Enjoyment of Music, 10e Shorter Edition

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Enjoyment of Music, 10e Shorter Edition

• Classroom Response Questions
• Chapters 2527T

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Chapter 25 The Baroque Sonata and Concerto
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Study Guide Questions

• 1. The two main types of concerto in the Baroque
  are the solo concerto and the concerto grosso.
• true
• false

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Study Guide Questions

• 2. The solo instrument featured in Vivaldi's
  Spring concerto is the
• violin.
• cello.
• harpsichord.

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Study Guide Questions

• 3. The tempo scheme of the movements from
  Vivaldi's Spring concerto is best described as
• slow-fast-slow-fast.
• fast-slow-fast.
• slow-moderate-fast.

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Study Guide Questions

• 4. What is the unifying procedure in the first
  movement of the Spring concerto?
• ground bass
• fugal treatment
• ritornello

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Study Guide Questions

• 5. How does Vivaldi evoke the image of birds in
  the first movement of the Spring concerto?
• with an insistent rhythmic pattern
• with a harmonic drone
• with high trills and running scales

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Study Guide Questions

• 6. How does Vivaldi evoke the image of a thunder
  and lightning storm in the first movement of the
  Spring concerto?
• with staccato notes and trills
• with repeated notes and fast ascending scales
• with the repetition of the refrain

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Study Guide Questions

• 7. What makes The Four Seasons a programmatic
  work?
• It is based on a painting of the same name.
• It is based on a play of the same name.
• It is based on a set of poems, one for each
  season.

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Study Guide Questions

• 8. The first movement of a Baroque concerto is
  usually in __________ form.
• binary
• ternary
• ritornello

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Study Guide Questions

• 9. The strings on Baroque instruments were made
  of
• steel.
• gut.
• nylon.

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Study Guide Questions

• 10. A multimovement form based on the opposition
  of one player against a larger group is a(n)
• concerto grosso.
• solo concerto.
• overture.

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Study Guide Questions

• 11. The standard Baroque concerto has three
  movements.
• true
• false

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Study Guide Questions

• 12. The piano was the most popular Baroque
  keyboard instrument.
• true
• false

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Study Guide Questions

• 13. The Baroque sonata type that is contrapuntal
  in nature and has the tempo scheme
  slow-fast-slow-fast is the sonata da camera.
• true
• false

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Study Guide Questions

• 14. The small group of soloists in a concerto
  grosso is known as the
• concertino.
• ritornello.
• ripieno.

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Study Guide Questions

• 15. Which Baroque composer was known as the "red
  priest"?
• Johann Sebastian Bach
• George Frideric Handel
• Antonio Vivaldi

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Study Guide Questions

• 16. Which Baroque composer wrote over 200 solo
  concertos for violin?
• Johann Sebastian Bach
• Domenico Scarlatti
• Antonio Vivaldi

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Chapter 26 The Baroque Suite
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Study Guide Questions

• 1. Which composer is known for his grand
  divertissements at the French court?
• Handel
• Vivaldi
• Mouret

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Study Guide Questions

• 2. Where was the Water Music first performed?
• for a royal party on the Thames River
• for a fireworks display in London
• for a coronation of the new king

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Study Guide Questions

• 3. Which of the following genres is a group of
  dance movements, usually in the same key?
• suite
• chaconne
• passacaglia

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Study Guide Questions

• 4. Which of the following is NOT a standard dance
  of a Baroque suite?
• allemande
• courante
• overture

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Study Guide Questions

• 5. Which composer wrote the instrumental
  collection called Tafelmusik?
• Telemann
• Handel
• Mouret

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Study Guide Questions

• 6. The Baroque suite typically consisted of a
  group of dances in contrasting keys and tempos.
• true
• false

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Study Guide Questions

• 7. Handels Water Music is a typical Baroque
  suite in its specific makeup of dances.
• true
• false

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Study Guide Questions

• 8. Which television program has used the Mouret
  rondeau as a theme song?
• NBC news
• Masterpiece Theatre
• Biography

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Study Guide Questions

• 9. What kind of movement opens the Water Music
  suite?
• a minuet
• a hornpipe
• an overture

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Study Guide Questions

• 10. What is the structure of the Alla hornpipe
  from Handel's Water Music?
• binary
• ternary
• ritornello

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Study Guide Questions

• 11. Which of the following is NOT a movement of
  Suite in D Major from Water Music?
• Minuet
• Bourée
• Gavotte

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Study Guide Questions

• 12. The second section of Alla hornpipe differs
  from the first in that
• the tonality changes.
• only strings and woodwinds play.
• both a and b.

