Then, pierced, he cast himself upon his lifeless friend; there, at last, he found his rest in death. Fortunate pair! If there by any power within my poetry, no day shall ever erase you from the memory of time

1
Then, pierced, he cast himself upon his
lifelessfriend there, at last, he found his
rest in death.Fortunate pair! If there by any
powerwithin my poetry, no day shall ever erase
you from the memory of time.

• The Death of Nisus and Euryalus. Aeneid IX. 590

2
the agreeable manner in which he immediately
fell into conversation, though it was only on its
being a wet night and on the probability of rainy
season, made her feel that the commonest,
dullest, and most threadbare topic might be
rendered interesting by the skill of the
speaker.

• Pride and Prejudice, Lizzy on Wickham, 57

3
In this connexion I sometimes wonder whether it
can be right for a prudent theologian,
philosopher, or other such person of precise and
delicate conscience to write history. How can
they pledge their word on a popular belief? How
can they answer for the thoughts of unknown
persons?

• Montaigne, On the Power of the Imagination, 47

4
Whatever I have done was done of set purpose, for
I wished to show you how to be a wife, to teach
these people how to choose and keep a wife, and
to guarantee my own peace and quiet as long as we
were living beneath the same roof.

• Decameron, X.X Gualtieri to Griselda, 793

5
Ulysses, in whose persons and hardships Homer
painted a living portrait of prudence and
forbearance Virgil, too, in the person of
Aeneas, portrayed the valor of the devoted
sonthey were depicted not as they were, but as
they should have been, to serve as examples of
virtue to men who came after them.

• Don Quixote, DQ to Sancho, 193

6
And as she looked at him she began to smile, for
though she had not said a word, he knew, of
course he knew, that she loved him. He could not
deny it. And smiling she looked out of the window
and said (thinking to herself, Nothing on earth
can equal this happiness)

• To the Lighthouse, Mr. Mrs. Ramsay, 124

7
If man in fact is not a scoundrelin general,
that is, the whole human racethen the rest is
all mere prejudice, instilled fear, and there are
not barriers, and thats just how it should
be!...

• Crime and Punishment, Raskolnikov to himself, 27

8
Where be your gibes now? Your gambols, your
songs, your flashes of merriment that were wont
to set the table ona roar? Not one now, to mock
your grinning?

• Hamlet, Hamlet on Yoric, 5.1.188

9
Ive kept close track, to snatch his scalp one
cant absolve a man whos not repented, and no
one can repent and will at once the law of
contradiction wont allow it.

• Inferno, XXVII.117-121. (Bertran, father v. son)

10
For wherever the human soul turns itself, other
than to you, it is fixed in sorrows, even if it
is fixed upon beautiful things, which would
nevertheless mean nothing if they did not have
their being from you.

• The Confessions, IV.15. (p.61)

11
We could go away and stay together on one of our
various country estates, shunning at all costs
the lewd practices of our fellow citizens and
feasting and merry-making as best we may without
in anyway over-stepping the bounds of what is
reasonable.

• Decameron, Prologue

12
I shall help you with my wealth.And should you
want to settle this kingdomon equal terms with
me, then all the cityI am building now is yours.

• Dido to Aeneas, The Aeneid, 804-808.

13
But vanity, not love, has been my folly. Pleased
with the preference of one, and offended by the
neglect of the other, on the very beginning of
our acquaintance I have courted prepossession and
ignorance, and driven reason away, where either
were concerned Till this moment I never knew
myself!

• Pride and Prejudice, Lizzy, 156

14
Lying is mans only privilege over all other
organisms. If you lieyou get to the truth! Lying
is what makes me a man!

• Crime and Punishment, Razumikhin, 202

15
She sensed that he had changed somehow. She had
never read a line of his poetry. She thought that
she knew how it went though, slowly and
sonorously. It was seasoned and mellow. It was
about the desert and the camel. It was about the
palm tree and the sunset. It was extremely
impersonal it said something about death it
said very little about love.

• To the Lighthouse, Lily on Carmichael, 195

16
Here was the company of those who
sufferedwounds, fighting for their homeland, and
of thosewho, while they lived their lives,
served as pure priestsand then the pious poets,
those whose songswere worthy of apollo, those
who had made life more civilized with newfound
arts

• The Underworld, Aeneid, VI. 872-877

17
madness is so to speak, a logical error, an
error of judgment, a mistaken view of things. He
would gradually prove his patient wrong, and
imagine, they say he achieved results!

• Crime and Punishment, Lebezyatnikov to Rask, 424

18
To make conversation, to share a joke, to perform
mutual acts of kindness, to read together
well-written books, to share in trifling and
serious matters, to disagree without
animosityjust as a person debates with
himselfand in the very rarity of disagreement to
find the salt of normal harmony, to teach each
other something or to learn from one anotherThis
is what we love in friends.

