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Neighbour Rosicky (1928) Willa Cather Willa Cather (1) American regionalist and modernist, author of My Antonia (1916), Death Comes for the Archbishop (1925 ... – PowerPoint PPT presentation

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1
Neighbour Rosicky (1928)
  • Willa Cather

2
Willa Cather (1)
  • American regionalist and modernist, author of My
    Antonia (1916), Death Comes for the Archbishop
    (1925), The Professors House (1927) and other
    novels.
  • Born 1873, Back Creek Valley, Virginia
  • At age 10, moved with family to Webster County,
    Nebraska, the Divide

3
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4
Willa Cather (2)
  • The theme of uprooting or exile became a central
    one in Cathers fiction
  • I was little and homesick and lonely. . . . So
    the country and I had it out together and by the
    end of the first autumn the shaggy grass country
    had gripped me with a passion that I have never
    been able to shake. It has been the happiness and
    curse of my life.

5
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6
Willa Cather (3)
  • After a year, the Cathers settled in Red Cloud,
    Nebraska, the basis for many small towns in
    Cathers fictionincluding the town in Rosicky
  • In Nebraska, Willa met immigrants from France,
    Germany, Scandinavia, Bohemia, and Russia

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9
Neighbour Rosicky Family Conflict (1)
  • A story of family conflict set against the larger
    American story of immigrants coming from the big
    cities of Europe and the U.S. east coast and
    settling on the American prairie
  • An immigrant Bohemian farmer in Nebraska is
    nearing the end of his life, remembering the
    important events of his life

10
Neighbour Rosicky Family Conflict (2)
  • He tries to control his familys future by
    ensuring that his sons stay on the farmland he
    settled, rather than move to the city
  • He tries to make his non-immigrant
    daughter-in-law feel part of the family

11
Rosicky as Immigrant
  • boyhood in rural Bohemia (through age 12)
  • teenage years in Londons Cheapside, poor
    tailors apprentice (age 12-20)
  • single, young adult life in New York, tailor,
    learned English (age 20-35)
  • later life as Nebraska farmer, a family man and
    landowner (age 35-65) (Rosickys based on Cathers
    Nebraska acquaintances John Annie Pavelka)

12
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13
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14
Immigrant life/Modernist structure (1)
  • Rosickys life unfolds in the story not
    chronologically but according to Rosickys
    memoriesmodernist structure
  • Unity is not chronological but thematic decisive
    moments that define Rosickys values
  • See p. 1129, sec. III, para. 3 While he sewed,
    he let his mind run back over his life. . . .

15
Immigrant life/Modernist structure (2)
  • Tailoring and remembering As Rosicky patches his
    familys clothes, he patches together his life
  • July 4, 1 Central event see p. 1130, para. 3
    But as the years passed, all alike, he began to
    get a little restless. . . . (through end of
    section III)
  • New York cemented you away from ground
  • Earliest memories of Bohemian farm
  • Rosicky a very simple man (1131)

16
Immigrant life/Modernist structure (3)
  • July 4, 2 See p. 1135, 2nd to last para.
    Nothin, he says, but its pretty hot. . .
    (through middle p. 1136)
  • Rosickys personal expression of
    freedom/independence nakedness
  • Enjoying what you have

17
Country vs. City
  • A major theme in Rosickys life
  • The problems of the city vs. benefits of the
    country see p. 1138, last para. Sitting beside
    the flowering window. . . (through p. 1139,
    para. 2)
  • Country life allows privacy an American value
  • However, New York is first portrayed positively
    (see top of p. 1130)

18
George Bellows, Cliff Dwellers, 1913
19
Childe Hassam, Union Square in Spring, 1896
20
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21
Immigrant vs. American
  • Polly was sensitive about marrying a foreigner
    (1132)
  • Generally speaking, marrying an American girl
    was a risk. A Czech should marry a Czech (1133)
  • See p. 1136, 3rd para. from bottom When
    Rudolphs mother sent over a coffee-cake or
    prune tarts or a loaf of fresh bread, Polly
    seemed to regard them with a certain suspicion.

22
Marriage as social unifier
  • The marriage of Rosicky and his wife Mary brings
    together city and country people. See p. 1128,
    last para. He was fifteen years older than Mary.
    . .
  • In the new generation, the marriage between
    Rudolph and Polly brings together American and
    immigrant

23
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24
Rosicky Polly (1)
  • Rosicky reassures Polly. See p. 1132, 3rd para.
    from bottom That kind, reassuring grip on her
    elbows. . .
  • Rosicky tells the story of his London experience,
    in English, for Polly (1136-38)
  • Polly rescues Rosicky when he suffers a heart
    attack, calls him Father. See middle of p.
    1140 Lean on me, Father, hard! Dont be afraid.

25
Rosicky Polly (2)
  • Rosicky guesses, correctly, that Polly is
    pregnant
  • Polly contemplates Rosickys hand. See p. 1141,
    middle para.
  • The hand embodies Rosickys gift for loving
    people
  • It brought her to herself it communicated some
    direct and untranslatable message.

26
Framing Consciousness Doc Ed (1)
  • Doctor Ed Burleigh the first and last character
    in the story framing consciousness
  • Visits graveyard after Rosickys death. See page
    1142, last three para. Doctor Ed was way when
    Rosicky died. . . .
  • Recalls earlier scene when Rosicky contemplated
    graveyard See p. 1126, final para. After they
    had gone eight miles. . . (through p. 1127,
    para. 3)

27
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28
Framing Consciousness Doc Ed (2)
  • Why a doctor?
  • Cather played at being a doctor when she was
    young, and wanted to become a doctor
  • Doc Ed cannot heal Rosickys body, but his
    consciousness can patch together his life and
    see it as complete and beautiful

29
Cather, age 13
30
Rosicky as a work of modernism
  • Cather wrote, the world broke in two in 1922 or
    thereabouts
  • Neighbour Rosicky (1928) tries to unify a
    broken world through the life a man who bridges
    contradictions immigrant/American city/country,
    etc.
  • The story is concerned with how Rosickys life
    gives meaning to others, through storytelling,
    the body, and the landscape
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