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Study Guide Questions

• 13. Which best describes the form of Mourets
  rondeau?
• binary, or A-A-B-B
• ternary, or A-B-A
• five-part, or A-B-A-C-A

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Study Guide Questions

• 14. Which best describes the tempo heard in the
  hornpipe from Handel's Water Music?
• slow
• moderate
• quick

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Study Guide Questions

• 15. Which instrument family is NOT heard in the
  second section of the Alla hornpipe?
• strings
• woodwinds
• brass

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Study Guide Questions

• 16. Which instrument is NOT prominently featured
  in Mourets rondeau?
• trumpet
• timpani
• flute

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Chapter 27 Other Baroque Instrumental Forms
(and Transition II)
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Study Guide Questions

• 1. Which is NOT a well-known keyboard work by J.
  S. Bach?
• Water Music
• The Art of Fugue
• The Well-Tempered Clavier

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Study Guide Questions

• 2. A highly structured contrapuntal form, based
  on a single theme or subject is a
• prelude.
• fugue.
• French overture.

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Study Guide Questions

• 3. An organ work in which a traditional hymn tune
  is embellished is a(n)
• allemande.
• chorale prelude.
• Italian overture.

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Study Guide Questions

• 4. The main theme of a fugue is known as the
• fugato.
• episode.
• subject.

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Study Guide Questions

• 5. A one-movement orchestral work in three
  sections with the tempo scheme fast-slow-fast, is
  a(n)
• Italian overture.
• French overture.
• sonata da camera.

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Study Guide Questions

• 6. What is the tonic key of Bachs Contrapunctus
  1, from The Art of Fugue?
• D major
• D minor
• A major

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Study Guide Questions

• 7. Which of the following is a form based on
  counterpoint?
• prelude
• fugue
• toccata

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Study Guide Questions

• 8. The main theme of a fugue is called the
• episode.
• subject.
• countersubject.

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Study Guide Questions

• 9. The __________ is the first section of a fugue
  and presents the subject in all voices.
• exposition
• episode
• coda

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Study Guide Questions

• 10. How many times is the subject (including the
  answer) heard in the exposition of Contrapunctus
  1?
• two
• three
• four

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Study Guide Questions

• 11. How many preludes and fugues make up the
  collection entitled The Well-Tempered Clavier?
• twelve
• twenty-four
• forty-eight

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Study Guide Questions

• 12. Which contrapuntal device presents the melody
  twice as slow as the original theme?
• stretto
• diminution
• augmentation

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Study Guide Questions

• 13. Figured bass notation can be found in the
  music of the
• Baroque era.
• Classical era.

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Study Guide Questions

• 14. Which contrapuntal device presents the melody
  turned upside down (in mirror image)?
• inversion
• retrograde
• stretto

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Study Guide Questions

• 15. The clarinet and trombone were introduced
  into the orchestra in the
• Baroque era.
• Classical era.

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Study Guide Questions

• 16. Which era saw the development of the
  sonata-allegro form?
• Baroque era
• Classical era

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Study Guide Questions

• 17. Rococo artists reacted against the grand
  gestures of the Baroque.
• true
• false

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Study Guide Questions

• 18. The most famous painter of the French Rococo
  was Peter Paul Rubens.
• true
• false

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Study Guide Questions

• 19. François Couperin was an important French
  Rococo keyboard composer.
• true
• false

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Study Guide Questions

• 20. The Beggar's Opera, by John Gay, incorporates
  folk songs and popular tunes.
• true
• false

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Study Guide Questions

• 21. A composer noted for opera reform in the
  Rococo was C. P. E. Bach.
• true
• false

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Study Guide Questions

• 22. Polyphonic textures are most prevalent in the
  music of the
• early Baroque.
• late Baroque.
• Classical era.

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Study Guide Questions

• 23. The idea of a single "affection" or emotion
  for each work or movement is typical of the
• Baroque era
• Classical era

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Study Guide Questions

• 24. The idea of a single "affection" or emotion
  for each work or movement is typical of the
• Baroque style.
• Classical style.

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Study Guide Questions

• 25. Forte/piano contrasts and echo effects are
  typical in the music of the
• Baroque era.
• Classical era.

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Study Guide Questions

• 26. The concerto grosso was popular in the
• Baroque era.
• Classical era.

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Study Guide Questions

• 27. The symphony and string quartet were favored
  instrumental genres of the
• Baroque era.
• Classical era.

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Study Guide Questions

• 28. Use of chromatic harmony for expressive
  effect was typical of
• Baroque style.
• Classical style.