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ART HISTORY

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Title: ART HISTORY


1
ART HISTORY
2
PREHISTORICART VENUS OF WILLENDORF
  • Found in Austria
  • Paleolithic Period
  • (25,000 to 20,000 BC)
  • Limestone
  • Oldest sculptural artifact displayed in museums
  • Female figurine may represent fertility
  • Artist utilized natural crevices in the stone and
    also altered the surface with tools

3
PREHISTORICART STONEHENGE
  • Built in England
  • Neolithic Period (2000 BC)
  • Post and Lintel System an approach to building
    in which a crossbeam is placed above 2 uprights
  • Megalith large stone monument

4
  • PREHISTORICART
  • COLOSSEUM
  • Rome, Italy
  • 1st Permanent amphitheatre in Rome
  • Inaugurated by Titus 80AD
  • Seated 50,000 spectators

5
ITALIAN RENAISSANCE
  • Time Period 1420-1600
  • A period of great cultural change
  • Rebirth of the arts
  • Renewed interest in the culture of classical
    antiquity

6
LEONARDO DA VINCI
  • 1452-1519
  • High Renaissance
  • Developed 1 point perspective
  • A true Renaissance man (an expert at many things)
  • Often used dramatic contrasting light and dark
    areas and unusual backgrounds
  • Only about 20 paintings by da Vinci exist today

Mona Lisa
Mona Lisa
7
  • THE LAST SUPPER
  • Fresco painting on wet plaster
  • Da Vinci experimented with mixing tempra and oil
    paint

8
THE LAST SUPPER
9
MICHELANGELO
  • 1475-1564
  • High Renaissance
  • One of the Popes favorites
  • Paintings, marble sculptures, and architecture

10
DAVID
  • Marble sculpture
  • Piazza della Signoria
  • Florence, Italy
  • Subtractive method of sculpting
  • One of the greatest pieces of the Renaissance

11
Pieta
  • Differs from the earlier representations of the
    theme that traditionally stressed Marys agony of
    suffering. Instead, it emphasizes Marys calm
    acceptance of fate.
  • St. Peters Basilica Rome, Italy
  • Michelangelo signed his name across the sash on
    Mary

12
SISTENE CHAPEL
  • Series of frescoes
  • Location Vatican City
  • Created by the insistence of Pope Julius II
  • One of the greatest monuments of the High
    Renaissance

13
BAROQUE PERIOD
  • 1606-1669
  • Highly ornamented style was concerned with
    balance and harmony of the whole work
  • Rembrandt Van Rijn 1609-1669
  • Dutch Painter
  • dramatic use of light and shade
  • Painted many portraits

14
REMBRANDT VAN RIJN NIGHTWATCH
15
IMPRESSIONISM
Impressionist artists questioned conventional art
form, and dramatically changed the direction of
modern art. They broke away from tradition by
painting outdoors, using different colors, and
creating lighter palettes.
Beginning of Modern Art
Invention of the camera
Began in 1874 in France
16
CLAUDE MONET
  • Date 1840-1926
  • Art Style Impressionism
  • First to Paint Outdoors en plein air
  • Monet is Known as a Series Painter
  • Concerned with color and light
  • Monets Garden in Giverny, France

17
Series Paintings
Rouen Cathedral
18
Series Paintings
Waterlillies
19
Series Paintings
Haystacks
20
Giverny
21
MARY CASSATT
The Boating Party
22
  • MARY CASSATT
  • 1844-1926
  • American painter and printmaker who exhibited
    with the Impressionists
  • Her work focused on the every day life of women.
    She emphasized the relationship of mother and
    child

23
POST IMPRESSIONISM
24
VINCENT VAN GOGH
  • 1853-1890
  • Born in Holland
  • Post-Impressionist emphasized expressing
    emotions and sensations through color and light
    and not dedicated wholly to capturing a passing
    moment.
  • Sold only one painting in his lifetime
  • Cut off his ear
  • Impasto style of painting
  • Committed suicide

25
The Potato Eaters
26
Starry Night
27
VAN GOGH AT ARLES
28
Wheatfields and Cypress Tree
29
GEORGE SEURAT
  • 1859-1891 Born in Paris
  • Post-Impressionist
  • Created pointillism
  • Departed radically from existing painting
    techniques with experiments in optics and color
    theory
  • Died from pneumonia or meningitis

30
  • The small round dots and splashes of color that
    Seurat painstakingly applied in a technique he
    called Divisionism. We not call this technique
    pointillism. It is called pointillism because
    paint is applied with the point of the brush, one
    dot at a time.
  • During the 1800s, French scientists discovered
    that two colors juxtaposed, slightly overlapping
    or very close together, would have the effect on
    another color when seen from a distance. This
    became the basis for the pointillist technique of
    Seurat

31
Sunday Afternoon on the Island of La Grande Jatte
32
Bathers at Asnieres
33
PAUL CEZANNE
  • 1839-1906
  • Born in France
  • Considered to be the Father of Modern Art
  • Images are geometric and shapes are simplified
    objects/colors appear fragmented
  • Believed that all forms in nature were based on
    geometric shapes
  • Forms the bridge between Impressionism and Cubism
  • Influenced Pablo Picasso (Cubist)

