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Folk material culture

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There is a dislocation of production and consumption. ... In the Platonic sense you carve away every that isn't a bowl and you have a bowl ... Chain-saw bear carving ... – PowerPoint PPT presentation

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Title: Folk material culture


1
Folk material culture
  • objects and ideas about object that are
    traditional and non-popular.

2
On being folk
  • Every object has three components any one of
    which, or all of which may be folk.
  • Form
  • Construction
  • Use

3
Same old Stuff
  • Material culture differs from language-based
    culture in two ways.
  • There is a dislocation of production and
    consumption.
  • Practitioners learn by doing, or imitation, not
    by hearing about objects.

4
So Why Study?
  • The study of material folk culture is an attempt
    to understand cognitive process and aesthetic
    choices from the variation between existing
    objects.
  • Techniques of construction are processes that
    link conceptual models and raw materials into
    finished products.
  • Techniques link classes of material artifacts
    together

5
Why do they do that?
  • Folk technologies are traditional systems that
    exploit a portion of the environment to meet
    basic felt human needs.
  • Technologies support particular economic systems
    and are in turn, supported and rationalized by
    belief systems.
  • No culture uses all available technologies.
    Groups focus on a limited set of operations to
    make and do the tasks of material artifacts.

6
Systems of measure are cultural products
  • Linear (feet, inches, yard, chain, mile)
  • Areal (acre, hide, county, hundred, square)
  • Weight (ounce, pound, ton, stone)
  • Liquid (teaspoon, cup, pint, quart, gallon)
  • exchange (dollar, bit, shilling)

7
Natural vs Abstract
  • There is a general movement from accepting and
    utilizing the forms existing in nature, holistic
    systems towards
  • Rationalistic systems that create reduplicative
    forms. In architecture this is seen in the
    movement from cruck construction to standards for
    bricks and boards.

8
Technologies focus on particular raw materials
  • Traditional technologies in the eastern United
    States were oriented to the woodlands and the
    profligate use of forest materials--especially
    hardwoods. More recent mass distributions are
    based on pine and other conifers.
  • Just as Eskimo have elaborate classifications for
    snow, Americans have an elaborate vocabulary for
    trees. Often much more elaborate than botanical
    descriptions. Sweetgrass, white oak.
  • How are the different woods used?
  • Oak is used for strength and equally important
    because it splits well. Splitting is an ancient
    process that does not destroy the fibrous bundles
    in the wood so it retains the full measure of its
    strength.
  • Hickory was used for toughness and because it
    turned well. Hickory is often found used in
    chairs and handles of tools.
  • Tulip poplar was used for its ease in working and
    is often used as the back woods for furniture
    built of maple, walnut or oak. It was also used
    extensively for molding and trim that was to be
    painted.
  • Where the traditional technologies do not fit the
    environment (the result of migration)
    modification and borrowing occur.

9
Technologies also focus on different techniques.
  • The oldest crafts are subtractive processes. In
    the Platonic sense you carve away every that
    isn't a bowl and you have a bowl--or a chair or a
    house. Virtually all wood crafts are subtractive
    technologies.
  • Other technologies involve techniques to work
    plastic mediums--clay, metal, mud, or water.
  • A third important group of techniques widely used
    in traditional technologies is weaving.

10
Folk Crafts
  • Folk Crafts involve the skilled working with a
    non academic tradition, making objects for
    someone else's use or consumption primarily by
    hand and primarily alone.
  • Crafts are often divided into art or craft
    depending upon whether the researcher feels that
    utilitarian or display aesthetics predominate.
  • Except where folk art overlaps with the genres of
    fine art the distinction isnt useful.

11
Chain-saw bear carving
12
Craftsmen are usually defined by the type of
material worked, or the kind of process in which
they specialize
  • Extractive crafts such as mining do not involve a
    finished product but supply a raw material.
  • Woodworking crafts can be separated on the basis
    of whether they saw or bend wood, but most are
    named by the product which they
    produce--chairmakers, furniture makers, coopers,
    wheelwrights, etc.
  • Many crafts are today oriented to repair,
    blacksmiths, seamstresses.
  • Salvage crafts make new items out of the
    partially worn out products of other crafts.

13
Home crafts
  • Home crafts provide much of the spice of life
    that is unavailable through stores.
  • Preservation crafts--canning, smoking, pickling,
    drying.
  • Cooking.
  • Textiles. Consider that in the early 19th century
    some probate laws forbid the forced sale of a
    woman's loom and wheel. Sewing of garments is
    also an important folk craft.
  • Brewing and distilling.
  • Gardening and grafting.
  • Skillful collection of some wild foods should be
    considered as well, sugaring and fishing, as well
    as collecting persimmons, mushrooms, poke and
    other wild foods.

14
Sewing crafts
15
The Fate of Traditional Crafts
  • Traditional crafts have become very rare because
    their market has been plucked by mass production.
    For several reasons, however, some crafts still
    exist, if they are not flourishing

16
Craft continuity
  • Religious isolation.
  • Poverty
  • Repair and salvage are cheaper or produce objects
    unavailable in the mass market.
  • The craft may produce something which cannot be
    profitably made by machines.
  • Prestige may be attached to the handmade object.
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