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Romanticism

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Naughty Rococo! ... What can you say about Ingres' 'Jupiter and Thetis'? Or about David's 'Oath of the Horatii' ... ( Segue to Youtube snippet) Classical restraint? ... – PowerPoint PPT presentation

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Title: Romanticism


1
Romanticism
  • The expression of emotions in the Arts, ca.
    1789-1840

2
Art beforehand.
  • After the Baroque come two related movements
    rococo and Neoclassical.
  • Rococo uses pastels to show idyllic life as
    well as erotic subjects, all light-hearted
  • The Neoclassical is just as tied to strict
    rules as Rococo, but it emphasizes serious
    subjects, often from ancient history
  • The Watteau to the right is of Giles the Clown.
    It is one of the few Rococo works to be sad,
    ambiguous but the formal composition (cross and
    X) is adhered to.

3
Naughty Rococo!
  • But the usual Rococo painting (sold only to
    rich connoisseurs) would have had an erotic
    tinge, such as in Fragonard's saucy Girl in
    Swing. Now where is that young man looking..
  • These are often called Academic paintings,
    since most painters would learn the rules at a
    Royal Academy. One rule would be main
    composition in the form of a cross, secondary as
    an X. See?

4
Neoclassical
  • Neoclassical art can show real people posed and
    serene, as in J-L. Davids portrait of the
    chemist Lavoisier and his wife.
  • The neoclassical was fonder of ancient Rome and
    Greece, as in Davids stiffly posed Rape of the
    Sabine Women. Note the melodramatic postures,
    which evince an interest in the theater of the
    period, where a scene could look just so on
    stage.

5
Classical emotions?
  • When all the rules require you to maintain
    dignity and form, how can you depict emotion?
    What can you say about Ingres Jupiter and
    Thetis?
  • Or about David's Oath of the Horatii? What
    might Romantic painters have rebelled against in
    these paintings?

6
Romantics passion!
  • And indifference.
  • Gericaults
  • Sardanapalus

7
Romantics action!
  • Even David got into the swing with his
    action-painting of Napoleon crossing into
    Switzerland. Compute his height, though, based
    on this.
  • Gericault shows high drama and action in his
    immortal Raft of the Medusa. After the
    shipwreck, what? Apropos, Louis XV said After
    me, the deluge. What does that mean? Now, why
    does Gericault abandon the cross for the dominant
    X?

8
Romantics nature
  • Nature, like great humans, loves loneness. The
    wild. The sad-contemplative. But also the
    joyous.
  • Caspar David Friedrich (German) is the great
    exemplar of Romantic nature painting. Others did
    wildlandscapes, but he pioneered the eerie, the
    lonely, the sublime.

9
Romantics politics
  • Romantics on the left reacted to the French
    Revolution and Napoleon in political ways, but
    their aim was often to glorify a defeated nation
    Here is Goyas Third of May 1808.

10
Romantic politics again
  • And the political barbs can be subtle, as in
    Goyas unretouched portrait of the Spanish royal
    family. Do any of these royals look slightly
    insane? dumb? yukky-boo.

11
The Sublime
  • Lofty sentiments, the feeling of the infinite,
    the thrill of looking down a mountain slope, the
    glory of a sunset. Things that make you sighor
    gasp. These are the Romantics sublimities. JMW
    Turners The Fighting Temeraire.

12
Women painters
  • Mme Vigée LeBrun was a novelty a
  • professional woman painter. What is
  • womanly about her subject matter? She
  • pioneered (right-side) in showing a womans face
    doing what that
  • had been associated with commoners or tarts with
    low morals?

13
Classical ? Romantic music
  • The so-called classical era (Haydn, Mozart, early
    Beethoven, etc.) is not the same as Classical
    music, a category that covers composers from
    Palestrina (1572) to Corigliano (now).
  • Wolfgang A. Mozart (1756-91), a child prodigy,
    was perhaps the greatest composer ever. In his
    opera, Cosi fan tutte, two men test their
    girlfriends fidelity, but one woman wonders
    whether he, now gone, is being faithful Smanie
    implacabile! (Oh, unquenchable madness! (Segue
    to Youtube snippet) Classical restraint?
  • Later, the Romantic composer Modest Mussorgsky of
    Russia shows the usurper-tsar, Boris Godunov,
    having his mad scene, laden with guilt that he
    killed the rightful heir and has allowed Russia
    to be overrun by Poles and Jesuits Boris death
    scene (Youtube).
  • Was there any difference in the musical depiction
    of raging passion?
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