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VIDEO ACTIVE

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Title: VIDEO ACTIVE


1
VIDEO ACTIVE
Alexander Hecht (ORF, A) Richard Wright (BBC,
UK)
  • Creating Access to European Television History
  • Project Update
  • FIAT World Conference, Lisbon
  • October 15th, 2007

2
Goal
  • Giving access to television heritage
  • Reflecting the cultural and historical
    similiarities and differences of television
    across the European Union
  • User groups
  • Education
  • General Public
  • Cultural Heritage
  • Creative industries

3
The Project
  • eContentplus programme
  • 36 months
  • Start date September 2006
  • Launch first version of the portal November 2007
  • Proven technology Birth of TV
  • (http//www.birth-of-TV.org )
  • 10.000 items by 2009

4
The consortium
  • 14 members from 10 countries
  • 11 content providers / 10 languages

5
Associate members
  • VRT (B)
  • Moving Images Communications (UK)

6
Advisory board
  • IASA
  • FIAT
  • EBU
  • BFI
  • Joanneum Research
  • University of Madrid

7
Content selection strategy
  • Framework designed in collaboration with
    academics (London conference April 07)
  • historical axis (e.g. technology developements)
  • themes and genres (e.g. sports, game shows,
    education, celebrity, TV on TV, National
    Holidays, etc.)

8
Workflow
ThesauriX
Contribution Tool
9
First screen design
10
Why join?
  • Highly visible window to your collection
  • Multilingual access to your holdings
  • Revenue from increased sales

11
www.videoactive.eu
12
Join Video Active! please contact
  • Prof. Dr. Sonja de Leeuw (Project Coordinator)
  • Utrecht University
  • Sonja.deLeeuw_at_let.uu.nl
  • Johan Oomen MA (Technical Director)
  • Netherlands Institute for Sound and Vision
  • Joomen_at_beeldengeluid.nl

13
Who Needs VideoActive?(now that we have You Tube)
  • Or the INs and OUTs of context and competence
    in online collections
  • IN Context putting all the relevant
    information into the collection
  • OUT Competence metadata and tools to ensure
    users find whats in the collection

14
Providing Context
  • Three aspects of the full picture
  • A framework for an item
  • For search (including browsing) and for
    presentation
  • Information about an item
  • All the components and all the metadata
  • Relationships
  • Inward- what points to the item?
  • Outward- what does the item point to?

15
Context A framework for an item
  • For search (browsing) and for presentation
  • Historical
  • Social
  • When and where (and who)
  • Technological
  • Search for any part of the context
  • Browse within a context
  • Find results presented with context

16
Context30.10.36
17
Information about an item
  • All the components and all the metadata
  • Storyboard, summary, audio, video
  • Plus catalogue data who, when, where, what
  • Publicity still (and other stills)
  • Short articles (about the context)
  • Golden age of television drama
  • Development of news presentation formats

18
Relationships
  • Inward- what points to the item?
  • Outward- what does the item point to?

19
What points to coronation?
  • Royalty
  • Early television
  • 1930s 1950s (in UK)
  • Outside broadcast
  • Westminster Abbey
  • Names participants, presenters
  • Coronation Street ??

20
What does Coronation point to?
  • Participants
  • Location
  • Time period
  • Coronation Street
  • And points a UK researcher to other
    coronations, and how they were presented by
    television

21
Creating Access
  • Video Active creates access but Video Active
    has a context
  • Projects of all sizes
  • Individual institutions
  • National
  • European
  • Global
  • Universal! You Tube, and why it matters
  • what it does well
  • what it doesnt even try to do

22
individual archive access
  • ranging from the smallest to the 15,000 online
    hours of the Institute National de lAudiovisuel
    www.ina.fr/archivespourtous
  • Video Active has made a list of over 100 such
    projects del.icio.us/VideoActive
  • Is unified access to all these individual online
    collections possible?
  • Video Active collects only a sample
  • Of the institutions, and of the content of each

23
national projects
  • addressing the audiovisual heritage, notably the
    Dutch Images for the Future
  • Pictures Forever
  • Common pot of money for national audiovisual
    content
  • Goal create access, create business
  • By getting the material where public and private
    enterprises can use it
  • In particular education

24
European coordination projects
  • Digital libraries
  • TEL The European Library union catalogue
  • EDL European Digital Library edlproject.eu/
    Video Active audiovisual content for EDL
  • Digital preservation
  • Caspar OAIS scientific and artistic
  • Planets DL tools planets-project.eu/
  • DPE Digital Preservation Europe
  • digitalpreservationeurope.eu/

25
Projects with a global view
  • Audiovisual preservation and access
  • FIAT UNESCO
  • Archives at Risk
  • (there are other endangered archive projects,
    but not primarily for audiovisual content
  • UNESCO www.unesco.org/webworld/mdm
  • British Library Endangered Archives
  • www.bl.uk/endangeredarchives )

26
Online video in general
  • YouTube
  • where people can put anything
  • and nobody can find it
  • BUT
  • 95 of all YouTuve video is viewed every day!
  • YouTube has an excellend contribution tool, and
    provided free hosting
  • So just add metadata!! ( Video Active)

27
Thank You
  • Prof. Dr. Sonja de Leeuw (Project Coordinator) -
    Utrecht University
  • Sonja.deLeeuw_at_let.uu.nl
  • Johan Oomen MA (Technical Director)
  • Netherlands Institute for Sound and Vision
  • Joomen_at_beeldengeluid.nl
  • alexander.hecht_at_orf.at
  • richard.wright_at_bbc.co.uk
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