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Title: Case Study:


1
  • Case Study
  • Zywiec Museum of Humour

2
Imagine a perfect museum project. What should it
be like this time from a point of view of an
ordinary consumer?
  • The project should
  • touch the emotions, e.g. funny for the Recipient,
  • be easily accessible,
  • stimulate the interest of the media,
  • be creative and attractive, different than the
    others,
  • be lively (interactive and dynamic),
  • be well grounded in visual aspects and the ideas,
  • be universal comprehensible and interesting for
    people of various circles,
  • receive high evaluation by the recipients
    (target), opinion-makers (the media),
    professionals (industry).
  • be efficient which is expressed in quality
    evaluations, numbers, statistics, etc.
  • Based on the Advertising Age research.
    Ordinary consumer average respondent of the
    public opinion surveys.

3
It is difficult to invent and organise such an
ideal project.But we have an example which is
close to perfection -)
  • The Zywiec Museum of Humour the best museum
    project in the
  • event marketing category in Poland and worldwide.
  • That is the opinion of the jury the experts in
    the marketing. Zlota Strzala award in Poland,
    The Globe Award abroad. Also prize in the Zlote
    Spinacze PR competition.
  • The Museum, which from the beginning to the end
    was different than other museums

4
Zywiec Museum of Humour
  • 300 m2 of roofed exposition space.
  • 600 m2 of exposition space outside.
  • Summer cinema, internet cafe, bar.
  • Interactive installations bicycle,
    barometer, peep-show, periscope.
  • Commando- special happening group.
  • but

5
Everything is mobile!
  • Eight trucks can transport the Museum with the
    office wherever you want.
  • In addition, the Museum is active in the full
    scope of the notion of humour
  • The Museum organises press conferences.
  • National Competitions of collecting exhibits.
  • It has its own vortal in the Internet.
  • Originates and co-organises festivals, reviews,
    etc.

6
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7
Most popular exhibition. Szuflandia the
city of the dwarfs from famous polish comedy
Kingsajz (1983). One of 23 points of vies
key wholes.
8
What is the Museum?
  • More than 5,500 exhibits from all possible fields
    related to humour (mainly from the recent 200
    years).
  • The largest collection in Poland of such famous
    shows as old cabarets or comedies (Rejs, Mis,
    Seksmisja, etc.).
  • Strange collections popart, kitsch,
    subcultures...
  • The only mobile museum in this part of Europe.
  • The exhibition with the most advanced concept in
    Poland (interactive exhibitions, reconstructions
    of real spaces, multimedia, separate creative
    sessions for each subject ).
  • Find more at www.muzeumhumoru.onet.pl on the
    Visit the Museum, Exhibitions and other sites
  • Probably the most popular and most
    media-attracting museum in Poland for many years
    (media coverage higher than that of the Zacheta
    Gallery!).

9
One of many locations Gliwice. The Museum
visited also Gdansk and Kraków (twice in each
city), Wroclaw, Warsaw and Zakopane, and
organised smaller exhibitions in Katowice and
Chorzów. There is already a queue of eight cities

10
Collections of the Museum
  • Humour in the cartoons. Communism time versus the
    new wave of the 90s.
  • Peep-show with all funniest Polish old
    advertisements.
  • The best Polish comedies of all times Rejs, Mis,
    Hydrozagadka, Dziewczyny do Wziecia,
    Wniebowzieci, Sami Swoi, Vabank, Jak rozpetalem
    II W.S.
  • The Best of Polish Press Agency photos of 1993
    2003.
  • Gallery of satiric drawings, including works or
    Marek Raczkowski.
  • The Humour of Lvov and the 20s in the Polish
    sense of humour.
  • Seksmisja (the most famous comedy of the Polish
    80s).
  • Mountain Humour Strange Panorama of the Tatra
    Mountains.
  • Precinct of Stupid Militiamen (Militia services
    from the communist times were the main object of
    jokes and the manner for emotional revenge of the
    Poles).
  • Puppets from MdM (strange objects, errors, etc.
    from the popular Polish television entertainment
    programme, MdM).
  • Shops and their back offices (social reality from
    the time of Marshall Law compared with the
    mid-90s with a food shop as an example).
  • Healthcare Clinic humour related to health.
  • Kingsajz and Szuflandia the scenography of the
    famous comedy.
  • Internet Gafe and many others

11
in our museum outside stage events
inside press conference
12
Tournee 2002 / 2003.
Gdansk x 2
Wroclaw
Warszawa
Gliwice
Kraków x 2
Zakopane
13
Interactive installations e.g. famous in Pl.
training bike from the movie Sexmission.
14
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What does the Patron receive from the Museum?
  • Mass, direct, interactive and emotional live
    contact with the well defined target.
  • Extensive and maximum positive context the
    association Zywiec good humour at a high
    level.
  • The project is independent, cost effective and
    comprehensive with respect to marketing (PR,
    tasting, consumption, promotion, event,
    sponsoring, etc.).
  • Practical advantage the Museum almost does not
    involve the Groups human resources! We have good
    marketing team in museum.
  • Huge, natural effect on the media.
  • Perfect platform for the contact with the town
    authorities and the local community in Zywiec.
  • Free-of-charge use of the potential of very
    expensive communication lines (e.g. the films of
    Juliusz Machulski Plus GSM, RMF FM and other
    companies pay large amounts for the right to use
    them).

