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The Arabic and Islamic Music

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Fairouz (Lebanon Middle east) presented by: Areeman ... Sufi Music in Morocco (north west of Africa) There are two principal genres of Sufi music in Morocco: ... – PowerPoint PPT presentation

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Title: The Arabic and Islamic Music


1
The Arabic and Islamic Music
Lebanon
Morocco
Egypt
  • Introduction
  • Classical/popular music (Egypt ? east Africa)
    presented by Shelair
  • Fairouz (Lebanon ? Middle east) presented by
    Areeman
  • instructional and performance videos of Arabic
    belly dancing (Oriental dance) presented by
    Maritza
  • A thorough explanation of some of the Arabic
    instruments (Oud as example) presented by Dhruv
  • Sufi Music (Morocco ? north west Africa)
    presented by Samir

2
Sufi Music in Morocco (north west of
Africa)There are two principal genres of Sufi
music in Morocco?Aissawas?Melhoun Both genres
were founded in the 16th century. The first
masters of the Melhun came from Tafilalt. Where
as Aissawas main spiritual center (zaouia) is in
Meknès where its founder is buried
Moroccan Music Map
3
What is Sufism ?
  • The word Sufi has come to denote an Islamic
    Gnostic or mystic, although its derivation is a
    matter of controversy.
  • The two principle sources are thought to be
    believe a derivation from
  • Arabic Suf meaning Wool
  • Greek derivatives of Sohpos philosophers-
    or Sophistes meaning Wise
  • Sufism is a Muslim philosophical and literary
    movement that emerged in the 10th and 11th
    centuries and gained prominence throughout the
    middle east by 13th century, borrowing ideas from
    neo-Platonism, Buddhism and Christianity.

4
SoundBoth genres (Aissawas Melhun) are
rhythmicMelhûn There are three main Melhûn
rhythms gubbâhihaddâri drîdka.Masters of
the Melhun use two methods for keeping time
during a song beating or clapping hands,
ar-rash, and the range of percussion instruments,
notably the tarîja (small goblet drum made of
clay), which is the instrument most commonly used
in the Melhun as in other forms of folk music.
5
SoundThe al-gubbâhi, rhythm used in the
introductory sarrâba and at the end of certain
qassîda, laqsida in Moroccan dialect) of the
Melhun is based on two essential elements the
overtures preceding it improvisation- and the
parts of which it is composed.
6
SoundThe al-haddârî rhythm used in the central
part of the qassîdaThe dridka rhythm brings
to an end most of the qassîda music example
peace of dridka
7
SoundThe Melhun orchestraThe Melhum
orchestra, which has no wind instruments, is
divided up into two groups stringed instruments
and percussion instruments.Stringed
Instruments Al-ûd (the lute), has six
strings, five of which are double and one (the
lowest in pitch) simple. al-kamân ,The violon,
played in the same way as in the al-âla andalusi
orchestra, that is to say placed vertically on
the knee. As-swîsdî or swisen, small folk lute,
with a high, dry sound, forms parts of the family
of gambrî instruments, whose three strings are
tuned as follows Al-hajhûj, with its
low-pitched sound, is the biggest of three
instruments of the gambrî family (the
medium-sized al farkh being another member) is
tuned thus Percussion instruments (tarîja)
are held by the munshid (solo singers) and by the
reddâda (choir) who, at the same time, act as
sheddâda (percussionists) performing

8
  • Sound
  • Aissawa instruments
  • The instruments that accompany the ritual by
    Aïssawa are cylindrical tambourines with only
    one membrane (bendir), drums with double membrane
    (t'bal), oboes (ghaïta), and (tassa) a small
    cylindrical metal instrument.


9
  • Sound
  • Both genres have
  • A high degree of collective participation
  • Structuring of songs around repetition
  • Call and response vocal format
  • An association of music with dance customarily
    accompany dancing and whirling dervishes (a
    member of various Muslim ascetic orders) in a
    ceremony known as ltZirkgt which mean
    remembrance. In ltZirkgt, music is used to bring
    devotes closer to the experience of
    consciousness.

10
  • Concept
  • The musical idea is typically religious. The
    religious brotherhood of the Aissawas, spiritual
    descendants of Shaykh or Wali (Saint) Muhammad
    Ben Aisa, who died in1526 after moving to Meknes,
    draws it sources from the Sufi Tradition. After
    the death of its founder, his disciples continued
    the education of the mouridin (volunteers) whose
    principle activity consisted in reading and
    reciting the Quran and chanting hymns to the
    glory of the prophet Muhammad music example
    Bismillah (in the name of God).
  • The followers of this brotherhood devote
    themselves, after initiation near a Master, to
    the individual practice of the asceticism and
    ritual collectives animated by musical
    instruments

11
  • Behavior
  • A good example of social behavior and
    organization is in Aissawa ceremonial music in
    social occasions which, is practiced in a variety
    of religious and social occasions such as
  • moussems - festival of saints
  • the Moulad - the anniversary of the Prophet's
    birth,
  • Friday meetings after the Asr prayer,
  • marriages and birth. 
  • Circumcision
  • Chabana, the month before Ramada, henna designs
    on womens hand

12
  • Conclusion The Sufism message
  • Sufism must live in
  • Serve and guide society
  • Be a vehicle by which society receives grace.
  • Being in harmony with society
  • Being at a peace with all, is a quality of
    perfect being
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