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Exhibiting History

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Title: When you do a History Fair exhibit, think of yourself as a museum curator and designer. Author: lisa oppenheim Last modified by: Houston Independent School ... – PowerPoint PPT presentation

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Title: Exhibiting History


1
Exhibiting History
  • Its More Than a Display Board!
  • History Education Center
  • 2005

2
Think of the History Fair exhibit as a
mini-museum.
3
  • In a museum visitors are greeted with a panel
    that announces the main idea of the exhibit and
    sets the stage for what will follow.

4
  • The exhibit designer creates a space that uses
    eye-catching graphics that reflect the theme,
    time period and topic. Colors, shapes and other
    visual cues organize different sections of the
    exhibit.

5
  • Subtitles and different shapes and sizes of
    labels also act as visual cues. The labels tell
    the story.

6
  • Each segment (or section) of the exhibit tells a
    different part of the story.

7
  • A variety of visually engaging and relevant
    primary sources show what the text tells.

8
History Fair exhibits function the same way.
9
  • When you do a History Fair exhibit, you are
    museum curators and designers.

10
What do curators do?
  • conduct historical research
  • form an interpretation or thesis
  • develop a story
  • write the label text
  • select potential primary sources and artifacts

11
What do designers do?
  • The designers show the story the curators want
    to tell by
  • creating a well-organized and imaginative
    exhibit design that
  • reflects and reinforces the curators
    interpretation.

12
Before Design Begins
  • Make an outline, write text, and do a layout
    before one finger touches an exhibit board!
  • Show your draft to others to make sure it is
    logical to them.

13
A Title
PARTS OF AN EXHIBIT
  • An introduction and a conclusion

Subtitles
Labels The Students Interpretation
Primary Sources as Evidence
Secondary Sources as Evidence
14
The first elements the visitor sees are1.
Overall design2. Title3. Introduction
15
Exhibit Design
  • The maximum dimensions for an exhibit are 72
    tall by 40 wide by 30 deep.
  • The three-panel exhibit is the most common form
    but it is not required.

16
  • Like a museum, the goal of a History Fair
    exhibit is to effectively communicate the
    curators interpretation. That takes
    organization and imagination.

17
The design reflects the topic of the project
18
and is visually interesting.
19
Design delivers the message
  • Choose colors that reflect the topic of the
    exhibit. This exhibit is about child labor.
    Why did the students select these colors? Review
    the earlier exhibits presented here. Do the
    colors fit the topic?
  • Notice different color mats for different parts
    of the exhibit.

20
What topics could these colors symbolize?
21
Fonts reflect the story too
  • Select fonts that reflect the topic too. Use 3
    different font sizes based on the importance of
    text consider the larger fonts (36) for the
    subtitles and title.
  • History Fair
  • History Fair
  • History Fair
  • History Fair
  • History Fair
  • History Fair

22
  • Always use readable styles and black type for
    labels 16-24 font size
  • Look at the actual sizes in different styles.
    Which is more readable?
  • Always use readable styles and black type for
    labels 16-24 font size
  • Always use readable styles and black type for
    labels 16-24 font size

23
Avoid too few or too many words--neither
communicates effectively
24
Remember the products of research, analysis,
and writing are what count the most in
your exhibit.
25
Superior design is the supporting partner of
superior academic work.
26
The title sends your message
  • Make the title snappy and informative, and hint
    at the argument viewers will find in the exhibit.

27
Why do some titles communicate more effectively
than others?
  • Impact and Influence of Lemont on the Civil War
  • The Memorial Day Massacre
  • The War Comes Home How Small Towns Fought the
    Civil War
  • They Shot Us in Our Backs How the Memorial Day
    Massacre Galvanized the Labor Movement

28
The introduction is the road map to the exhibit.
29
The introduction establishes
  • context
  • change
  • significance or impact

and contains your thesis statement.
30
The largest label on the exhibit, the
introduction will consist of approximately 100
words.
31
  • There is no need to write Thesis or
    Introduction if the design makes it apparent.
    Consider using a different color matting, font
    size, or shape.

32
A strong thesis statement
  • Makes a specific argument or interpretation
  • Has a narrow focus
  • Based on can be proven with evidence
  • Can be communicated in one or two sentences

33
FOR EXAMPLEAfter the 1919 riot the means of
enforcing segregation became more accepted, more
formal, often more violent, and completely legal.