16
Best photos from history of Polish Press Agency
17
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18
Structure of the project
19
The beginning
  • Public project Museum of Strange Marketing.
  • We find the SPONSOR biggest polish beer brand.
  • Brief of the Zywiec company project pursuing
    the beer is fun mission.
  • Response of ESKADRA Zywiec Museum of Humour.
  • Public opinion survey in Poland analysis the
    idea of an exhibition whose mission includes
  • 1. Saving, listing and archiving of the NATIONAL
    OUTPUT OF HUMOUR ON THE HIGH LEVEL and the
    thorough record of social phenomena relating to
    sense of humour over past years.
  • 2. Efficient exhibition and promotion of these
    values, i.e. accessible, comprehensible,
    interesting, creative, surprising, etc.
  • Effect comprehensive, REAL hit in terms of a
    museum project, media interest, attendance,
    emotions.
  • Marketing value for the Patron the word Zywiec
    in Poland first of all is associated with beer.
    The use of the name (upon the consent of the city
    of Zywiec), establishment of the permanent office
    in the town, creating the Museum which refers to
    the brand and creating the system in which the
    Museum remains independent with respect to the
    content, and the Brand retains the ability to use
    the marketing aspect of the project in the
    capacity of the Patron all these activities
    produced a perpetuum mobile.
  • In practice Zywiec covers less than 50 of the
    project costs in relation to its results and
    holds its OWN HIT, which successfully competes
    with major attractions of culture, entertainment,
    media or mass events.

20
First two years of the Museum
  • Learning of extremely complex logistics.
  • Accustoming and familiarising of the Patron, the
    Town, the Media, etc.
  • PASSION, PASSION, PASSION and maximum of
    CONSISTENCY!
  • Effects unrivalled success in each filed.
  • We created a being which effortlessly coped with
    all expected dangers and incorporated itself to
    the public conscience the Museum is widely
    known and its events are widely discussed
    (Latajacy Mis, Blondynka, etc.).
  • The Museum has the ability to independently
    organise events, publications, happenings.
  • The Museum actively joins other (non-museum)
    projects in the field of sense of humour.
  • We gained the trust of mass media, of the
    greatest satiric authors, authors of the
    distinguished films and other pieces
    (cooperation, consent to use their output in the
    exhibition), finally support and enthusiasm of
    masses.
  • We have kept the project in the planned shape,
    sticking to the planned target (well-educated,
    with higher income, of various age), high content
    quality with the attractive visual and creative
    aspects retained.
  • An incredible additional advantage of the Museum
    INDEPENDENCY. The Museum involves ONLY the time
    of its ten-person staff.

21
Success statistics valuable directs contacts
and interactions
  • More than 190,000 visitors (ticket buyers) in the
    Museum (results after eight months) all in a
    300 m2.!!
  • www sites 170,000 visitors within the first
    three months.
  • Top numbers (persons/day) Gdansk - 3,900, Kraków
    - 3,690, Wroclaw - 2,600.
  • Collect with us competition over 1,000 new
    exhibits.
  • Pedestrians by the Museum over 1,300,000, in
    the situation of full Museum noticeability and
    branding (the Museum is always located in the
    very centres of big cities).

22
Mass effects
  • Several million people passed by the Museum / saw
    the Museum without visiting it.
  • Many million contacts were recorded thanks to a
    mass, efficient and COST EFFECTIVE PR campaign.
  • The total number of over 30 high quality TV
    productions.
  • Hundreds of radio, press and internet materials,
    including covers of magazines and journals as
    well as special inserts in Gazeta Wyborcza daily,
    Polityka weekly, etc. (more than 400 issues in
    total).
  • Barters and free-of-charge support POLSAT (TV),
    RMF FM (radio)
  • Festival of Good Humour in Gdansk and other mass
    events.

23
Media Patrons Board
24
Natural, free-of-charge cooperation
  • Cities free-of-charge location.
  • Media group of partners unavailable for other
    BTL projects Gazeta Wyborcza daily, Polityka
    weekly, RMF FM (radio), POLSAT (TV), Onet
    (Internet portal). Involvement of each
    organisation is serious. For example, Onet
    financed the production of the www.muzeumhumoru.on
    et.pl vortal.
  • Artists free-of-charge consents of Stanislaw
    Bareja, Juliusz Machulski, Marek Piwowski, Janusz
    Kondratiuk and others.
  • People hundreds of new exhibits.
  • Briefly for what others pay large money we pay
    nothing.
  • Compare Tyskie Feasts cost much more, must be
    supported with the ATL campaign, everything is
    paid in cash, arouse no interest of media, and
    have lower number of visitors. There is no
    comparison in any aspect.

