Title: Geography
1Geography
2Hierankopolis
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4Timeline
- 3500 2686 BCE Pre Early Dynastic
- 2686 2150 Old Kingdom
- 2150 2050 First Intermediate Period
- 2050 1750 Middle Kingdom
- 1750 1570 Second Intermediate Period
- 1570 1070 New Kingdom
- 1070 716 Third Intermediate Period
- 716 332 Late Period
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6Events
- 3000 BCE Upper Lower Egypt united
- 2150 Civil war
- 2050 Egypt reunified under Mentuhotep II
- 1750 Hyksos invade (horse wheel)
- 1570 Hyksos defeated
- 1361 1352 Akhenanton Tutankhamen
- (Armana)
7Cultural Notes
- Geography
- Isolated few attacks from other cultures
- Rich soil abundant agriculture
- Complacent longevity
- Upper Lower Egypt
- Pharaoh as god
- Obsession with death the after life
- 31 dynasties
8ART OBJECTS
9Pre-Dynastic Early Dynastic
10People, boats, and animals
- Hierakonpolis, Egypt
- Circa 3500 BCE.
- Paint on plaster
- Approx. 16' 3 long
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13People, boats, and animals
- Tomb (funerary scene)
- Boats represent the journey down rivers of life
death - No ground line
- Heraldic composition
- Mesopotamian influence?
14Palette of King Narmer
- Hierakonpolis, Egypt
- Circa 3000 BCE.
- Slate
- Approx. 2' 1 high
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16Palette of King Narmer
- Relief sculpture
- Utility
- Palette for eye makeup
- Narrative
- Registers
- Hierarch of scale
- Twisted perspective
17Palette of King Narmer
- Palette
- a slate slab used for preparing makeup
18Palette of King Narmer
- Unification of Upper Lower Egypt
- 1st dynasty?
- crown papyrus
- felines with long necks
- Pre-historic to the historic
- Standard for all Egyptian art afterwards
19Palette of King Narmer
- The power pharaoh
- Falcon Horus
- Pharaohs protector
- Female cows Hathor
- Also favor the king
- Narmers hieroglyph
- Bull at the bottom
- Knocks down walls of a rebellious city
20Architecture
21Stepped Pyramid of King Djoser
- IMHOTEP
- Saqqara, Egypt
- Circa 2630 BCE.
- Stone
- Approx. 200 ft tall
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23Stepped Pyramid of King Djoser
- necropolis
- NOT a ziggurat
- Funerary (mastaba)
- Tomb, chapel, shaft
- Chapel had paintings and/or reliefs
- 4 compass points
- Ashlar mason
24Stepped Pyramid of King Djoser
- Necropolis
- Greek, city of the dead
- a large burial area or cemetery
- Mastaba
- Arabic, bench.
- Rectangular brick or stone structure over an
underground tomb
25Stepped Pyramid of King Djoser
- ashlar masonry-
- Carefully cut and regularly shaped blocks of
stone used in construction, fitted together
without mortar
26- Center of a huge precint enclosed by 34 high
wall - 5400 long
- 37 acres
- Tightly guarded
- Daily rituals done
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29Stepped Pyramid of King Djoser
- Columns
- Capital
- Shaft
- Bundled reeds papyrus
- Turned natural temporary structures into
permanent ones
30- Papyrus
- A plant native to Egypt and surrounding lands
- Used to make paperlike writing material
- Also, the material or any writing on it
31Stepped Pyramid of King Djoser
- Capital
- The uppermost member of a column
- Engaged columns
- Influence on the Greeks
32Stepped Pyramid of King Djoser
- Imhotep
- 1st known artist in recorded history
- 3rd dynasty
- Pharaohs chancellor
- High priest of Re (sun)
- Architect
33Old Kingdom
34Old Kingdom
- 4th 8th kingdom
- Establishes the way in which art will be
represented for more than two thousand years
35Architecture
36Great Pyramids
- Gizeh, Egypt
- Circa 2490-2528 BCE
- Limestone
- Largest (Khufu) is approx. 450 ft. tall
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38Great Pyramids
- Built over 75 years
- Rhythm Geometric
- Monumental architecture
- Ashlar masonry
- Political religious
- 7 wonders of the world
- Developed from mastabas
- ben-bens and Re
Khaf.
