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Elements of the Avian Sound Production System

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Elements of the Avian Sound Production System. Internal Tympanic Membranes: ... 1000 (2000 in Mockingbird, Brown Thrasher) Information Conveyed by Complexity ... – PowerPoint PPT presentation

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Title: Elements of the Avian Sound Production System


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Elements of the Avian Sound Production System
  • Internal Tympanic Membranes tension determines
    frequency of sound
  • Air Sac pushes membranes into lumen of bronchi,
    pressure determines loudness
  • Muscles of the Syrinx control tension of the
    membranes
  • Trachea modifies sounds produced syrnix

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Role of the Trachea
  • Acts as resonance tube in some species
  • Extra-long trachea in some of these
  • Acts as a complicated filter in most species,
    including the best singers
  • Controls which frequencies are allowed pass
  • Enables pure tones (at frequency of the
    membranes) to be produced (whistled song)
  • Harmonic songs are also produced

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Variation in Syringeal Muscles
  • Number determines range of frequencies
  • Ratites, storks, New World vultures have none,
    can only grunt and hiss
  • Most non-passerines, non-oscine passerines have 2
    pairs extrinsic muscles
  • Oscine passerines have 2 pairs extrinsic muscles
    6 pairs intrinsic muscles, have the best range

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More on Structure
  • Variation in song complexity in oscines is due to
    differences in what species are programmed to
    sing, not structure of syrinx
  • Birds can sing two notes at once
  • Usually alternate notes produced by two bronchi,
    but sometimes sing both together

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What is Song?
  • Long, complex vocalization with functions of mate
    attraction and territory defense, mostly
    restricted to males in the breeding season

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Other Vocalizations (Calls)
  • Mostly 5-14 per species
  • Contact calls
  • Aggressive calls, courtship calls
  • Parental calls, begging calls
  • Alarm calls, mobbing calls, arousal calls

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Vocalizations Function in Communication
  • Birds use only vocal, visual communication
  • Communication exchange information, alteration
    response probabilities of recipient based on
    signal from actor
  • 2 views signal stands for motivation of actor
    signal used to manipulate recipient
  • Signal has function (advantage actor), target,
    reason for recipient to respond

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Aerial predator alarm call is hard to localize
long, slurred, narrow frequency range makes hard
to detect beginning and end high pitch means
wavelength too short to easily localize
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Aerial Predator Alarm Call
  • Risk to caller reduced because hard localize
  • Target recipients may be mate, relatives
  • Alarm calls also given in absence of mates and
    relatives
  • Motivation view target recipient is predator
  • Manipulation view target recipients are flock
    mates, used for cover

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Chickadees (and others) give false alarms at bird
feeders to obtain food when access being
restricted by dominant species
  • This phenomenon is problematic for the motivation
    view, supports the manipulation view

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Terrestrial Predator Alarm Call
  • Structure makes easy to locate, no risk
  • Supports idea aerial predator alarm call is
    designed to reduce risk
  • Refutes idea using flock mates for cover
  • Several possible target recipients
  • Mate and relatives
  • Flock mates (recruit for mobbing)
  • Predator

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Song as Communication
  • Target recipients
  • Potential mates (conspecific females)
  • Territory rivals (conspecific males)
  • One type of information species identity
  • Structural result each species has unique song,
    divergent from those of similar species
  • Song is overly complex for this single function,
    implying additional information conveyed

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The Complexity of Song
  • Syllables groups into song units
  • 4 syllables per unit in Rufous-collared Sparrow,
    50 in Winter Wren
  • Species differ in how many song units an
    individual sings
  • 1 (Rufous-collared Sparrow)
  • A few (8 in Yellow-throated Vireo)
  • 100 (30-150 in Marsh Wren)
  • 1000 (2000 in Mockingbird, Brown Thrasher)

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Information Conveyed by Complexity
  • Individual identity
  • Probably universal
  • Dear neighbor phenomenon
  • Complex communication
  • Different song units have different functions
    (mate attraction vs territory defense warblers)
  • May provide location information (center vs edge
    territory)

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Much of complexity in song likely contains no
information
  • Often song units sung do not vary with context in
    any consistent way
  • That recipients respond differently to different
    song units seldom demonstrated
  • It is likely that a complex repertoire is
    advantageous, but individual song units are
    meaningless

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Advantages of a Large Repertoire
  • Diversity impresses females (mate choice)
  • Diversity promotes territory defense
  • Prevents habituation
  • Enables song matching
  • Dominance based on repertoire size
  • Promotes mate acquisition, territory defense
  • Evidence males largest repertoire have highest
    reproductive success, survival
  • Mimicry is extreme case, result of strong
    selection for large repertoire size

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