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Genres and Generations of Internet Research Ethics

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Title: Genres and Generations of Internet Research Ethics


1
Genres and Generations of Internet Research Ethics
  • Maria Bakardjieva
  • University of Calgary

2
The Dawn of Research Ethics
  • Daedalus Journal of the American Academy of
    Arts and Sciences, 98(2), 1969
  • Two models of research ethics
  • The fiduciary or law-model.
  • The sociological or collaborative model.
  • The relationship between researcher and subject
    is a central dimension.

3
Early Debates on Internet Research Ethics
  • The Information Society, 12, 1996
  • The technological point of view some places are
    simply public by their empirical nature.
  • Online forums public or private?
  • Perceived privacy (King).
  • Situated, dialogic agreements that develop over
    time between researcher and participants (Allen)

4
Main Stakeholders in Research Ethics
  • The researcher.
  • The subject/participant.
  • The research/knowledge community.
  • The university.
  • Regulatory bodies.
  • Publishers.
  • Society at large.

5
The Subject Online
  • Peculiarities of the virtual subject, specific
    risks and harms
  • Individual identifiable person
  • Individual online personality, pseudonym,
    avatar
  • Online group/community as a whole.
  • New players owners of sites, forums.

6
Evolving Concepts
  • Privacy in public (Nissenbaum)
  • Contextual integrity (Nissenbaum)
  • Harvesting (Scherf)
  • Non-alienation (Bakardjieva Feenberg)
  • Expressive privacy (DeCew Goldie)
  • Participants interests (Bakardjieva and
    Feenberg)
  • Dialogic affordances (Allen Bakardjieva
    Feenberg)

7
Generational Changes
  • Growing awareness of Internet users,
    street-smartness
  • Growing skills of users in protecting their
    expressive privacy
  • Interaction between users and research/researchers
    research on researchers
  • Local regulation articulation of site/forum
    policies
  • Accumulation of experience in the academic
    community
  • Development of original techniques for soliciting
    and obtaining consent for subject participation
    in research.
  • More proprietary issues to emerge as users take
    on the medium as authors.
  • Movement to Creative Commons licensing?

8
Researching the Researchers Example
  • If you look at the links you will find the
    professor is into a study of group dynamics, with
    one objective to develop software to make the
    newsgroup experience more user friendly.
  • As one of the main sources of humour and
    dynamics you would be a sad loss.
  • Janis's original post had my paranoia going. Too
    much effusive flattery gets my defences into
    gear. It seemed to me that they could have got
    all of the information needed from the archives
    without telling anybody, though that would be
    using the data for a purpose other than it was
    collected for. I do not know how American law
    treats this.If the data was to be genuinely
    untraceable to source we would have no way of
    knowing.
  • Most researchers are aware that knowledge of
    being surveyed, and of the purposes of that
    surveillance, changes the behaviour of the
    surveyed. I wondered if telling us was a ploy to
    see our reaction.
  • Having researched the professors background. it
    appears he is genuine on his motivation, and the
    exercise might have benefits, perhaps major ones,
    for the future. No BS, I think you would be a
    significant loss.

9
Researching the Researchers Example (cont.)
  • The professor is leading the study.
  • His co-workers include Dr. Maria Bakardjieva,
    some quotes from her
  • Born in a south-eastern corner of Europe.
    Battling for ground in western North America.
    Raised under communism. Converted to
    cosmopolitanism. Likes to talk with people. Likes
    to theorize. Loves a good laugh. Tries to be
    profound. Tries to be productive. Tries to be
    popular. But seriously,... and In light of
    this formulation of the meaning of virtual
    togetherness, I question the dichotomies between
    the private and the public, on one hand, and
    virtual and real community, on the other, that
    are at the roots of both virtual utopia and
    dystopia.
  • I get good vibes here too.
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