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Chapter Eleven Culture and Society

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Title: Chapter Eleven Culture and Society


1
Chapter ElevenCulture and Society
  • The Sapir-Whorf hypothesis
  • otherwise known as the theory of linguistic
    relativity
  • 1. It imagines direct relationship between the
    sign and the thought processes within a culture.
  • 2. The hypothesis suggests that the way we see
    the world is shaped by the grammatical structure
    of language.
  • 3. This theory differs from social
    constructionist theories because it holds that
    reality is already embedded in language and
    therefore comes preformed.

2
Cultural interpretation
  • commonly referred to as ethnography, involves
    interpreting the actions of a group or culture.
  • 1. It involves thick description, in which the
    interpreter describes events from the native's
    point of view,
  • and thin description which is a description of
    behavioral patterns without a sense of what it
    means to the participants themselves.

3
Cultural interpretation
  • 2. The hermeneutic circle in ethnography involves
    a movement of the mind from experience-near
    concepts, which are close to the meanings of the
    natives in the culture,
  • to experience-distant concepts, that are closer
    to the meanings of the interpreter.
  • 3. Constant reinterpretation may be required as
    each subsequent understanding is found lacking.

4
Cultural interpretation
  • Ethnographic theorizing is a four-part process.
  • 1. The first is to develop a basic orientation to
    the subject.
  • 2. The second phase of ethnographic theorizing
    defines the classes or kinds of activity that
    will be observed.
  • 3. Next, the ethnographer will theorize about the
    specific culture under investigation.
  • 4. Finally, the ethnographer moves back out to
    look again at the general theory of culture he or
    she is operating with and test it with the
    specific case.

5
Ethnography of Communication
  • , a research tradition originated by Dell Hymes,
    suggests that formal linguistics is not
    sufficient by itself to uncover a complete
    understanding of language.
  • You gotta go hang out!

6
Ethnography of Communication
  • 1. The focus here is on communication patterns
    within a cultural group.
  • 2. All forms of communication require a shared
    code,
  • communicators who know and use the code,
  • a channel,
  • a setting,
  • a message form,
  • topic,
  • and an event created by the message.

7
Ethnography of Communication
  • 3. Hymes suggests a number of general
    communication categories that can be used to
    compare groups.
  • a) Ways of speaking are patterns familiar to the
    group.
  • b) The ideal of the fluent speaker is the
    group's idea of what makes an exemplary
    communicator.
  • c) The speech community is the group itself and
    its boundaries.

8
Hymes suggests a number of general communication
categories that can be used to compare groups.
cont
  • d) The speech situation, times when communication
    is considered appropriate in the community.
  • e) The speech event is what episodes are
    considered to be communication.
  • f) The speech act consists of the specific set of
    behaviors taken to be communication.

9
Hymes suggests a number of general communication
categories that can be used to compare groups.
cont
  • g) The components of speech acts are what the
    group considers to be the elements of a
    communicative act.
  • h) The rules of speaking are the guidelines or
    standards followed when communicating.
  • i) The functions of speech are what
    communication is believed to accomplish.

10
Four assumptions of ethnography of communication
  • 1) Participants in a local cultural community
    create shared meanings by using speech codes.
  • A speech code is a distinctive set understandings
    within a culture about what counts as
    communication.
  • Speech codes create a sense of how to act with
    other people in a social group.
  • The code guides what communicators actually
    experience.
  • The speech codes are embedded in daily speech.
  • They form the basis on which culture will
    evaluate and conduct its communication.

11
Four assumptions of ethnography of communication
  • 2) Communicators in any cultural group coordinate
    their actions.
  • 3) Meanings and actions differ from culture to
    culture.
  • 4) Each group has its own ways of understanding
    certain codes and actions.

12
The ethnography of communication looks at three
types of problems.
  • a) The first is to discover the type of shared
    identity created by communication.
  • b) The second is to uncover the shared meanings
    within the group.
  • c) The third is to explore the ways in which
    groups handle contradictions.

13
The communication ethnographer asks three types
of questions
  • a) Questions of norms direct attention to the
    standards of right and wrong.
  • b) Questions of forms direct attention to the
    types of communication used.
  • c) Questions of cultural codes draw attention to
    meanings and symbols.

14
Performance ethnography
  • 1. Everyday culture is like theater.
  • 2. Public performances are social dramas.
  • a) They are liminal, marking transitions and
    borders.
  • b)They follow a pattern.
  • (1) The breach is a violation or threat to the
    community.
  • (2) The crisis involves community agitation.
  • (3) Redressive procedures mend the breach.
  • (4) Reintegration restores peace.

15
Performance ethnography
  • c) Not all members participate as performers in
    social dramas, but these roles are taken by
    "stars."
  • d) Performance is significant as embodied
    practice.

16
The Critical Tradition
  • has one common theme, the idea that social and
    cultural arrangements are loaded to enforce the
    power of certain groups and oppress others.

17
Most hold that the process is overdetermined,
caused by multiple sources
  • 1. Critical scholarship seeks to uncover
    oppressive forces through dialectical analysis
  • which exposes the underlying struggle between
    opposing forces,
  • and to empower the aggrieved.

18
  • 2. To groups who benefit from the current
    arrangement, everything looks normal and natural
    while the marginalized see the misalignment.
  • 3. Critical theorists holds that language of the
    dominant class makes it difficult for subordinate
    classes to understand their situation.

19
Four general categories of theory
  • , modernist,
  • postmodern,
  • poststructural
  • and postcolonialism help in sorting out this
    diverse tradition.

