REPLICATING THE HIDDEN ART MODEL THROUGH SOCIAL FRANCHISING Dieneke Ferguson Chief Executive Mazorca - PowerPoint PPT Presentation

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REPLICATING THE HIDDEN ART MODEL THROUGH SOCIAL FRANCHISING Dieneke Ferguson Chief Executive Mazorca

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Title: REPLICATING THE HIDDEN ART MODEL THROUGH SOCIAL FRANCHISING Dieneke Ferguson Chief Executive Mazorca


1
REPLICATING THE HIDDEN ART MODEL THROUGH SOCIAL
FRANCHISINGDieneke FergusonChief
ExecutiveMazorca Projects Ltd trading as Hidden
Art
2
WHAT IS HIDDEN ART
  • Hidden Art is a membership organisation that
    supports
  • and promotes designer-makers, while offering
    companies and
  • members of the public access to original design.
    The first Hidden
  • Art event took place in 1994. Initiatives now
    include
  • Showcasing events (Open Studios, Milan, 100
    Design), training and support services, a
    resource centre (the Bureau) and the Hidden Art
    Design Brokerage service.
  • All of these are promoted through the website
    www.hiddenart.com, which features news,
    information and an extensive directory of
    designer-makers work.
  • Quarterly colour Hidden Art Magazine

3
HIDDEN ART
  • Hidden Art is the trading name of Mazorca
    Projects, a
  • not-for-profit organisation, company limited by
    guarantee.
  • In addition to the support of the Phoenix Fund
    the Hidden Art
  • Franchise Pilot Project has also been supported
    by the following
  • organisations
  •  
  • Business Link Hertfordshire, CAN, CREATE Project,
    City Fringe
  • Partnership, Government Office for London
    (Objective 2
  • Programme), Field Fisher Waterhouse, London
    Development
  • Agency, Manual Writers International, Sheryl Webb
    (HR) and UBS
  • Investment Bank.

4
HIDDEN ART MEMBERSHIP
  • Designer-makers who create and make work a
    products with a Predominantly functional use (
    i.e. ceramics, furniture, glassware, lighting,
    textiles and fashion accessories)
  • Owner-managers of vulnerable, small to
    medium-sized enterprises, who work mainly as
    designers or designer-makers, 66 of whom are
    women.
  • Potential entrants to the sector, including
    recent design graduates, career changers with
    strong creative skills, and members of ethnic
    minorities (20) and designers with disabilities
    who may face cultural and financial barriers to
    market entry. 15 startups, 20 (trading between
    2-4 years), 40 (between 4-10 years), 25
    (trading over 10 years)
  •  
  • These are considered to be disadvantaged because
    they lack access to information, sector-specific
    support and opportunities to network with other
    designer-makers for peer-to-peer learning.

5
HIDDEN ART MEMBERSHIP

6
WHAT IS A SOCIAL FRANCHISE
  • Defining a social franchise as a franchise that
    reinvests profits to meet the not-for-profit aims
    stated in its mission, it will help
  • Support a much greater number of designer-maker
    SMEs leading to business growth and employment
  • Help address the reduction in European funding
    after 2006

7
REPLICATING THE HIDDEN ART MODEL THROUGH SOCIAL
FRANCHISING
  • Support a much greater number of designer-makers
    via franchising the Hidden Art model. This would
    utilise the valuable learning already acquired
    and allow it to benefit a much wider audience of
    designer-makers.
  • Enable local networks of designer makers and/or
    key local partners to provide a very similar
    service at a local level, while benefiting from
    the national and international network and
    expertise.
  • Improve designer-makers access to a global
    market of new customers.
  • Increase sales and create employment in a sector
    that is largely unsupported
  • Enable manufacturing companies to gain access to
    new design talent and the joint networking
    facilities
  • Maintain the ethos of Hidden Art the creative
    use of local resources, helping designer-makers
    to help themselves and achieve sustainability

8
WHAT IS A HIDDEN ART FRANCHISE
  • A Hidden Art Franchise is a satellite of the
    Hidden Art head office, providing tailored
    support to designer-makers in a specific
    geographic location.
  • As a result of supporting designer-makers
    locally, it also contributes to promoting the
    locality as a whole.
  • The franchise concept ensures that there is
    consistency in provision and a clear and
    sustainable strategy.
  • Standards and learning can be maintained and
    Hidden Art can continue to represent the
    opportunities offered to the public and
    manufacturers, to discover the hidden talent of
    local designer-makers, while providing a platform
    and meeting place for designer-makers from
    different backgrounds and cultures.
  •  

9
BARRIERS TO INNOVATION ADDRESSED
  • Lack of infrastructure support for
    designer-makers
  • Lack of access to skills to develop the
    infrastructure
  • Isolation
  • Lack of access to global markets
  • Lack of networking and information sharing
  • Lack of cluster development