• The Confessions, IV.13 (p.60)

19
Human beings obtain normal pleasures of human
life not as they come on unexpectedly and against
our will, but after discomforts which are planned
and accepted by deliberate choice.

• The Confessions, VIII.7. (p.138)

20
But here begins a new account, the account of
mans gradual renewal, the account of his gradual
regeneration, his gradual transition from one
world to another, his acquaintance with a new,
hitherto completely unknown reality.

• Crime and Punishment, the end, 551

21
Step by step we climbed beyond all corporeal
objects and the heaven itself, where sun, moon,
and stars shed light on the earth. We ascended
even further by internal reflection and dialogue
and wonder at your works, and we entered into our
own minds. We moved up beyond them so as to
attain the region of inexhaustible abundance
where you feed israel enternally with truth for
food.

• The Confessions, IX.24. (p.171)

22
When he is drunk asleep, or in his rage, Or in
thinscestuous pleasure of his bed,At game,
a-swearing, or about some actThat has no relish
of salvation int

• Hamlet, Hamlet at Claudiuss confession, 3.4.89

23
This is his decisionTo go out and explore this
foreign country,to learn what shores the wind
has brought him to,who lives upon this landit
is untilledare they wild beasts or menand then
to tell hiscomrades what he has found.

• Aeneas, The Aeneid, I.433-436

24
He rose at once. I was not bowing to you, I
was bowing to all human suffering, he uttered
somehow wildly, and walked to the window.

• Crime and Punishment, Rask to Sonya, 321

25
Mother and child thenobjects of universal
veneration, and in this case the mother was
famous for her beautymight be reduced, he
pondered, to a purple shadow without irreverence.

• To the Lighthouse, Bankes on Lilys painting, p.
  52

26
O you possessed of sturdy intellects, observe the
teaching that is hidden here beneath the veil of
verses so obscure.

• Purgatorio, IX.61-64. (Dante to the Reader)

27
And let your comrades, too, keep fast this
practiceof sacrifice, yourself maintain the
customand may your pious sons continue it.

• Helenus, channeling Apollo, Aeneid III. 530-533

28
The greatest madness a man can commit in this
life is to let himself die, just like that,
without anybody killing him or any other hands
ending his life except those of melancholy.

• Don Quixote, Sancho to Alonso Quexana, 937

29
Because I severed those so joined, I
carryalasmy brain dissevered from its source,
which is within my trunk. And thus in me one sees
the law of counter-penalty.

• Inferno, XXVIII.139-142.

30
The body obeyed the slightest inclination of the
soul to move the limbs at its pleasure more
easily than the soul obeyed itself, which its
supreme desire could be achieved exclusively by
the will alone.

• The Confessions, VIII.20. (p.147)

31
But to perseverIn obstinate condolement is a
courseof impious stubbornness. Tis unmanly
grief.It shows a will most incorrect to
heaven,A heart unfortified, a mind impatient,An
understanding simple and unschooled.

• Hamlet Act I, Claudius on Hamlet

32
How superior are the fables of the masters of
literature to these deceptive traps!...Verses and
poetry I can transform into real nourishment.

• The Confessions, III.11. (p.42)

33
Our indiscretion sometime serves us wellWhen our
deep plots do pall, and it should learn
usTheres divinity that shapes our ends

• Hamlet, H to Horatio, 5.2.8, Hamlet on Yoric,
  5.1.188

34
You all say heaven made me beautiful, so much
that this beauty of mine, with a force you cant
resist, makes you love me and you say and even
demand that, in return for the love you show me,
I must love youbut I cant see why, for this
reason alone, a woman whos loved for her beauty
should be obliged to love whoever loves her.

• Don Quixote, Marcela on Grisistomos suicide

35
His immense self-pity, his demand for sympathy
poured and spread itself in pools at her feet,
and all she did, miserable sinner that she was,
was to draw her skirts a little closer round her
ankles, lest they should get wet.

• To the Lighthouse, Lily Mr. Ramsay, 152

36
I am, you know, a bachelor, an unworldly and
unknowing man, and, moreover, a finished man, a
frozen man, sir, gone to seed

• Crime and Punishment, Porfiry to Rask. 336

37
It is not love of praiseor fame has left me,
drive off by fear,but that my blood is chilled
and dulled by slowold age, my bodys force is
numb, is coldIf I could only have what once was
mine,the youth of which that shameless fellow
thereso confidently brags, I should have boxed,
not because of praise or handsome bullockhad
tempted me I do not need rewards!