34
STILL LIFE WITH APPLES
35
Le Montagne St.Victoire
36
Still Life With A Ginger Jar and Eggplant
37
AMERICAN ARCHITECTURE
38
FRANK LLOYD WRIGHT
  • 1867-1959
  • Born in Wisconsin
  • Modern- Architecture
  • Career began in 1887 in Chicago at the offices of
    Louis Sullivan
  • Form and function are one was his basis for
    theory formulated into his principles of organic
    architecture
  • Created Prairie Style of architecture all
    buildings expresses shelter, security, and
    privacy with their horizontal lines, low
    spreading roofs and concealed entrances

39
KAUFMANN HOUSE (Falling Water) Mill Run, PA
  • Represents his idea of a living place fused with
    nature.
  • Straddling a small stream. Has a set of stairs
    suspended from the living room, which go down to
    the stream below the house.
  • The house is built onto a ledge of rock and
    projects outward as a free floating platform over
    a small waterfall

40
ROBBIE HOUSE South Woodlawn, Chicago, IL
  • Steel frame and brick
  • Last great Prairie Style house built between
    1907-1910
  • Cantilevered roof supported by steel beams
  • Designed and built for Fredrick Robie
  • Total cost (59,000)

41
FRANK LLOYD WRIGHT MISSION STYLE FURNITURE
42
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43
GUGGENHEIM MUSEUM
44
SURREALISM
  • Developed in the 1920s, Surrealism was based on
    images from the world of dreams and the
    subconscious. The typical Surrealist device was
    to juxtapose common objects in unexpected
    contexts.
  • Famous Surrealists include Salvador Dali and
    Rene Magritte

45
SALVADOR DALI
  • 1904-1989
  • Born in Spain
  • Most of his work is based on childhood dreams and
    memories
  • Discovered new ways of looking at reality
  • The only difference between a madman and me is
    that I am not mad.
  • If you play a genius, you become one.

46
The Persistence of Memory
47
Self Portrait
48
Visage of War
49
RENE MAGRITTE
  • 1898-1967
  • Belgian Surrealist Painter
  • Mother committed suicide by drowning herself.
  • His work frequently displays a juxtaposition of
    ordinary objects in an unusual context, giving
    new meanings to familiar things.

50
The Son of Man
  • Magritte was fascinated by the implications of
    hidden things in his paintings. Often he hid the
    subject's face from view, blocking it with a
    suspended object, a drape, or some other means.
    He de-personalizes the human subject by masking
    its individualizing identifier--the face.

51
Les Amants
52
Time Transfixed
  • I decided to paint the image of a locomotiveIn
    order for its mystery to be evoked, another
    immediately familiar image without mystery the
    image of a dining room fireplace was joined.
  • Magritte transformed the pipe of a coal-burning
    stove into a charging locomotive, situating the
    train in a fireplace vent so that it appears to
    be emerging from a railway tunnel.

53
CUBISM
An art style developed in 1908 by Picasso and
Braque whereby the artist breaks down the natural
forms of the subjects into geometric shapes and
creates a new kind of pictorial space. In
contrast to traditional painting styles where the
perspective of subjects is fixed and complete,
cubist work can portray the subject from multiple
perspectives. In Cubism the subject matter is
broken up, analyzed, and reassembled in an
abstracted form. Picasso and Braque initiated the
movement when they followed the advice of Paul
Cézanne, who in 1904 said artists should treat
nature "in terms of the cylinder, the sphere and
the cone."
54
PABLO PICASSO
  • 1881-1973
  • Born in Spain
  • Cubist
  • Before he struck upon Cubism, Picasso went
    through a number of styles including what is
    known as the Blue Period, and the Rose Period.

55
THE BLUE PERIOD
56
THE ROSE PERIOD
57
THE THREE MUSICIANS
58
Maya With A Doll
59
GUERNICA
60
GEORGIA OKEEFE
1887-1986 Born Wisconsin Attended the Art
Institute of Chicago Abstract Art - is art that
is not an accurate representation of a form or
object.  Married to the famous photographer
Alfred Stieglitz
61
Cow Skull With A Calico Rose
62
Oriental Poppies
63
Red Canna
64
POP ART
Twentieth Century Pop Art Repeating or enlarging
everyday, mass produced items, such as soup cans,
pictures from magazines, comic strips, Coke
bottles, hamburgers, etc. Famous Pop Artist
Andy Warhol
65
ANDY WARHOL
  • 1930-1989
  • Born in Pittsburgh, PA
  • Warhols approach to Pop Art was to zero in on
    mass production. Warhol painted soup cans in a
    boring, unexciting way, just the way they were
    lined up on the supermarket shelves.
  • He even used serigraphy (a form of printmaking
    using stencils) that was a very impersonable way
    to create and mass produce art.

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69
ABSTRACT EXPRESSIONISM
Non-objective no realistic objects are
represented. Shows comlete freedom of individual
expression and freedom from rationality Pure
human expression gives importance to the
gestural mark of the artist When you take realism
out, what is left is pure expression
70
JACKSON POLLOCK
  • 1912-1956
  • Abstract Expressionist
  • Action Painting Painting with the entire body.
    Pollock would dance in his paintings. It is an
    exercised control and selective rhythmic dancing
    movements of the body.

71
  • Technique Dripped, poured, splattered paint on
    the canvas, used unconventional materials such as
    rulers and sticks. (Drip Period)
  • Size of Work Huge. He worked on the floor so
    that he could approach his paintings from all
    angles.
  • The main focus Continuous energy the content
    of Pollocks work became the painting itself
  • Died in an alcohol related single car crash after
    struggling with alcoholism his entire life.

72
The Key
73
Lavender Mist
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