INTEGRATING ACCESS to CULTURAL HERITAGE COLLECTIONS - PowerPoint PPT Presentation

About This Presentation
Title:

INTEGRATING ACCESS to CULTURAL HERITAGE COLLECTIONS

Description:

Single search across distributed Web resources ... Art galleries? Western Australian focus: works best for searches on W.A. names and places ... – PowerPoint PPT presentation

Number of Views:30
Avg rating:3.0/5.0
Slides: 15
Provided by: tbur5
Learn more at: https://ecai.org
Category:

less

Transcript and Presenter's Notes

Title: INTEGRATING ACCESS to CULTURAL HERITAGE COLLECTIONS


1
INTEGRATING ACCESS to CULTURAL HERITAGE
COLLECTIONS 1. The WESTERN AUSTRALIAN CULTURAL
HERITAGE PORTAL
TOBY BURROWS University of Western Australia
2
Western Australian Cultural Heritage Portal
  • Australian Research Council Linkage
    Infrastructure, Equipment Facilities (LIEF)
    fund
  • Partners University of Western Australia, Curtin
    University, Western Australian Department for
    Culture the Arts
  • Software vendor Fretwell-Downing Informatics
    (now OCLC PICA)

3
Everyone thinks they know what portal means,
and everyone thinks it means something
different. Brian Schottlaender University of
California San Diego A portal is a place which
hides resources on the network. Lorcan
Dempsey OCLC
4
WACHP features
  • Single search across distributed Web resources
  • State Library of W.A., UWA Library, John Curtin
    Prime Ministerial Library, National Archives,
    Berndt Museum of Anthropology, New Norcia Library
  • Art galleries?
  • Western Australian focus works best for searches
    on W.A. names and places
  • http//chp.library.uwa.edu.au

5
(No Transcript)
6
Activities
ARC Network for Early European Research (NEER)
  • Collaborative Grant Programs
  • Symposia
  • International conferences
  • Co-sponsored events
  • Postgraduate/ECR
  • Digital agenda
  • Funded 2004-2009 Australian Research Council
    Networks Programme
  • Enhance the scale and focus of research
  • Encourage more inter-disciplinary approaches
  • Facilitate collaborative innovative
    approaches to planning undertaking research
  • 300 individual participants university
    industry partners
  • Programmes for Australian participants
  • Symposia, conferences, events
  • Collaborative grant programmes
  • Postgraduate/ECR programmes
  • International linkages

7
Digital Initiatives
  • Communication
  • Web site, e-mail lists
  • Collaborative working tools and workspaces
    Confluence
  • Shared resources
  • Commercial databases ProQuest (EEBO), Brepols (5
    databases)
  • Skills and training Brepols internships
  • Electronic publication Parergon / Project Muse
  • Research repository PioNEER
  • Heritage collections Europa Inventa

8
Europa Inventa
  • A gateway to all Early European items in
    Australian collections
  • Focus initially is on unique objects (especially
    artworks, manuscripts) . Could expand later to
    cover incunabula, early printed books, early
    printed maps, prints and engravings.
  • The initial cut-off date is 1800.
  • Focus on material relating to or produced in
    Western Europe.
  • Link from descriptive catalogue records to
    digitized images held on the servers of the
    holding institutions, rather than storing copies
    of images centrally.

9
Functional desiderata
  • Browse by subject, name, type of object, holding
    institution and location, places of origin and
    provenance (and by combinations of these
    characteristics)
  • Search the database and browse the results using
    various facets
  • Link to more detailed descriptions
  • Link to works about the objects
  • Link to digitized versions
  • Add information about the objects

10
Processes for building
  • Import catalogue records from libraries,
    galleries, museums, archives, and normalize into
    a consistent structure
  • Develop and apply ontologies for describing Early
    European objects, concepts, places and events
  • Make the database available for searching and
    browsing (using software environment based on
    MuseumFinland)
  • Make the database available for annotation by
    researchers
  • Augment and enrich the records with links to more
    detailed descriptions and to secondary works

11
Sample records 1 (NGV)
  • Giovanni Battista TIEPOLO Italian 16961770
    worked in Venice (1740s), Würzburg 175153,
    Venice 175362, Madrid 176270 The banquet of
    Cleopatra (174344) oil on canvas250.3 x 357.0
    cm Felton Bequest, 1933

12
Sample records 2 (NGA)
  • Peter Paul RUBENS
  • Germany (Westphalia) 1577 Belgium (Flanders)
    1640
  • also worked in Spain
  • Self-portrait 1623 oil on canvas 91.3
    (h) x 70.8 (w) cm
  • original canvas 94.0 (h) x 70.8 (w) cm
  • sight 83.5 (h) x 61.8 (w) cm
  • frame 112 (h) x 89 (w) x 12 (d) cm
  • not signed, not dated Purchased 1983
    NGA 1983.53
  • Provenance
  • the artist until August 1628
  • to Nicolas Claude Fabri de Peiresc (1580-1637),
    Belgentier, near Toulon, and Aix-en-Provence,
    June 1630

13
Sample records 3 (SLV)
  • Author Boethius, d. 524.
  • Title De musica of Boethius and Musica
    enchiriadis an abridgment. ms. on vellum.
  • Notes late 10th cent..
  • Indexed in Sinclair (1969) p. 381-382 Manion
    Vines 35
  • Status Available
  • Location
  • RARES Call Number 091 B63

14
Further information
  • NEER Web site http//www.neer.arts.uwa.edu.au
    /
  • Confluence http//confluence.arts.uwa.edu.
    au/
  • Toby Burrows tburrows_at_library.uwa.edu.au
Write a Comment
User Comments (0)
About PowerShow.com