger
  • Jeff Koons
  • Mark Kostabi
  • Damien Hirst
  • Jenny Holtzer
  • Komar Melamid
  • Matthew Barney

Thomas Kinkade
19
W.B. Yeats,Marketing Man
  • William Butler Yeats (1865-1939)
  • Aesthete, Art for Art's Sake
  • Wacko Willy/Willy Wacker
  • Anti-marketing

20
To a Wealthy Man who promised a Second
Subscription to the Dublin Municipal Gallery if
it wereproved the People wanted Pictures
  • What cared Duke Ercole, that bid
  • His mummers to the market-place,
  • What th onion-sellers thought or did
  • So that his Plautus set the pace
  • For the Italian comedies?
  • And Guidobaldo, when he made
  • That grammar school of courtesies
  • Where wit and beauty learned their trade
  • Upon Urbinos windy hill,
  • Had sent no runners to and fro
  • That he might learn the shepherds will.

21
Dancer From the Dance
  • Family background
  • Practical Business Experience
  • Positioning in Poetic Marketplace
  • Shameless Self-promotion

22
Barter That Horn and Every Good
  • You will find it a good thing to make verses on
    Irish legends and places and so forth. It helps
    origonality (sic) and makes ones verses sincere,
    and gives one less numerous compeditors (sic)
  • (quoted in Brown 1999 64)

23
All Changed, Changed Utterly
  • Attitude to Work - 'Trade'
  • Commerce in Work Itself
  • Return of Marketing Repressed
  • Fiddler of Dooney

24
The Fiddler of Dooney
  • When I play on my fiddle in Dooney,
  • Folk dance like a wave of the sea
  • My cousin is priest in Kilvarnet,
  • My brother in Mocharabuiee.
  • I passed my brother and cousin
  • They read in their books of prayer
  • I read in my book of songs
  • I bought at the Sligo fair.
  • When we come at the end of time
  • To Peter sitting in state,
  • He will smile on three old spirits,
  • But call me first through the gate

For the good are always the merry, Save by an
evil chance, And the merry love the fiddle, And
the merry love to dance And when the folk there
spy me, They will all come up to me, With Here
is the fiddler of Dooney! And dance like a wave
of the sea.
25
Chronicle of the Celtic Marketing Circle
  • Apocryphal
  • Typical of Late 19th Century
  • Celtic Order
  • 'Marketing' Not Anachronistic

26
Chronicle of the Celtic Marketing Circle
  • O marketeers in time to come,
  • Neath Beal Feirsdes fort fair
  • The Saxon comb clasps every one
  • Wan hank of wind-weft hair.
  • To paradise, away, away,
  • To paradise, away.

Still circles turn and turn again, Thro
Clandeboyes gull grey The Celt descend in veils
of rain As Dionysus deigns to pray. To paradise,
away, away, To paradise, I say.
Where Tone and Joy McCracken stood, In light of
days gone by The faery hound, Muirthemmes
brood Boars bustle in the sty. To paradise,
away, away, To paradise, today.
If object be the subject Yet of Sidhe stilld
Triton horn The merchant roiling moon reject On
McArts aureate morn. To paradise, away, away, To
paradise, aweigh.
A carious cave calls out in sorrow, When Dalriada
lifts in song The trading toil atones
tomorrow, Unless a register is wrong. To
paradise, away, away, To paradise, to stay.
27
Slouching Toward Northwestern
  • CMC, so what?
  • Marketing Modalities
  • Occult Order?
  • Precise Date!

28
Cultural Research Exercise
  • Consider the Moet Chandon ad
  • Who is it by?
  • What age is it?
  • Which epoch does it depict?
  • Where it is set?
  • What happens next?
  • Why this approach?
  • Realism or Magic Realism?

29
Literary Theory(Textual Metaphor)
  • New Criticism
  • Psychoanalytical
  • Marxist
  • Reader-response
  • Russian Formalists
  • Structuralism
  • Archetypal
  • Post-structuralism
  • Post-colonialism
  • Feminism
  • Bakhtinian
  • New Historicism
  • Autobiographical
  • Anxiety of Influence

30
Heritage Parks Study
  • Retroscapes
  • Locations (MoA, UFTM, U-AFP)
  • Information gathering
  • Conceptual framework
  • Fredric Jameson

31
Jamesonian Themes
  • Absence
  • Narrative
  • Hyperspace
  • Retrotopia
  • Connectivity

32
Absence
  • Preserve way of life
  • Preoccupation with whats not there
  • Lack of information
  • Discourse of non-presence
  • Fall Homecoming
  • Geneaology
  • Whats left out by museums

33
Narrative
  • Heritage industry Big Bad Wolf
  • Heritage park Prince Charming
  • Intra-park stories Algeresque
  • Spatial trail of tales
  • Buildings, people, attendants
  • Consumers engagement with park
  • Incomplete, not cohere

34
Hyperspace
  • Decentred, to different degrees
  • Disorienting, geography exhibits
  • De-differentiation, blurred
  • Really real, reality from fake

35
Retrotopia
  • Attitude to past, ambivalent
  • Good old bad old days
  • Schizophrenic
  • Exactly as was, yet all the same
  • Ironic attitude
  • Post-tourist?

36
Connectivity
  • Heritage parks about connections
  • Present to past
  • People to past
  • Family groups
  • Marketing of parks
  • Nostalgia for marketing
  • Marketing makes parks real

37
Big Question
  • Should we, as marketing researchers, try to be
    artistic ourselves?

38
Bigger Question
  • How and in what way can we be artistic?

39
Artistic Issues
  • Creative writing?
  • Other forms of artistry?
  • Use of introspection?
  • Politics of artistry?
  • Evaluation of artistry?
  • What criteria employ?
  • Consider research report - possible to change?

40
Judge That Ye Be Not Judged
Art
Criteria
Science
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