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Literary Elements: Symbol

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Literary Elements: Symbol A symbol is a thing that suggests more than its literal meaning (Kennedy & Gioia 217). Allegory Symbol is different from allegory ... – PowerPoint PPT presentation

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Title: Literary Elements: Symbol


1
Literary ElementsSymbol
  • A symbol is a thing that suggests more than its
    literal meaning (Kennedy Gioia 217).

2
Allegory
  • Symbol is different from allegory, a story in
    which persons, places and things form a system of
    clearly labeled equivalents (Kennedy Gioia
    217).
  • In allegory, there is a one-to-one relationship,
    i.e., X stands for Y. For example, one famous
    allegory is John Bunyans Pilgrims Progress. In
    this work the hero, Christian, takes a journey to
    the Heavenly City, meeting characters along the
    way with names such as Piety and Mr. Worldly
    Wiseman. The characters are flat with no real
    depth and stand only for the concept of piety or
    wisdom. The journey represents the pilgrimage
    which every Christian must make to gain
    salvation.
  • Allegory is rare these days. Another famous
    example of one is seen in George Orwells Animal
    Farm, in which different animals represent
    particular political systems.

3
Symbols Suggest
  • Symbols tend toward multiple meanings or
    possibilities.
  • Symbols suggest rather than stand for (Kennedy
    and Gioia 217).
  • Symbols are expansive, opening up meaning and
    giving a work depth, while allegories are
    reductive, forcing an element to represent one
    idea alone (Birkerts 115).
  • Kennedy and Gioia explain that Symbols generally
    do not
  • stand for any one meaning, nor for anything
    absolutely definite they point, they hint, or,
    as Henry James put it, they cast long shadows
    (217).

4
Examples of symbols
  • In Susan Glaspells A Jury of Her Peers, the
    canary is itself a pet bird, but it also seems to
    stand for Mrs. Wright, of the sweet singing
    voice, caged and finally (spiritually) killed.
  • In Nathaniel Hawthornes The Birthmark,
    Georgiannas birthmark is itself but may also be
    seen as a concrete illustration of the
    imperfection of physical humanity, an
    imperfection which Aylmer, in his quest to play
    God and control nature, cannot accept.
  • In Stephen Cranes The Open Boat, the boat is
    itself but is also a symbol of the larger world
    (a small world microcosm) in which a
    community of men must grapple with the forces of
    nature.

5
Two Kinds of Symbols
  • Conventional or traditional symbols These
    symbols have meanings that large numbers of
    people understand. They embody universal
    suggestions of meaning, such as that a voyage
    suggests life or flowing water suggests time and
    eternity (Symbol 467). Can you guess what the
    visual symbols below stand for?
  • Depending on ones own cultural background, she
    might answer that these are three of the letter
    t. Or he might say that they are the masts of a
    ship. If one has been raised in a Judeo-Christian
    culture, however, its highly likely that that
    person might see three crosses here,
    representative of the Crucifixion of Jesus and of
    salvation.
  • In the course assignments, I have organized the
    sections in a general subject format gender,
    nature, family, and so on. But the theme of Jack
    Londons To Build a Fire is not simply
    nature. Instead one might want to formulate a
    complete sentence about the relationship of man
    and nature.

6
More conventional symbols which may be expressed
as words or pictures
  • a flag for country (the flag)
  • Go Hogs!
  • Red Razorback for the University of Arkansas
  • an X at the end of a letter for a kiss XXX
  • (smack!)
  • spring as the symbol of new beginnings
  • a slash line through a sign for
    NO,
  • as in No Parking.

7
Two Kinds of Symbols (continued)
  • Private or original symbols These kinds of
    symbols may be relative, dependent upon the
    beholder or upon how they are used in a work.
  • The park bench where you metthe one you love is
    a private symbolwhich you interpret privately.
  • The empty space on the wall where the picture
    once was could be a private symbol of personal
    loss for one person, while for another the
    lighter shade of that space simply indicates that
    a wall needs to be painted.
  • In fact, a symbol may shift in meaning as the
    work develops. Private symbols acquire meaning
    because of the ways they are used in a literary
    work (Symbol 467). Critic Sven Birkerts writes
    that private symbols gain their meaning
    gradually, through repetition or strategic
    placement and that they have powerful,
    condensed meanings (Symbolism 113).