Khufu
Men.
39Great Pyramids
- ben-ben
- A pyramidal stone tied to the Egyptian god Re
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42Great Pyramids
- Khufu
- Cardinal points
- 775 ft along one side
- Area is 13 acres
- 450 ft tall
- 2.3 million blocks of stone
- Avg. block 2.5 tons
Khaf.
Khufu
Men.
43How the Pyramids Were Built
- http//www.youtube.com/watch?vsIjN5X_JXhIfeature
related
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45Great Sphinx
- Gizeh, Egypt
- Circa 2520 BCE.
- Sandstone
- Approx. 65' high,
- 240' long
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48Great Sphinx
- Funerary complex for Khafre
- Monumental sculpture
- Guardian of his tomb
- Lamassu
- Therianthrope
- Power of the lion
- Khafres face
49Sculpture
50Khafre
- Gizeh, Egypt
- Circa 2520 BCE.
- Diorite
- Approx. 5' 6 high.
- Tomb
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52Khafre
- Existence after death
- Diorite
- Realism
- Portrait sculpture
- Very compact
- Lasts longer
- Subtractive vs. Additive
53- Realism
- Where artists represented the subject matter of
everyday life in a natural way optical - Subtractive
- A sculptural technique where material is taken
away from the original mass - Additive
- A sculptural technique where material is built
upon the original mass
54Khafre
- Symbols
- Papyrus lotus
- Horus
- Perfect body face
- Balance
- Symmetry
55Menkaure and his wife
- Gizeh, Egypt
- Circa. 2490 BCE.
- Slate
- Approx. 4 ½ high.
- Tomb
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57Menkaure and his wife
- Compact
- Attached to the stone
- Subtractive
- Representative formula
- Frontal
- Arms straight down
- Fists clenched
- Left foot forward
- Symmetrical
58Menkaure and his wife
- Emotionless
- Monochromatic
59Ka-Aper
- Saqqara, Egypt
- Circa 2450 BCE.
- Painted wood
- Approx. 3' 7 high
- Tomb
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61Ka-Aper
- Lower status official
- Similar formula
- Left foot forward
- Right arm is straight
- Left arm holds staff
- (indicates position)
- Polychromatic
- Freestanding
- Additive
62Ka-Aper
- Lower status official
- Less ideal in appearance proportions
- Chubby stomach
- Sagging chest
- Round face
63Ka-Aper
- The more important the subject, the more formal
and ideal the portrait - The less important the subject, the less formal
and more realistic the portrait
64Paintings Reliefs
65Relief from the mastaba of Ti
- Saqqara, Egypt
- Circa. 2450 BCE.