34
Identify the elements of an introduction CONTEXT
CHANGE SIGNIFICANCE/IMPACT THESIS
The race riot of 1919 was a cataclysmic event in
Chicago. After five days of rioting, 38 white
and black citizens were killed and 537 were
injured. The riot itself was the product of
nearly two decades of conflict between whites and
blacks over housing, jobs, and political
representation. Before the riot, the black
community was pressed into separate areas of the
city by informal and extralegal means. After the
riot the means of enforcing segregation became
more accepted, more formal, often more violent,
and completely legal. In this way the 1919 riot
was a turning point for the city Martin Luther
King, Jr. called the most segregated in the
nation.
35
  • CONTEXT The race riot of 1919 was a cataclysmic
    event in Chicago. After five days of rioting, 38
    white and black citizens were killed and 537 were
    injured. The riot itself was the product of
    nearly two decades of conflict between whites and
    blacks over housing, jobs, and political
    representation.
  • CHANGE Before the riot, the black community was
    pressed into separate areas of the city by
    informal and extralegal means.
  • THESIS After the riot the means of enforcing
    segregation became more accepted, more formal,
    often more violent, and completely legal.
  • IMPACT In this way the riot of 1919 was a
    turning point for the city Martin Luther King,
    Jr. called the most segregated in the nation.

36
The exhibit layout is organized by sections, or
segments, which present the interpretation.
37
Most segments contain
  • Subtitle
  • Label(s)

Primary Sources
Secondary Sources
38
Segments are like sections in a museum or
paragraphs of a paper
  • The subtitle, interpretive label(s) and a
    variety of sources all connect to tell the story.

39
Subtitles are Guideposts
  • Subtitles guide the viewer through the exhibit
    and establish the main points of the argument.

40
Labels tell the story
  • Labels consist of 50-75 words that develop the
    interpretation in organized clusters of claims
    and evidence.
  • Each label communicates one main idea.
  • Revolutionary thinkers, affirming the right to
    childhood, denounced child labor as exploitation.
    Settlement workers promoted childhood as a
    unique stage in life in which an individuals
    personality could be developed through creative
    play, introduction to the arts, and a proper
    education. Muckrakers, pioneering doctors, and
    labor union organizers publicized the evils of
    child labor.

41
Strong labels
  • Focus on one idea
  • Use active verbs
  • Provide explanation and analysis of the primary
    sources
  • Move the story forward

42
  • In each segment of the exhibit, the sources
    directly relate to the label text.

43
How do the following sources relate to this
label?
  • Revolutionary thinkers, affirming the right to
    childhood, denounced child labor as exploitation.
    Settlement workers promoted childhood as a
    unique stage in life in which an individuals
    personality could be developed through creative
    play, introduction to the arts, and a proper
    education. Muckrakers, pioneering doctors, and
    labor union organizers publicized the evils of
    child labor.

44
Reports Government Documents
  • Investigative reports, hearings, laws, executive
    orders not only make sound evidence, but they
    also help place your story in the larger national
    context.

45
Posters and Flyers.
  • Publications from the time reveal much about the
    past the people who were trying to communicate,
    the audience they tried to reach, and the message
    they wanted to deliver.

46
Editorial Cartoons
47
Newspapers Newsletters
  • To be more than a visual image, sources with a
    lot of text either need an inset quotation to
    highlight the most important words, or be
    reflected in the label.

48
Photographs
  • Photographs are more than pictures--they are
    evidence for the interpretation.
  • What can be found in these photos?

49
Quotations
  • Quotes from primary sources bring the actual
    voices from the past and can be powerful
    sources of evidence.
  • From secondary sources they reinforce or add to
    your argument.
  • Many women keep their children from school to
    run the factory and to help with the homework.
    In order to earn anything and provide food for
    themselves.
  • Reverend Dunne, 1897

50
Charts, Maps, Graphs, Tables
  • These sources help organize and display a lot of
    information better than text could do. They also
    add to the visual quality of the exhibit.

51
Now, write a subtitle label for the following
sources
Subtitle
  • Label text

52
  • The 1903 Illinois child labor law is a curse
    instead of a blessing to those compelled to earn
    bread by the sweat of their brow
  • Affiliated Workers School, 1903

53
Put them all together
  • Writing Analysis
  • Research Sources
  • Labels Subtitles
  • Design

54
and you have a mini-museum!
55
A successful exhibit is the product of
  • in-depth research,
  • a clear interpretation,
  • interesting and relevant sources,
  • a compelling story,
  • and a visual design and layout that reinforces
    the message.

56
Visit our websitewww.uic.edu/orgs/cmhec
For more creative and practical exhibit design
tips and worksheets.
57
Visit our websitewww.uic.edu/orgs/cmhec
For more support on research, writing, thesis
development, and exhibit rules.
58
Thanks to all the students whose work made this
presentation possible!
Thanks to the Chicago Historical Society for
permitting use of images from their exhibit Teen
Chicago.
59
Produced by Chicago Metro History Education
Center for individual or classroom
use.2005This presentation may NOT be used for
any commercial purpose.
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