8
More private or original symbols
  • WAKE UP!
  • A gun, for example, may represent destruction,
    but it may also be interpreted as a symbol of
    sexual potency, Birkerts suggests (113).
  • On the other hand, some objects are just and only
    that, themselves that is, a gun is simply a gun
    in a story and is not meant to carry any larger
    meaning. I think maybe it was Sigmund Freud who
    once cried out in exasperation, Sometimes a
    cigar is just a cigar! -)
  • One can interpret symbols through recognition of
    their use in patterns, repetition, or strategic
    placement in a work (Birkerts 113). But Sven
    Birkerts warns that symbols are not planted in
    a literary work like radishes and one does not
    simply find them and pluck them free (113).
  • Instead, he writes, symbols function as a kind of
    forcefield, sending out waves of suggestion that
    penetrate many layers of the work and add to its
    meaning (Birkerts 113).

9
A look at one symbolthe A in The Scarlet
Letter
  • One can think of the phrase multiplicity of
    meanings as expressing the concept that a symbol
    is fluid, not stable, and can suggest many
    possible meanings.
  • In Hawthornes novel The Scarlet Letter, Hester
    Prynne is a Puritan woman who is pregnant out of
    wedlock and is ostracized by the Puritan
    community of Boston. She is punished and forced
    by town elders to become a living symbol and
    reminder of her sin and walking warning to all
    when she is sentenced to wear a red letter A on
    the bodice of her dresses.

10
The meaning of the A
  • As the novel progresses, Hester ages and changes
    and the townspeople begin to see both her and the
    symbol A in different ways. Thus the A comes
    to have a multiplicity of meanings, each of which
    deepens and develops the meaning of the novel
  • A Adulteress (Hester is guilty of the sin of
    adultery.)
  • A Art (Hester is a very creative, skilled
    seamstress who makes her living through this
    art)
  • A Able (Hester is able to support herself and
    daughter and to survive the towns
    condemnation.)
  • A Admirable (The townspeople begin to admire
    Hester.)
  • A Angel (She tends the sick and dying and is
    an angel of charity toward others.)
  • A Arthur (Everyone wants to know who the
    father of the illegitimate child is, but
    Hester will not betray him. Ironically, his
    initial is displayed in Hesters punishment
    his name is Arthur.

11
Final words of warning!
  • Hunt Lyman, in his web page titled Literary
    Concepts from the University of Virginia, offers
    these helpful comments
  • Symbols are confusing to many students because
    natural symbolism is confused with literary
    symbolism. Definition Something that represents
    something else by association, resemblance, or
    convention, especially a material object used to
    represent something invisible.
  • Symbols in a basic sense are one of the most
    natural human functions. In fact, words
    themselves are all symbols -- language is our
    most universal symbolic system. The key behind
    symbols is they contain an element of
    arbitrariness -- there is no single correlation
    emphasis added. Words, for example, are
    entirely arbitrary(Lyman).

12
  • Works Cited

Kennedy, X. J. and Dana Gioia, eds. Literature
An Introduction to Fiction, Poetry, and Drama.
New York Longman, 1999. Lyman, Hunt.
Symbolism. Literary Concepts. U of Virginia.
10 March 2000 lthttp//www.people.virginia.edu/hl5
s/general/concepts.htmlsymbolismgt. Symbol. A
Handbook to Literature. 6th ed. C.Hugh Holman and
William Harmon, eds. New York Macmillan, 1992.
466-67. Symbolism. Literature The Evolving
Canon. Ed. Sven Birkerts. Boston Allyn and
Bacon, 1993. 113-15.
13
CREDITS
  • Developed and prepared by Dr. Linda Lovell
  • NorthWest Arkansas Community College
  • http//faculty.nwacc.edu/ljlovell
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