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Welcome Social Studies Colleagues

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Regardless of its visual presentation, formal/ informal structure, or ... There is no frigate like a book. To take us lands away, Nor any coursers like a page ... – PowerPoint PPT presentation

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Title: Welcome Social Studies Colleagues


1
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2
What is Poetry?
  • Poetry is language at its most intense,
    powerful, and memorable. Regardless of its visual
    presentation, formal/ informal structure, or
    publication medium, poetry is intended to affect
    the audience emotionally.

3
  • Even poets have struggled to define poetry, but
    most agree that poetry attains a degree of
    intensity not found in other genres of written
    language.

4
  • "If I feel physically as if the top of my head
    were taken off, I know that is poetry."  
  • American poet 
  • Emily Dickinson

5
Poetry vs. Prose
  • Prose (the most familiar format of written
    language with margins, indents, and paragraphs)
    typically lacks poetrys musicality,
    concentration of imagery, fluidity of syntax, and
    powerful diction.

6
Why Poetry Matters
  • understand people vent about idiocy
  • share new insight honor a friend
  • recognize corruption get perspective
  • recall an emotion understand events
  • appreciate beauty puzzle through
  • understand yourself tell the truth
  • leave a mark express passion

7
No Once Over
  • Poetry is personal, and it requires a
    connection between the poet and the reader.
  • Just as any art form, poetry deserves some
    effort, thought, and reflection from you.

8
Analyzing Poetry
  • Most poetry, regardless of the period, author,
    or issues, include common elements.
  • TP-CASTT is a system to analyze poetry by
    focusing on those common elements.

9
TP-CASTT Format
  • In order to use TP-CASTT in analyzing the poem,
    you need space to work on the page.
  • Different portions of the page are used for
    different analysis tasks.

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TP-CASTT Format
  •  
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  • There is no frigate like a book To take us
    lands away, Nor any coursers like a page Of
    prancing poetry. This traverse may the poorest
    take Without oppress of toll How frugal is the
    chariot That bears a human soul!
  •  
  • E. Dickinson
  •  
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11
T Title
  • Authors conceal and with subtlety reveal meaning
    in titles.
  • Before reading the poem, speculate on its
    content. Write 1. near the title, and jot down
    your speculation.

12
P Paraphrase
  • Using units of thought (sentences or phrases),
    rewrite the poem in your own language.
  • A paraphrase is not a summary or an
    interpretation. It is a transcription of the
    authors ideas.

13
P Paraphrase
  • The more complex or obscure the poem, the
    greater the need for accurate paraphrasing.
  • On your page, paraphrase to the right of the
    original text.

14
C Connotation
  • The authors use of language has impact on the
    reader.
  • Individual words may carry emotional weight or
    the use of literary devices, such as imagery,
    personification, symbolism, and sound may affect
    the reader.

15
C Connotation
  • Underline the words or short phrases with
    emotional impact or power within the poem.
  • Consider patterns or changes in use of
    connotative language throughout the text.

16
A Attitude
  • Reviewing the thoughts and literary devices of
    the poet should reveal understanding of the
    authors attitude.
  • Write A under the poem and identify the
    attitude of the poems speaker.

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A Attitude
  • Stretch your vocabulary to capture sophisticated
    emotions.
  • Melancholy gt Sad
  • Triumphant gt Glad
  • Enraged gt Mad
  • (See Tone Vocabulary Handout)

18
A Attitude
  • For later reference, remember that an author may
    adopt a particular attitude because it best suits
    his/her intent for reader response.
  • Do not confuse the attitude in an individual
    piece of writing with the authors actual view on
    the topic.

19
S Shifts
  • Poems often convey developing understanding and
    new insight.
  • Shifts within the poem may indicate other
    changes, and an alert reader attends to them
    carefully.

20
S Shifts
  • Key Words- ex. but, yet, however, although 
  • Punctuation- used to support rhythm, establish
    meaning 
  • Stanza Divisions- grouped by topic or idea
    unexpected breaks for effect

21
S Shifts
  • Topic
  • Location or Time Period
  • Emotional Openness or Distance
  • Abstract or Concrete Imagery
  • Syntax

22
S Shifts
  • Changes in Meaning- concrete, symbolic, allusions
  • Changes in Diction- slang, formal, colloquial,
    jargon
  • Changes in Sound- assonance, consonance,
    monosyllabic, polysyllabic

23
S Shifts
  • In the left margin, make small marks where the
    poem seems to shift in some manner.
  • Note in the margin the type of shift
  • occurring. Ex. time, location, emotional
    distance, diction

24
T Title
  • After reading the poem, review the title again.
  • Write 2. near the title, and jot down your
    interpretation of the connection between poem and
    title.

25
T Theme
  • Identify some of the topics and issues of
    universal human experience inherent in the poem.
  • Examples compassion, faith/ loss of faith,
    loyalty, fate, prejudice
  • (See Theme Vocabulary Handout)

26
T Theme
  • Write 2-4 theme words at the bottom of the page.
  • Use the most appropriate theme word to write a
    theme statement that conveys the authors message
    on a universal human issue.
  • Theme statements reveal the authors message
    embedded within the poem.

27
  • The mind of the poet supplies a light to the
    minds of others, kindling their imaginations,
    helping them to live their lives.
  • Jay Parini

28
                         
         from, Why Poetry?
  • I spray the fire that extinguishes the heat
  • Of living in a stereotypical poetic hell
  • I spray the fire that freezes the mind
  • Paralyzing your thoughts with my every line
  • Until you feel the chills run down your spine
  • And your thoughts become mine
  • I spit my poetry
  • I spit flames that will imprison you
  • Jaylene Clark    Harlem Live, April
    23, 2009

29
M. Moore 2009
  • Many thanks to the outstanding members of the
    ISD High School Language Arts Scope, Sequence,
    Common Assessment Team
  • Tonja Reischl, Amy McGinnis, Karla Walters,
    Karen Maguigad, Elizabeth Metcalf, Nan Alvey,
    Melanie Boaz
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