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Topic of the course

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Literary and artistic influence ... Ignoring artistic expression of Others ... pride: cooking, painting, music and living life with a general sense of style. ... – PowerPoint PPT presentation

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Title: Topic of the course


1
Topic of the course
  • Which preconceived ideas and expectations do
    English people carry about Italy?
  • How were they formed?
  • Direct knowledge of the country
  • Literary and artistic influence
  • What role did literature play in the
    dissemination of ideas about Italy?
  • Which images of Italy are reflected in English
    literature?

2
A topos of the British imaginary
  • Italy remained a constant component of the
    English background even in the centuries of
    Italys political eclipse
  • Some special places and cities have a mythical,
    ideal reality
  • National characteristics of Italians have become
    stereotypes
  • Literature and the arts are as important as
    experience in the formation of these ideas

3
Role of literature in the formation of Italian
myth
  • Literary Italy is a construction, a creation of
    the writers, rather than a realistic portrait or
    description
  • The English public sees Italy through the filter
    of this half created reality. These perceptions
    of Italy are often more vivid than the actual
    experience of being in the country

4
Quotation
  • Manfred Pfister Introduction to The Fatal Gift of
    Beauty (anthology of excerpts from travellers to
    Ital), the Italy perceived by the British
    travellers (and even more so by writers of
    fiction) is half-created by them. Or, to put it
    in a less romantic and more fashionable terms it
    is a construction, an Italy made in England
    (p. 3).

5
What are we going to study in this course?
  • Some set texts which illustrate the most common
    ideas about Italy
  • The theory of literary genres. See how different
    genres (fictional and non fictional, poetry and
    prose) contribute to the dissemination of ideas.
  • History and the history of literature to
    understand how different contexts determine the
    text.
  • The theme of Otherness and Imagology (i.e. the
    study of images), a branch of comparative
    literature

6
Otherness and the study of the images of the Other
  • The study of the Other has become recently a very
    popular branch of knowledge (in anthropology,
    psychology, comparative literature)
  • It attempts to see how a hegemonic culture or
    gender group views different or subaltern ones as
    inferior or exotic or just plain alien.
  • Identifies traces of a hegemonic attitude even in
    apparently innocent images of another culture
  • A groundbreaking study in the field was Edward
    Saids Orientalism

7
Examples of Otherness internal to a society
  • Others as linguistic groups
  • Others as physically different
  • Handicapped people
  • Racially different people
  • Others as gender groups
  • Women
  • Gay and lesbian
  • Others as social groups
  • Foreigners
  • People of other religions
  • People distinguished by census or class

8
Examples of Otherness external to a society
  • Especially natives of countries discovered by
    Europeans
  • Other nations
  • Other religions

9
How have Others been dealt with?
  • Persecution, deportation e.g. genocides, the
    Shoah, pogroms,
  • Enslavement, colonization
  • Emargination, e.g. ghettoes, apartheid, exclusion
    from education, jobs
  • Victimization, e.g. witch hunts, public
    punishments

10
Othering through language
  • Assigning certain characteristics, functions, and
    qualities to certain people Stereotyping.
    Exoticism
  • Attaching labels
  • Polarities
  • Name calling
  • Ridiculing linguistic expression of Others
  • Ignoring artistic expression of Others
  • Imposing literary, artistic canons

11
Dealing with the Challenge of Otherness
  • Politically Decolonization, Liberation movements
    Multiculturalism
  • Culturally through Deconstruction (a Liberation
    movement of the mind)
  • Postcolonial literature, ethnic studies,
  • Cultural studies,
  • Feminist studies
  • Imagological studies

12
The perception of Italy is often based on sets of
comparisons with England
  • Latin
  • Roman Catholic (popist)
  • Effeminate
  • Passion
  • Sensuous pleasure
  • Exuberance
  • Anarchy
  • Disorganization
  • Antiquity
  • Hot
  • Germanic
  • Protestant
  • Masculine
  • Reason
  • Discipline
  • Self-control
  • Political order
  • Efficiency
  • Modernity
  • Cold

13
Why were these preconceptions formed?
  • To define oneself by defining the Other (see
    quotation n. 2)
  • To define ones sense of cultural identity
  • For political and ideological reasons

14
Quotation N. 2Italy is Englands other self
  • The British have for centuries been
    susceptible to the charms of Italy, of the bel
    paese. Unlike France or Germany, Italy does not
    challenge the British at any of the pursuits they
    are best at parliamentary democracy, fighting
    wars and writing plays. Instead, it excels in
    spheres in which the Brits invest little pride
    cooking, painting, music and living life with a
    general sense of style. It is a complementary
    match of masculine and feminine characters. All
    too often, though, it is a mismatch of
    understanding."
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