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Title: Girls Development: Intersections of Gender, Class, Culture, and Race


1
Girls DevelopmentIntersections of Gender,
Class, Culture, and Race
  • Raising Their Voices, Lyn Mikel Brown

Psy 318 Adolescent Development Dr. Muñoz Wells
College Class notes
2
When I Was a Boyby Dar Williams
  • I won't forget when Peter Pan came to my house,
    took my hand I said I was a boy, I'm glad he
    didn't check.I learned to fly, I learned to
    fight, I lived a whole life in one night We saved
    each other's lives out on the pirate's deck.And I
    remember that night when I'm leaving a late night
    with some friends And I hear somebody tell me
    it's not safe, someone should help me I need to
    find a nice man to walk me home.When I was a boy,
    I scared the pants off of my mom,Climbed what I
    could climb up on And I don't know how I
    survived, I guess I knew the tricks that all the
    boys knew And you could walk me home, but I was a
    boy, too.I was a kid that you would like, just a
    small boy on her bike Riding topless, yeah I
    never cared who saw.My neighbor came outside to
    say, "Get your shirt," I said "No way It's the
    last time, I'm not breaking any law."And now I'm
    in a clothing store, and the signs say Less is
    More More that's tight means more to see, more
    for them, not more for me That can't help me
    climb a tree in ten seconds flat When I was a
    boy, see that picture? That was me Grass stained
    shirt and dusty knees.And I know things have
    gotta change,They got pills to sell, they've got
    implants to put in, they've got implants to
    remove But I am not forgetting That I was a boy
    too. And like the woods where I would creep, it's
    a secret I can keep Except when I'm tired, except
    when I'm being caught off guard.I've had a
    lonesome awful day, the conversation finds it's
    way To catching fireflies out in the backyard And
    I tell the man I'm with about the other life I
    lived And I say now you're top gun, I have lost
    and you have won And he says "Oh no, oh, no,
    can't you see When I was a girl, my mom and I, we
    always talked And I picked flowers everywhere
    that I walked And I could always cry, now even
    when I'm alone I seldom do And I have lost some
    kindness,But I was a girl too.And you were just
    like me, and I was just like you."

3
  • Today
  • Discuss ideas for autobiography
  • Chapters 1 2, Brown
  • FilmWhale Rider
  • In class work Interactions of gender, class,
    culture, and race as these intersect with an exit
    voice dilemma. Work in pairs.

4
When you consider Erikson, Piaget, Anna Freud,
and Carol Gilligans explanations of what happens
in adolescence, what do you see? What overlaps?
What is interrelated? What happens when you
consider gender, class, race, and culture?
Exit Voice Dilemma
5
Anger as Political Resistance
  • Without anger there is no impetus to act against
    any injustice done to them. If we take away
    girls anger, then, we take away the foundation
    for womens political resistance.
  • Lyn Mikel Brown, p. 13

6
Anger as Political Resistance
  • Anger and conventional femininity are subversive
    of each other.
  • Lyn Mikel Brown, p. 12

7
Class, Culture, and Race
  • The political discourse on class in the United
    States is woefully inadequate and almost always
    feeds an oddly specific stereotype of poor urban,
    black unwed mothersbut there is great diversity
    among the poor, and most officially poor people
    are white. The psychological literature on class
    in the United States is sparse, on white girls
    and class nearly non-existent.
  • Lyn Mikel Brown, p. 17

8
Class, Culture, and Race
  • This analysis, then, contributes to broader
    attempts to mark our differences within
    whiteness to understand how construction of
    whiteness varies across lines of class.
  • Lyn Mikel Brown, p. 19

9
On Methodology
  • Because white middle-class women have defined
    the categories of analysis when it comes to the
    lives of adolescent girls, it was important to us
    hat the girls in this study take the focus groups
    and interviews where they wanted, so that they
    might break out of the narrow elitist categories
    that have circumscribed girls and womens
    experiences.
  • Lyn Mikel Brown, p. 31

10
On Methodology
  • I wanted not only for girls to experience the
    power of their collective voices, but also to
    represent those voices to others and thus to
    disrupt the tendency of psychology to
    over-individualize, to miss the relational and
    societal contexts through which individual selves
    emerge.
  • Lyn Mikel Brown, p. 33

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15
Girls
Cognitive Development
Identity Development
Gender
Personality Development
Moral Development
16
Chronology of Research on Gender in Adolescence
(Psychology)
17
The Politics of Girls Anger
Concepts
  • What are vulnerabilities in girls development?
  • How does socioeconomic class affect these
    vulnerabilities differently for the Mansfield and
    Acadia girls?
  • What are the identity tensions for girls?
  • What are the developmental themes represented in
    these girls narratives?
  • Liminal Space
  • Ideological Becoming
  • Resistance
  • Phantasmic Ideal
  • Ventriloquation
  • Desire
  • The Underground
  • Freedom

18
Ventriloquation
Ideological Becoming
CLASS
GENDER
Themes
Themes
Mansfield
Acadia
19
When you consider Erikson, Piaget, Anna Freud,
and Carol Gilligans explanations of what happens
in adolescence, what do you see? What overlaps?
What is interrelated? What happens when you
consider gender, class, race, and culture?
Exit Voice Dilemma
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