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Colour Theory

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Title: Colour Theory


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Colour Theory
  • Chris Handley

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How do we perceive light?
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The Retina
  • Contains 2 types of receptors
  • rods (monochromatic, black and white)
  • cones, which come in three types (blue, green
    and yellow).

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The colour response of the eye (1)
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The colour response of the eye (2)
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So, what does this all mean?
  • Different wavelengths different energy.
  • Perceived light is typically a mixture of
    different wavelengths (frequencies, energies).
  • Such a mixture typically produces the sensation
    of a single colour.
  • Usually characterised in terms of dominant
    wavelength.

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Colour Perception
We cannot perceive the detail of such a spectrum.
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Colour Perception
We effectively superimpose our overall
sensitivity on the spectrum and integrate under
it.
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Colour Perception
This produces the perception of a single hue
(colour). The wavelength of this hue is called
the dominant wavelength.
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Psychology of Colour
  • Dominant wavelength perceived hue.
  • Also respond to total light energy which we call
    brightness or luminance.
  • Purity or saturation how close the perceived
    colour is to a spectral (pure colour).
  • Chromaticity refers to combination of hue and
    purity.

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Metamerism
  • Variously defined, usually confusingly and often
    wrong.
  • Most often quoted - Two samples that match under
    one set of conditions and not under different
    conditions are said to exhibit metamerism (are
    metamers).
  • Actually several types sample, illuminant,
    observer, and geometric.

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Sample metamerism
  • When two colour samples appear to match under a
    particular light source, and then do not match
    under a different light source.
  • The spectral reflectance distributions of the 2
    samples differ slightly, and their plotted
    reflectance curves cross in at least 2 regions.
  • Matching socks.

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Illuminant metamerism
  • Witnessed when you have a number of spectrally
    matched samples.
  • Each is independently, yet simultaneously,
    illuminated and viewed under lights whose
    spectral power distributions differ.
  • If there are significant variations in the
    perceived colour of the samples, then these
    lights exhibit illuminant metamerism.

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Observer metamerism
  • Every individual perceives colour slightly
    differently. (Assuming the individuals possess
    adequate colour matching aptitude.)
  • This can be demonstrated in many ways.
  • One reason why there were 31 individuals tested
    to derive the 1931 "standard observer" values
    adopted by the ISO.

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Geometric metamerism
  • Identical colours appear different when viewed at
    different angles, distances, light positions,
    etc.
  • This could be one reason why men and women often
    perceive colour differently since the distance
    between woman's eyes is, on average, slightly
    less than a man's.

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Colour Models
  • We need to specify a given colour in some way, so
    that we can reproduce it later, possibly in a
    different context or even a different medium.
  • Artists have been grappling with this problem for
    many centuries modern production methods have
    only exacerbated it.
  • Many different models - RGB, HSV, CMYK, CIE, etc.

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Colour Models  RGB
  • Common colour model for monitors and scanners.
  • Additive colour model lights.
  • Uses some number of bits to represent the amount
    of each colour.
  • Nowadays typically 8 bits for Red, Green and
    Blue, plus 8 bits for transparency.

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Colour Models RGB
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Colour Models HSV
  • Hue, Saturation, Value.
  • More intuitive than RBG similar to tint,
    shade, tone.
  • Select the colour (hue), then add black or white.
  • Saturation corresponds to subtracting white.
  • Value corresponds to subtracting black.

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Colour Models HSV
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Colour Models CMYK
  • Cyan, Magenta, Yellow, BlacK.
  • Used for printing colour separations
  • colour documents,
  • packaging.
  • Subtractive primaries specified colour obtained
    by what is removed from white light, not from
    what is added.

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Colour Models CMYK
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Colour Specification
  • Say you have found a colour that you want to
    reproduce. How do you
  • specify it in your code?
  • ensure that your monitor displays it correctly?
  • ensure that my monitor displays it correctly?
  • that it appears correctly in print?
  • How do you guarantee the colour of the
    1,000,000th unit?

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Colour Specification
  • All colour models rely on 3 values to specify a
    given colour.
  • If we try to do this with any set of 3 lights
    (even imaginary ones that match retinal
    receptivity), we sometimes need negative
    amounts of one light.
  • CIE devised a system for specifying all colours
    with positive weights.

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CIE Chromaticity Diagram
  • International standard for primary colours
    established in 1931 and updated in 1936 and again
    in 1976.
  • Uses 3 virtual light sources X, Y, and Z.
  • The contributions of these are normalised, so x
    X/(XYZ), etc.
  • Since these sum to 1, z can be determined if we
    know x and y.

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CIE Chromaticity Diagram
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Dominant Wavelength
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Complementary Colours
P P1 2W
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Colour Gamuts
Approximate gamut for a typical monitor.
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Colour Gamuts
Approximate gamut for a typical printer.
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Chromaticity and Temperature
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