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what is rhythmanalysis

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Title: what is rhythmanalysis


1
what is rhythmanalysis?
  • Tom Hall

2
what is rhythmanalysis?
  • introduction to rhythmanalysis
  • Henri Lefebvre
  • key terms and concepts
  • rhythm and the everyday
  • rhythm and mobility
  • rhythm and the city
  • case study
  • rhythmanalysis as research method
  • conclusion

3
introduction to rhythmanalysis
  • Henri Lefebvre (1901-91)
  • Éléments de rythmanalyse introduction à la
    connaissance des rythmes (1992)
  • Rhythmanalysis space, time and everyday life
    (2004)
  • This little book does not conceal its ambition.
    It proposes nothing less than to found a new
    science, a new field of knowledge the analysis
    of rhythms
  • (Lefebvre 2004 3)
  • Thought strengthens itself only if it enters into
    practice into use
  • (Lefebvre 2004 69)

4
introduction to rhythmanalysis
  • key terms and concepts
  • rhythmanalyst
  • a psychoanalyst
  • a poet
  • not a statistician
  • rhythms

5
introduction to rhythmanalysis
  • Rhythms
  • Everywhere where there is interaction between a
    place, a time and an expenditure of energy, there
    is rhythm
  • (Lefebvre 2004 15)

6
introduction to rhythmanalysis
  • key terms and concepts
  • rhythmanalyst
  • a psychoanalyst
  • a poet
  • not a statistician
  • rhythms
  • repetition (and difference)

7
introduction to rhythmanalysis
  • Repetition (and difference)
  • No rhythm without repetition in time and space,
    without reprises, without returns But there is
    no identical absolute repetition, indefinitely.
    Whence the relation between repetition and
    difference Not only does repetition not exclude
    differences, it also gives birth to them it
    produces them
  • (Lefebvre 2004 6-7)
  • the metronomic and the rhythmic

8
introduction to rhythmanalysis
  • key terms and concepts
  • rhythmanalyst
  • a psychoanalyst
  • a poet
  • not a statistician
  • rhythms
  • repetition (and difference)
  • cyclical and linear repetition

9
introduction to rhythmanalysis
10
introduction to rhythmanalysis
  • cyclical and linear repetition
  • At any rate, spring is here, even in London N. 1,
    and they can't stop you enjoying it So long as
    you are not actually ill, hungry, frightened or
    immured in a prison or a holiday camp, spring is
    still spring. The atom bombs are piling up in the
    factories, the police are prowling through the
    cities, the lies are streaming from the
    loudspeakers, but the earth is still going round
    the sun, and neither the dictators nor the
    bureaucrats, deeply as they disapprove of the
    process, are able to prevent it
  • (George Orwell, Thoughts on the Common Toad)

11
introduction to rhythmanalysis
  • key terms and concepts
  • rhythmanalyst
  • a psychoanalyst
  • a poet
  • not a statistician
  • rhythms
  • repetition (and difference)
  • cyclical and linear repetition
  • polyrhythmia eurhythmia isorhythmia arrhythmia

12
what is rhythmanalysis?
  • introduction to rhythmanalysis
  • Henri Lefebvre
  • key terms and concepts
  • rhythm and the everyday
  • rhythm and mobility
  • rhythm and the city
  • case study

13
rhythm and the everyday
  • taken-for-granted and overlooked an elusive
    object the quotidian
  • what is left over after all distinct, superior,
    specialized, structured activities have been
    singled out by analysis
  • the body (and rhythm) and the everyday
  • Normally we only grasp the relations between
    rhythms, which interfere with them. However, they
    all have a distinct existence. Normally, none of
    them classifies itself on the contrary, in
    suffering, in confusion, a particular rhythm
    surges up and imposes itself palpitation,
    breathlessness, pains in the place of satiety
  • (Lefebvre 2004 21)

14
rhythm and mobility
  • The trap of the present the immobility of
    things a moving but determinate complexity
  • Repetition, difference and the passage of time
    Cartesian geometry, changing places and
    phenomenological space
  • The body (and rhythm) and mobility
  • Where does it start? Muscles tense. One leg a
    pillar, holding the body upright between the
    earth and sky. The other a pendulum, swinging
    from behind. Heel touches down. The whole weight
    of the body rolls forward onto the ball of the
    foot The legs reverse position. It starts with
    a step and then another step and then another
    that add up like taps on a drum to a rhythm, the
    rhythm of walking. The most obvious and the most
    obscure thing in the world
  • (Solnit 2002 3)

15
rhythm and mobility
  • Gordon Cullens Townscape

16
rhythm and the city
  • space, time and the city urban polyrythmia
  • seen from the window
  • a contemporary everyday urbanism
  • manifold practices across hundreds of spaces an
    everyday order and flexibility partly owing to
    the repetitions and regularities that become the
    tracks to negotiate urban life routine
    practices of care, repair and maintenance
  • The low soothing hum of air-conditioners
    winding up and winding down, long breaths layered
    upon each other , a lullaby The rush of
    traffic still cutting across flyovers, even in
    the dark hours a constant crush of sound, tyres
    rolling across tarmac and engines rumbling, loose
    drains and manhole covers clack-clacking Road
    menders mending, choosing the hours of least
    interruption, rupturing the cold night air with
    drills and jack-hammers hard-sweating beneath
    the fizzing hiss of floodlights, shouting to each
    other like drummers in rock bands calling out
    rhythms
  • (McGregor 2003 1)

17
case study
  • Cardiff city centre
  • the mundane, repetitious work of outreach
  • mobile practices and a crepuscular geography
  • urban regeneration and arrythmia

18
rhythmanalysis as research method
  • a mode of analysis not a new object but a new
    way of approaching familiar objects
  • difficult to distil as a methodology for the
    social sciences more a (re)orientation than a
    method
  • Rhythmanalysis is an attitude, an orientation, a
    proclivity it is not analytic in any
    positivistic or scientific sense of the term. It
    falls on the side of impressionism and
    description, rather than systematic data
    collecting
  • (Highmore 2005 150)
  • the rhythmanalyst as the principal registering
    device
  • In order to grasp and analyse rhythms, it is
    necessary to get outside them, but not completely
    to grasp a rhythm it is necessary to have been
    grasped by it one must let oneself go
  • (Lefebvre 2004 27)
  • new research technologies

19
conclusion
  • Rhythmanalysis space, time and everyday life
  • Everywhere where there is interaction between a
    place, a time and an expenditure of energy, there
    is rhythm
  • (Lefebvre 2004 15)
  • Thought strengthens itself only if it enters into
    practice into use
  • (Lefebvre 2004 69)
  • Dr. Tom Hall, Cardiff University School of Social
    Sciences
  • hallta_at_cardiff.ac.uk
  • http//www.sensescapes.co.uk/
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