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The Human Visual System

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Imaging Science Fundamentals. Chester F. Carlson Center for Imaging Science ... Tetartanopes: Lack chromatic channel (RG or YB, small %) Imaging Science Fundamentals ... – PowerPoint PPT presentation

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Title: The Human Visual System


1
The Human Visual System
  • Part 2 Perception

2
Visual Perception
  • How one visually interprets a scene
  • 4 forms of perception to be studied
  • Depth
  • Color
  • Temporal
  • Motion

3
Depth Perception
  • How does one determine how far away an object is
    located?

4
Depth Perception
  • Monocular Cues
  • Require only 1 eye to perceive depth Cyclops.

http//www.shag-art.com/cyclops.html
5
Depth Perception
  • Binocular Cues
  • Require 2 eyes to perceive depth.

6
Monocular Cue 1
  • Interposition (Overlap)
  • An object that is partially covered by another
    object is farther away.

7
Monocular Cue 2
  • Familiar Size
  • Previous knowledge of object sizes aid in judging
    distance.

Which object appears closer?
8
Monocular Cue 3
  • Linear Perspective
  • The farther away an object is the smaller it
    appears to be.

9
Monocular Cue 4
  • Atmospheric Perspective
  • Objects farther off in the distance appear less
    saturated and less sharp (fuzzier) than those
    nearby.
  • The more atmospheric particles between the viewer
    and a distant object the more light that is
    scattered.

10
Monocular Cue 5
  • Motion Parallax
  • Stationary objects that are physically closer to
    a moving viewer appear to shift faster than those
    farther away.
  • Example 1
  • Driving by in a car looking at objects near and
    far (animation).

11
Monocular Cue 5
  • Example 2
  • Close one eye.
  • Hold your left thumb upward at arms length.
  • Hold your right thumb upward at half arms
    length.
  • Position the thumbs so the right thumb blocks the
    left and move your head to one side.
  • Example 3
  • Close one eye.
  • Hold both index fingers pointing toward each
    other.
  • Circle the fingers in a bike pedaling motion.
  • Stop them at eye level and move them inward to
    make them meet forming a straight line.

Observe that the background did not move, but
the thumbs appeared to move relative to each
other and the background.
Try again, but this time move your head
side-to-side to tell the distance between your
index fingers.
12
Monocular Cue 6
  • Shading
  • Uses light falling on an object from a certain
    angle to give form and depth to an object.
  • Cast shadows aid in locating an object.

13
Monocular Cue 7
  • Patterns
  • Use contour lines to infer depth.

14
Monocular Cue 8
  • Accommodation
  • The change of shape performed by the eye lens to
    focus on an object aids the brain in determining
    the objects distance.

Thick lens - object is near
Thin lens - object is far
15
Binocular Cue 1
  • Convergence
  • The angle between the line of sight of each eye
    is larger as an object moves closer.
  • This works for nearby objects (with accommodation)

45
20
16
Binocular Cue 2
  • Retinal Disparity
  • Each eye receives a slightly different view of a
    scene.
  • The two views are used to determine the ratio of
    distances between nearby objects.
  • Example
  • Close one eye and position your thumbs so that
    one blocks the other with 1 cm distance between
    them.
  • Switch your viewing eye.
  • Open both eyes.

Threading a needle utilizes retinal disparity.
17
Color Perception
  • Trichromats
  • Humans have three cones that correspond to three
    ranges of the visible light in the areas of red,
    green, and blue light.

18
Human Color Vision Deficiencies
  • Normal Vision
  • Viewer requires 3 basic colors to match another
    color.
  • 91 Males
  • 99 Females
  • Anomalous Trichromacy
  • Also requires 3 basic colors to match another
    color, but the ratios of those three basic colors
    differ from a person with normal vision.
  • 6 Males

19
Human Color Vision Deficiencies
  • Dichromacy
  • Requires two colors to match any other color
    8-10 Caucasion males
  • Four types
  • Protanopes No L cones (1 males)
  • Deuteranopes No I cones (1 males)
  • Tritanopes No S cones (very small pop.)
  • Tetartanopes Lack chromatic channel (RG or YB,
    small )
  • Monochromacy
  • Requires one color to match any other color
  • Two types
  • Cone monochromats Only one type of cone (very
    small of population)
  • Rod monochromats Only the rods respond (.003
    males)

20
Human Color Vision Deficiencies
21
Temporal Perception
  • Negative Afterimages
  • A viewer stares at an image for a period of time.
  • The cones become desensitized.
  • Upon looking at a plain white surface, the viewer
    perceives the previous image with complementary
    colors.

22
Temporal Perception
  • Positive Afterimages - Persistence of Vision
  • An intense flash of light allows a viewer to see
    a scene.
  • When the light goes out the signal from the cones
    persist.
  • The viewer still perceives the image.

23
Motion Perception
  • Real Movement
  • An object physically moves.
  • Induced Movement
  • The background moves behind an object causing the
    perception that the object moved.

24
Motion Perception
  • Stroboscopic Movement
  • Quick, sequential flashes of light / images that
    imply motion.
  • e.g. television, film, monitor
  • Autokinetic Movement
  • A still spot of light appears to move in an unlit
    background.
  • e.g. star in the night sky

25
Aftereffects of Movement
  • Waterfall Illusion
  • After staring at water falling, look at a still
    object, and it will appear to move upward.
  • Spiral Aftereffect
  • After staring at a rotating spiral
  • a still spiral appears to move in the opposite
    direction.
  • an object will appear to deform in the spiral
    motion opposite that initially observed.

26
Consequences of Movement
  • Perception of Causality
  • One event is seen after another, thus it may be
    interpreted that the 1st event caused the 2nd.
  • Personification
  • Human / animal characteristics given to inanimate
    objects.
  • Perception of Location
  • Object 1 is seen going behind object 2, thus
    causing the viewer to extrapolate the location of
    object 1.
  • Linking Successive Shots
  • e.g. television, film

27
Summary
  • Depth Perception
  • Interposition Familiar Size Linear Perspective
    Atmospheric Perspective Motion Parallax
    Shading Patterns Accommodation
  • Convergence Retinal Disparity
  • Color Perception
  • Trichromacy
  • Temporal Perception
  • Desensitization negative afterimage
  • Persistence of Vision positive afterimage
  • Motion Perception
  • Real Induced
  • Stroboscopic Autokinetic
  • Waterfall/Spiral Effects
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