• Entulles to Aeneas, Aeneid, V.525-530

38
And if it were not because I imaginedid I say
imagine?...because I know for a fact that all
these discomforts are an integral part of the
practice of arms, I would let myself die here out
of sheer annoyance.

• Don Quixote, DQ to Sancho, 106

39
Yes, with all its greens and blues, its lines
running up and across, its attempt at something.
It would be hung in attics, she thought it would
be destroyed. But what did that matter?

• To the Lighthouse, Lily at the End, 208

40
At that pointI would have you seethe
forceTo which one yielded mingles with ones
willAnd no excuse can pardon their joint
act.Absolute will does not concur with
wrongBut the contingent will, through fear that
its Resistance might bring greater harm,
consents.

• Paradiso, IV.105, Beatrice to Dante, 35-36

41
She had never seen a place for which nature
had done more, or where natural beauty had been
so little counteracted by awkward taste.

• Pride and Prejudice, Lizzy on Pemberly

42
But you no longer believe your own theorywhat
would you run away on? And what would you do to
be a fugitive? Its nasty and hard to be a
fugitive

• Crime and Punishment, Porfiry to Rask, 461

43
Indeed one would do better to love this visible
sun, which at least is evident to the eyes, than
to those false mythologies which use the eyes to
deceive the mind.

• The Confessions, III.10. (p.41)

44
The man who knows how to enjoy his existence as
he ought has attained an absolute perfection like
that of the gods.

• Montaigne, On Experience, 496

45
The eager men of Tyre work steadilysome build
the city walls or citadelthey roll up stones by
hand, and some select the place for a new
dwelling, marking out its limits with a furrow
some make laws, establish judges and a sacred
senatesome excavate a harbor others laythe
deep foundations for a theatre,hewing tremendous
pillars from the rocks,high decorations for a
stage to come.

• Carthage. The Aeneid. I.605-611

46
The Aeneid

• History
• Inheritance
• Piety
• The Afterlife
• Unruly emotion

• Futurity
• Sacrifice
• Custom
• Glory of State
• Fate

47
The Confessions

• Memory
• Transcendence
• Disillusionment
• Logic v. Faith
• Interpretation

• Biography
• Experience
• Desire
• Transgression
• Memory

48
The Divine Comedy

• Transcendence
• Dogma
• Limits of Intellect
• Interpretation
• Humility

• Contrapasso
• Redemption
• Art
• Penance
• Journey

49
The Decameron

• Relativism
• Transgression
• Escape
• Interpretation
• Hypocrisy

• Education
• Sex
• Gender
• Wit
• Story-telling

50
The Essays

• Self-Reliance
• Moderation
• Interpretation
• Relativism
• Subjectivity

• Biography
• Experimentation
• Experience
• The Body
• History

51
Hamlet

• Inheritance
• Art/Acting
• Madness
• Interpretation
• Fate

• Revenge
• Objectivity
• Loyalty
• Mortality
• Violence

52
Don Quixote

• History
• Dogma
• Genre
• Fact v. Fiction
• Faith

• Madness
• Literature
• The Imaginary
• Idealism
• Decay

53
Pride and Prejudice

• Class
• Social Progress
• Gender
• Self-knowledge
• Inheritance

• Interpretation
• Custom
• Dialogue
• Marriage
• Resistance

54
Crime and Punishment

• Genius
• History
• Class
• Madness
• Emotion v. Reason

• Transgression
• Faith
• Conversion
• Pragmatism
• Determinism

55
To the Lighthouse

• Time
• World War I
• Gender
• Experimentation
• Domesticity

• Multiplicity
• Emotion v. Reason
• Simultaneity
• Memory
• Art

56
Does the progress of civilization depend upon
great men? Is the lot of the average human being
better now than in the time of the Pharoahs? Is
the lot of the average human being, however, he
asked himself, the criterion by which we judge
the measure of civilization? Possibly not.

• To the Lighthouse, Mr. Ramsay, 42-3

57
I had become deafened by the clanking chain of my
mortal condition, the penalty of my pride. I
travelled very far from you, and you did not stop
me. I was tossed about and spilt, scattered and
boiled dry in my fornications. And you were
silent.

• The Confessions, II.2. (p.24)

58
But OH the ignorance of augers! Howcan vows and
alters help one wild with love?Meanwhile the
supple flame devours her marrowwithin her
breast the silent wound lives on.

• Describing Dido, Aeneid, IV. 86-89

59
So you shall hearOf carnal, bloody, and
unnatural acts,Of accidental judgments, casual
slaughters,Of deaths put on by cunning and force
cause,And, in this upshot, purposes
mistookFalln on thinventors heads. All this
can ITruly deliver.