20
Modernist theories, often referred to as
structural, centers on ongoing oppressive social
structures.
  • Marxism, based on the social theory of Karl Marx,
    is one of the most important intellectual strands
    of the past century.
  • a) It is based on the premise of the
    base-superstructure relationship, the idea that
    societys means of production determine the
    structure of that society.
  • b) Marxist critique of political economy is the
    belief that economics drives politics.
  • c) Marxism places great emphasis on the means
    of communication, on the discursive formations
    that contribute to oppression and alienation.

21
Few critical theorists today hold to classical
Marxist ideas
  • but many are neomarxists incorporating Marxs
    concerns with dialectical conflict, domination
    and oppression.

22
Ideology remains an important concern to most
critical theories.
  • a) Ideology is set of ideas that structure a
    groups reality, a system of representations that
    govern how people and groups view the world.
  • b) In classical Marxism, ideology is a false
    consciousness, a set of false ideas that
    perpetuate the dominant forces.

23
Louis Althusser sees ideology as forming an
individuals subjective understanding of
experiences.
  • a) The superstructure consists of repressive
    state apparatuses, such as the police, military
    and the ideological state apparatuses such as
    religion, education and the media.
  • b) The repressive mechanisms enforce an ideology
    when it is challenged, while the ideological
    reproduce it in every- day communication making
    it seem natural.

24
Hegemony, the process of domination of one
particular ideology, is the interest of Antonio
Gramsci.
  • a) Hegemony happens when events or texts are
    interpreted in a way that promotes the interests
    of one group over those of another.
  • b) This can be a subtle process of co-opting the
    interests of the subordinate group into
    supporting those of the dominant group.

25
Feminist scholarship with the modernist tradition
centers around two lines of inquiry
  • a) Liberal feminism seek for women to gain equal
    status with men in existing power structures.
  • b) Radical feminism demands a basic redefinition
    of all facets of society to make it more
    emancipatory for both men and women.

26
Postmodernist theories resists the idea of a
priori oppressive social structures.
  • 1. It teaches that there is no objectively real
    structure or central meanings and for this reason
    is often considered atheoretical.
  • 2. It holds that social realities are fluid,
    constantly produced, reproduced and changed
    through the use of language and other symbolic
    forms.

27
Postmodernist theories
  • 3. Cultural studies involves investigations of
    the ways culture is produced through a struggle
    of ideologies.
  • a) The most notable group of cultural studies
    scholars are affiliated with British Cultural
    Studies at the Centre for Contemporary Cultural
    Studies at the University of Birmingham.
  • b) This group aims to achieve change by
    identifying contradictions in society and
    providing interpretations that will help people
    see how they are oppressed.

28
Cultural studies
  • c) Cultural studies is dominated by the study of
    mass communication because media are powerful
    tools of the dominant ideology.
  • d) Culture is the ideas and practices on which a
    group relies in its everyday life.
  • (1) Within a culture ideas are produced by
    practices, and practices are shaped by ideas.
  • (2) Dominant interests are promoted by
    particular cultural productions such as those
    disseminated by the media.
  • (3) Realities are created and reinforced by
    many different sources, which is a process of
    articulation.

29
Cultural studies
  • e) Capitalistic societies are dominated by a
    particular ideology of the elite.
  • (1) Social institutions support the dominant
    ideology, making resistance difficult.
  • (2) The state of affairs in society is
    overdetermined, or caused by multiple sources.

30
Cultural studies
  • f) Media are a particularly effective tool for
    dispersing perceptions and are governed by the
    prevailing ideology that frames opposing views
    from within this dominant form.
  • g) The irony is that media present the illusion
    of diversity and objectivity when in fact they
    are clear instruments of the dominant order

31
Cultural studies
  • h) Views that challenge the prevailing structure
    are painted as being on the fringe.
  • i) Media producers control content in the way
    they encode media messages.
  • (1) To be intelligible events must be put in
    symbolic form.
  • (2) The communicator has a choice of codes to
    use to put these experiences in a symbolic form.
  • (3) Every symbol coincides with an ideology so
    the selection of the symbols chosen is an
    ideological choice.
  • (4) The ones chosen affect the meaning for the
    receivers.
  • (5) Audiences may or may not accept the meanings
    intended, and oppositional ideologies can and do
    arise.
  • (6) Dominant ideologies are usually accepted
    because they are reinforced by so many sources in
    society.

32
Cultural studies
  • j) The interpretation of media texts is a
    struggle for ideological control as a number of
    competing interpretations struggle to be
    accepted.
  • k) The chief aim of cultural studies is to expose
    the ways these ideological messages are
    perpetuated and ways they can be resisted.

33
Critical Race Theory (CRT)
  • is another example of a cultural studies although
    it has connection to modernist, as well as
    post-modern traditions.
  • a) CRT scholars see racism as ordinary and
    normal, the usual way society works.
  • b) White domination in the U.S. serves the
    dominant groups so there is no real interest in
    eliminating racism.
  • c) Race is a social construction, products
    of social interactions that is manipulated or
    retired when convenient.

34
Critical Race Theory (CRT)
  • d) Race is more than structural category but a
    fluid one.
  • e) An extension of this line of thought is the
    study of whiteness, examining what it means to be
    white, how it became established legally, and how
    certain groups (such as the Italians and Irish)
    moved into whiteness.
  • f) Six strategies are inherent in whiteness.
  • (1) White is equated with power.
  • (2) White is a default position.
  • (3) White has become a scientific classification
    drained of its social status.
  • (4) White is synonymous with nationality.
  • (5) White means the refusal to label self as any
    radicalized category.
  • (6) White means European ancestry.
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