- Painted limestone
- Approx. 4 high
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67Relief from the mastaba of Ti
- Not only statues but also reliefs paintings
- 5th dynasty
- Agriculture Hunting
- Provides in the afterlife
- Symbolic against evil
- Crossing the Nile
- Passage to the afterlife
68Relief from the mastaba of Ti
- Twisted perspective
- Registers
- Rhythm
- Narrative
- Anecdotal
- Tells a story of a moment in time
- Most statuary was NOT anecdotal (eternal)
69Relief from the mastaba of Ti
- Canon
- A rule (of proportion)
- The Greeks considered beauty to be a matter of
correct proportion - Canon of proportion, for the human figure and
buildings
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72Middle Kingdom
73Middle Kingdom
- 9th 14th kingdom
- The people challenge the power of pharaoh
- Mentuhotep I reunites Egypt (2050)
- Deter thieves
- Smaller pyramids
- More complex
- Larger sarcophagi
74- Sarcophagus
- Sarcophagi (plural)
- Latin consumer of flesh
- A coffin, usually of stone (granite)
- 150 tons
75Architecture
76Rock-cut tomb
- Beni Hasan, Egypt
- Circa. 1950 BCE
- Approx 25 tall
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78Rock-cut tomb
- Carved into mountains instead of freestanding
- Deter thieves
- Replaces mastabas
79Rock-cut tomb
- Simple design
- Vestibule
- Porch with columns
- Columned hall
- Sacred chamber
- Paintings reliefs
- Columns do NOT support any weight
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81- Flute (fluting)
- Vertical channeling used principally on columns
82New Kingdom
83New Kingdom
- 18th 20th kingdom
- Hyksos
- Defeated by Ahmose I
- Most brilliant period
- Expanded territory
- Euphrates in east
- Nubia in the south
- Lots of trade
84Architecture
85Mortuary temple of Hatshepsut
- Deir el-Bahri, Egypt
- Circa. 1473 BCE
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87Mortuary temple of Hatshepsut
- Temples
- Worship gods while alive
- Tributes to them after death
- Queen Hatshepsut
- Female pharaoh
- Son was only 12
- 1st great female ruler
- Ruled for about 20 years
88Mortuary temple of Hatshepsut
- Senmut
- Chancellor, architect
- Horizontals and verticals
- Fits with landscape
- Colonnades
- Rhythm
- Gardens on the porches
- Reliefs and paintings
89- Colonnades
- A series or row of columns, usually spanned by
lintels.
90Temple of Ramses II
- Abu Simbel, Egypt
- Circa. 1290 BCE.
- Sandstone
- Colossi approx. 65' high.
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92Temple of Ramses II
- Cut out of rock
- Moved in 1968
- Ramses II
- Great warrior pharaoh
- 4 colossi commemorate Ramses himself
- 12 times a normal human
- Not as detailed
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94Temple of Ramses II
- Interior
- Giant figures of Ramses II
- 32 ft tall
- Creates a narrow corridor
- Not load bearing
- (aesthetic only)
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96Hypostyle Hall
- Temple of Amen-Re
- Karnak, Egypt
- Circa. 1290 BCE.
- Stone
- Center columns are 66 tall
http//www.pbs.org/wgbh/nova/egypt/explore/karnakh
ypnor.html
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98Hypostyle Hall
- Added onto over time
- Thutmose I III
- Hatshepsut
- Ramses II
- Symmetrical
- Forms a corridor
- Old Kingdom
- Temple of Hatshepsut
http//www.pbs.org/wgbh/nova/egypt/explore/karnakh
ypnor.html
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100Hypostyle Hall
- Hypostyle hall
- A hall with a roof supported by columns
- Post lintel
- Columns
- 60 tall
- Capitals
- 22 in diameter
- 100 people!
- No cement
101Hypostyle Hall
- Central row higher than the outside rows
- Allows light to come in
- Clerestory
- Relief sculpture
- Bands or registers
- Sunken
- Not meant to be just functional
- Informational purpose
102Sculpture
103Hatshepsut with offering jars
- Deir el-Bahri, Egypt
- Circa. 1473 BCE
- Red granite
- Approx. 8' 6 high.
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105Hatshepsut with offering jars
- Compact, ideal, connected to stone, proportional
- Originally over 200
- Destroyed by Thutmose III
- This one reconstructed
- Kneels only before a god
- Headdress fake beard
- Portrayed as a male
106Paintings Reliefs
107Fowling scene
- Thebes, Egypt
- Circa. 1400 BCE.
- Fresco on dry plaster
- Approx. 2' 8 high
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109Fowling scene
- scribe and counter of grain
- Hieroglyphics
- Enjoying afterlife
- Not static, dynamic
- Hierarchy of scale
- Naturalism
- Birds, cat, fish, etc.