Highest grade granted by Polityka in the Poster
column comparing the countrywide events
25
Practically each person declaring the knowledge
of the Museum knows that the Museum is related to
the Zywiec brand. Confirming it by a serious
research would be worthwhile.
26
The Museum and opinions of experts
  • Our Stars are very happy they wants more ?
  • General opinion shared in the industry says that
    the Museum is the leading Polish BTL project (the
    opinion of the advertisement industry)
    advantages of such opinions include, for example,
    money ?
  • The interest of the other side Officials,
    Offices, Museums, Cities, etc.
  • Grades in the industry competitions the biggest
    successes in the history of the Zywiec brand
    Zlota Strzala, The Globe Award, final of Zlote
    Spinacze, etc.
  • Opinions of media partners of the Museum
    express declarations of will for further
    cooperation and its development.

27
Meaning of the media success
  • Business is business. The Museum represents the
    net profit estimated value of press releases
    only in 2003 exceeded PLN 1,250,000.
  • Value of the TV coverage in 2003 exceeded PLN
    780,000.
  • Without counting comparable values from the
    previous year, radio coverage, and other
    marketing values generated by the Museum, it may
    be certainly stated that this is the best
    investment of the Patron with respect to creating
    a good brand publicity.
  • Approximately 50 of all publications (other than
    the stock exchange reports, etc.) about the
    Zywiec brand are the materials on the Zywiec
    Museum of Humour. Other subjects covered by media
    are mostly negative or brief (stock exchange
    notes, affairs including athletes sponsoring, the
    Habsburgs suit, etc.). The Museum is the only
    product of this class in the brands portfolio
    with no equivalent. The quality of this kind of
    PR is higher than that of sponsoring music or
    sport stars.
  • The Museum is doing very well without any
    financial support from the EU, self-government
    budget or the Ministry (only the resources of the
    Museum and the Patron).
  • These estimates do not take into account the
    values generated in addition to the media (which
    are at least at the same level), do not include
    the fact that the positive material in the media
    is worth more than the analogous ATL
    advertisement, it is also difficult to count the
    interactions of the highest value, etc.

28
Virtual Museum. Our vortal in the best place in
Polish net for free ? How? Benefits,
benefits. 170,000 users of the Museum internet
service within the first three months is a sign
that the project is worth developing. It is an
important, young and modern part of the
target. Onet is the strongest Polish internet
portal. It is a chance for generating an internet
superproject. Latest results Oct 5 Nov 16
78,000 users. Stable number of 10,000 persons
per week.
29
Research projectsevery-year research Polish
Humour with IQSQuant Innstitute.8 small
projects a year.
30
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31
What next with the www siteand how?
  • Development of elements attracting the internet
    surfers humour in the media, permanent
    competitions, perhaps investments e.g. purchase
    of the licence for cartoons and popular
    materials (Raczkowski, Garfield, etc.).
  • Linking, transmissions, loyalty schemes and
    programmes extending the range (e.g. good
    greeting e-cards).

32
What can be improved?
  • More media projects (e.g. theme events the
    Museum organises the April Fools Day, the
    traditional Polish game of making jokes on
  • April 1).
  • Wider use of the invitations for the Museum
    (smaller exhibitions in cities, the tour
    throughout the year, a tour abroad, etc.).
  • TRANSLATION of the Museum for the EU tourists.
  • Museum Publications Polish Press Agency (an
    album), ZNAK publishing house (a book), Gazeta
    Wyborcza (CD).
  • Better mobility of the Museum quick,
    inexpensive special happening group (a bus with a
    theme mini-exhibition).
  • Integration of the humorous actions cooperation
    with all cabarets, festivals, etc.

33
In the Museum, the new meets the old elegant
humour of the 20s and the popular modern cartoon
favoured by the precious target of 18 26.
34
PR strategy
  • Our target group 18 45, premium.
  • Filters exhibits (subjects), media patrons
    (premium), gates (tickets, exercises for smart
    people).
  • More more events with specific feeling.
  • The STARS famous polish satiric artists, not
    too much popular -)
  • THE MEDIA ANCHORS flying bear, happening, street
    activities, the blondie contest etc.
  • Jolly press releases, funny press conferences,
    always 100 more good photos, scenes to make a
    TV relation, sounds for radios etc.

35
Necessary changes
  • New attractions for the media.
  • New exhibitions inside (minimum 50 to be
    changed).
  • We go international national humour exhibitions
    (British humour as the first).
  • Tour in USA / Brasil (large Polish centres).
  • Active actions (happenings) around the Museum.
  • In the cinema real theme festivals.
  • Serious stars in live shows in the Museum and on
    the stage programme for the whole holiday
    season. Ambitious the best Polish cabarets and
    the best Artists on special meetings.
  • We import stars from abroad 2004 John Cleese
    and the Monthy Python group.
  • The above means maintaining the existing budget
    projections and investing in the programme.

36
Thank you
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