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Romanticism, Realism,

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This was a backlash against the rationalism characterized by the ... The artificiality of both the Classicism and Romanticism in the academic art was ... – PowerPoint PPT presentation

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Title: Romanticism, Realism,


1
Romanticism, Realism, Impressionism in Art
2
Romanticism
  • characterized by the 5 Is
  • Imagination was emphasized over reason. This
    was a backlash against the rationalism
    characterized by the Neoclassical period.
    Imagination was considered necessary for creating
    all art.
  • Intuition feeling and instincts are more
    important than reason value is placed on strong
    emotion art tried to evoke emotion.
  • Idealism emphasizes the spirit, the mind, or
    language over matter we can make the world a
    better place through art.
  • Inspiration - The Romantic artist was an
    inspired creator rather than a technical
    master. What this means is going with the
    moment or being spontaneous, rather than
    getting it precise.
  • Individuality - Romantics celebrated the
    individual. Governments and movements should not
    sacrifice the individual but raise him/her.

3
Realism
  • Attempts to create a truthful and accurate
    depiction of the models that nature and
    contemporary life offer to the artist.
  • The artificiality of both the Classicism and
    Romanticism in the academic art was unanimously
    rejected
  • New idea was that ordinary people and everyday
    activities are worthy subjects for art.
  • Artists - Realists attempted to portray the
    lives, appearances, problems, customs, and mores
    of the middle and lower classes, of the
    unexceptional, the ordinary, the humble, and the
    unadorned.

4
Impressionism
  • Photography changed painting immensely, when
    artists like Monet discovered how photography
    worked - the capturing of individual grains of
    light - they began to change the concept they had
    of art and painting.
  • Also felt that trying to capture things
    realistically via painting was pointless since a
    camera could do that.
  • Painters felt that objects are not so much things
    in themselves as they are agents for the
    absorption of color and light. Shadows are not
    black or gray, but tend to take on a color
    complementary to object.
  • Rebelled against hard lines of neoclassicism -
    There are no hard lines in nature, lines don't
    exist in nature. Concern of the painter should be
    more with light and color.
  • Tried to brighten up paintings by using primary
    colors to increasingly convey the illusion of
    sunlight through a prism.

5
Post Impressionism
  • A Collection of artists with very diverse,
    individual, styles influenced by the
    Impressionists
  • in fact, Post Impressionism was a reaction to the
    limited impressionist view that paintings should
    be all about light. Post Impressionists wanted to
    do more.
  • Post-Impressionists continued using vivid colors,
    thick application of paint, distinctive
    brushstrokes and real-life subject matter, but
    they were more inclined to emphasize geometric
    forms, to distort form for expressive effect, and
    to use unnatural or arbitrary color
  • Each painter in the movement pursued unique,
    personal subject matter and, while sharing
    stylistic goals with the other Post-Impressionists
    , had a personal form of expression.
  • For example, Cézanne abandoned the
    Impressionists' virtuoso depiction of evanescent
    light effects in order to pursue his
    preoccupation with the underlying structures of
    natural forms and the problem of unifying surface
    patterns with spatial depth.
  • Both Gauguin and van Gogh rejected the
    indifferent objectivity of Impressionism in favor
    of a more personal, spiritual expression.
  • Seurat and his followers concerned themselves
    with Pointillism, the systematic use of tiny dots
    of color.
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