110Fowling scene
- Hieroglyphics
- A system of writing using symbols or pictures
- Pictograph
- A picture, usually stylized, that represents an
idea also, writing using such means - Fresco
- Painting on lime plaster
111Musicians and dancers
- Thebes, Egypt
- Circa. 1400 BCE.
- Approx. 1' x 2 ¼
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113Musicians and dancers
- Ceremonial meal
- Wine jars on the right
- New style
- Dancers
- Overlapping
- Two women on right
- Frontal view
- Movement
- Luxurious life
114More Sculpture
115Akhenaton
- Karnak, Egypt
- Circa. 1353 BCE.
- Sandstone
- Approx. 13' high
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117Akhenaton
- Short, violent upheaval
- Amenhotep IV
- Abandoned traditional gods
- Only Aton (sun disk)
- Only god now
- Wiped out Amens name
- Akehenaton is the sole prophet to Aton
- No animals or humans
- Sun disk only
118Akhenaton
- Changes in traditional stylistic conventions
- Curving contours
- Long face
- Full lips
- Heavy lidded eyes
- Dreaming expression
- Purposeful action against tradition
- Androgynous
- Male Female
119Amarna Period
120Nefertiti
- THUTMOSE
- Tell el-Amarna, Egypt
- Circa. 1353 BCE.
- Painted limestone
- Approx. 1' 8 high
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122Nefertiti
- Akhenatons wife
- The Beautiful One is Here
- Curving contours
- Expression
- Long neck
- Thutmose
- Queens official sculptor
123Smenkhkare Meritaten
- Tell el-Armana, Egypt
- Circa 1335 BCE.
- Painted limestone
- Approx. 9 ½ high
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125Smenkhkare Meritaten
- Akhenatons half-brother wife
- Painted relief
- Curvilinear
- Details of dress, neck, bellies, etc.
- Informal, intimate
- Sculptor shows his knowledge of the body
- Weight shift on hips
126Death mask of Tutankhamen
- Thebes, Egypt
- Circa. 1323 BCE.
- Gold with inlay of semiprecious stones
- Approx. 1' 9 high
127Death mask of Tutankhamen
- Akhenatons son
- Ruled for 10 years
- Dies at 18
- 3 coffins
- Innermost is most rich
- ¼ ton of beaten gold
- Turquoise, lapis lazuli
- Nemes headdress beard
128- canopic jars
- the containers in which the organs of the dead
were placed for burial with the mummy - ushabti
- a statue of a servant placed in a tomb to act as
a servant to the deceased in the afterlife
129Death mask of Tutankhamen
- Big Deal?
- Tomb undisturbed
- Sculpture
- Furniture
- Jewelry
- Etc.
- 1922
- Howard Carter
- Curse of King Tut
130If this is what a boy king received
- What did the great pharaohs have in their tomb?
131Painted Chest
- Tomb of Tutankhamen
- Thebes, Egypt
- Circa. 1323 BCE.
- Wood
- Approx 1 8 long
132Painted Chest
- Tomb of Tutankhamen
- Thebes, Egypt
- Circa. 1323 BCE.
- Wood
- Approx 1 8 long
133Painted Chest
- Tutankhamen as a successful hunter/warrior
- Hunt scene on top
- War scene on side
- Hierarchy of scale
- Rhythm, overlapping
- Amarna style
134Last Judgement of Hu-Nefer
- Thebes, Egypt
- Circa. 1290 BCE.
- Painted papyrus scroll
- Approx. 1' 6 high
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136Last Judgement of Hu-Nefer
- Narrative
- Hu-Nefer is led by Anubis to the scales
- Feather of Maat (truth)
- Ammit would eat heart
- Thoth records outcome
- Horus leads Hu-Nefer to Osiris
- All of the gods in upper register
137Last Judgement of Hu-Nefer
- Shows a return to traditional stylistic
conventions - Rigid
- Strict twisted perspective
- Angular lines