10
Tackling the barriers to innovation
  • The barriers have been addressed through the
    Hidden Art Model.
  • The Hidden Art Social franchise aims to replicate
    this through
  • Strong Hidden Art brand a franchise would help
    build the brand further
  • Acts as a virtual business incubator to
    accelerate development of new business support
    agencies.
  • an effective tool to produce social entrepreneurs
    in other areas and transfer knowledge to local
    markets, whilst increasing access to global
    markets
  • Presenting an effective way to replicate good
    practice through the network
  • Increasing sustainability of the support
    organisation through cutting costs, and through
    access to new ways of generating income
  • Increasing efficiency of the support organisation
    through setting standards (including for
    inclusion, equality and accessibility).
  • Increasing professionalism

11
Effectiveness of tackling the barriers to
innovation
  • Applying the Commercial Franchising model to
    Social
  • Economy. Benefits
  • Greater chance of survival 3 years
  • Higher chance of being profitable
  • Opportunities across a broad range of sectors
    (part time/full time)
  • Sustainability (survivability)
  • A route to enterprise low cost entry and
    progression to other forms of business

12
Effectiveness of tackling the barriers to
innovation
  • Social Franchise model ensures that
  • profits are reinvested in the company/community.
  • the model is adapted to the local situation
  • and access to a global market is facilitated.
  • Hidden Art Cornwall is already proving this
  • www.hiddenartcornwall.co.uk

13
ADVANTAGES OF A HIDDEN ART FRANCHISE
  • For franchisees
  • Established and growing network of contacts,
    suppliers and buyers
  • Follow a successfully tested model system
  • Provide targeted assistance to designer-maker
    SMEs
  • Less financial risk provided with tailored
    package, training, systems recognised brand
    name.
  • For franchisees franchisor
  • Opportunity to build brand reputation of
    designer-makers in UK and internationally.

14
Franchise assessment and development
  • Create/Can Seminar May 03 Franchise Suitability
    Matrix
  • Considered range of structural options
    organing, licensing, franchising
  • Assess whether ready for franchising
  • Feasibility study
  • Consider Franchisor Personal Development
    individual and organisation needs to deploy
    different skills
  • Appreciate and understand the franchisor
    franchisee relationship
  • Develop franchise structure Contract,
    Operations Manual, etc

15
Franchise developments Structure
  • Feasibility study on franchising Hidden Art
  • Funding secured Phoenix Fund (Building on the
    Best)
  • Franchise team established
  • Franchise contract developed
  • Operations Manual developed
  • Recruitment process and Franchisee profile
    established
  • Development of Business plan template
  • Promotion of initiative Recruitment of Pilot
    Franchisee
  • 1st pilot franchise (June 05) in Cornwall
    Parent organisation University College Falmouth.
  • Officially launched 11 November 05

16
Hidden Art Franchise package
  • A franchise must provide the core services.
    It can also buy into the sales services or
    elements of the business support services.
  • Core services Membership, Networking Events,
    Tailored Training and the Hidden Art website
    www.hiddenart.com
  • Sales services Design Brokerage, Open Studios
    and Hidden Art stands at trade fairs.
  • Business support services the Hidden art
    Bureau a resource library/help desk, the Hidden
    Art Forum, International developments.

17
SUPPORT AVAILABLE TO FRANCHISEES
  • Flexible Training Package 14 days tailored
    induction on the core services.
  • Sales Business Services up to 8 days training
    per service depending on requirements.
  • Helpdesk support and free attendance at the
    Forum.
  • The Hidden Art Operating Manual detailed
    guidelines on ALL aspects of running a Hidden Art
    franchise.
  • Tailored software and bespoke programmes.

18
Barriers to effective replication
  • Lack of designer-maker presence.
  • The organisation interested in running the
    franchise lacks support from the local authority,
    local regeneration agency and/or another local
    agency/organisation ie. an educational
    establishment or renowned organisation in the
    design sector.
  • Lack of skills for person running the franchise .
  • Lack of cluster development in the area, such as
    an industrial base or an existing network of
    skills and supplies from this base eg.
    metal-working, clothing, jewellery.
  • Lack of funding to support the initiative
    initially.
  • Lack of understanding of what a social Franchise
    is.

19
FRANCHISING - BROADER DEVELOPMENTS
  • Exploring options for collaboration with Business
    Link Hertfordshire/CAN through Equal.
  • Aim to grow the UK network in the North East of
    England and West Midlands. Have one international
    franchise by 2008.
  • For latest, visit www.hiddenart.com/franchising.

20
Hidden Art Cornwall
  • Extending the Hidden Art franchise to Cornwall
    will give a tremendous boost to designer-makers
    in the county. Work of the highest quality is
    being produced here. If designer-makers in the
    capital can benefit from the networking,
    marketing and advisory services of Hidden Art,
    how much more will practitioners in Cornwall
    welcome the opportunities for collaboration and
    promotion that this franchise can offer
  • Chris Chapman, Business Fellow in 3D Design,
  • University College Falmouth
  • www.hiddenartcornwall.co.uk
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