• Hamlet, Horatio over Hamlets body, 5.2.382,

60
They had brewed for themselves a life different
than hers in Paris, perhaps a wilder life not
always taking care of some man or other for there
was in their minds a mute questioning of
deference and chivalry, of the Bank of England
and they Indian Empire, of ringed fingers and
lace

• To the Lighthouse, the Ramsay kids, 7

61
I have indeed deserved this I do not appeal
against it use your chance. But if there is a
thought of a dear parents griefsend me backor,
if you wish, send back my lifeless body. For you
have wondo not press your hatred further.

• Turnus to Aeneas. The Aeneid. 1241

62
A kissed mouth doesnt lose its freshness like
the moon it turns up new again.

• Decameron, II.xiii, Alatiel story, 147-8

63
Without my swearing to it, you can believe that
I would like this book, the child of my
understanding, to be the most beautiful, the most
brilliant, and the most discreet that anyone
could imagine. But I have not been able to
contravene the natural order in it, like begets
like.

• Don Quixote, Prologue, 3

64
I regard the place as a hotbed for diabolical
rather than devotional activities. As far as I
can judge, it seems to me that your pontiff, and
all the others too, are doing their level best to
reduce the Christian religion

• Decameron, I.iii, Abraham, 41

65
Here Mulciber has modeled nomad tribes and
Africans,loose-robed the carians the
legelesgeloni armed with arrows. And he
showedeuphrates, moving now with humbler
wavesthe most remote of men, the morinithe
rhine with double horns.

• Shield of Aeneas, The Aeneid, VIII. 942-947

66
None but you know whether you are cruel and
cowardly, or loyal and dutiful. Others have no
vision of you, but judge you of uncertain
conjectures they see not so much your nature as
your artifices. Do not rely on your opinion, rely
on your own.

• Montaigne, On Repentance, 239

67
But what vicious acts can hurt you? You are not
capable of being damaged. Or what injuries can be
inflicted upon you who cannot be harmed? Your
punishment is that which human beings inflict on
themselvestheir wicked actions are against their
own wicked souls.

• The Confessions, III.16 (p.47)

68
How incomplete speech is, how weak, when set
against my thought! And this, to what I sawto
suchto call it little is too muchEternal light,
You only dwell withinYourself, and only You know
you Self-knowing,Self-known, You love and smile
upon yourself!

• Paradiso, XXXIII. Dante describing Heaven, 121

69
But in my anguish I have on occasion derived much
relief from the agreeable conversation and the
admirable expressions of sympathy offered by
friends, without which I am firmly convinced that
I should have perished. However, the One who is
infinite decreed by immutable law that all
earthly things should come to an end.

• Decameron, Prologue, 1

70
you should strive, in plain speech, with words
are straightforward, honest, and well-placed, to
make your sentences and phrases sonorous and
entertaining, and have them portray, as much as
you can and as far as possible, your intention,
making your ideas clear without complicating and
obscuring them.

• Don Quixote, Prologue, 8

71
And finally, after a series of further eulogies,
he came round to the subject they were
discussing, stoutly maintaining that she was the
most chaste and honest woman to be found
anywhere on earth.

• Decameron, II.ix, Ambrogiulo, 166

72
Fortunate the age and fortunate the times called
golden by the ancients, not because gold, which
in this our age of iron is so highly esteemed,
could be found then with no effort, but because
those who lived in that time did not know the
words thine and mine. In that blessed age all
things were owned in common

• Don Quixote, DQs Golden Age speech, 76

73
I have a great pleasure in thinking you will be
happily settled. I have not a doubt of your doing
very well together. Your tempers are by no means
unlike. You are each of you so complying that
nothing will ever be resolved on

• Pride and Prejudice, Mr. Bennet to Jane, 260

74
The people go astray it is very much easier to
follow the side-path, where the edges serve as a
check and a guide, than to keep to the middle of
the road, which is broad and open. It is easier
to follow art than nature but it is also much
less noble and commendable.

• Montaigne, On Experience, 399

75
There are two kinds of lineage in the world some
who trace and derive their ancestry from princes
and monarchs, which time has gradually undone,
and in the end they finish in a point, like a
pyramid turned upside down others have their
origin in lowborn people, and they rise by
degrees until they become great lords.

• Don Quixote, DQ to Sancho, 161

76
But that expression, violently in love is so
hackneyed, so doubtful, so indefinite, that it
gives me very little idea. It is as often applied
to feelings which arise from a half-hours
acquaintance as to a real, strong attachment.

• Pride and Prejudice, Mrs. Gardiner to Lizzy, 106

77
Ive brought you here through intellect and
artFrom now on, let your pleasure be your
guideYoure past the steep and narrow
paths.Look at the sun that shines upon your
browLook at the grasses, flowers, and the
shrubsBorn here, spontaneously, of the earth.

• Purgatorio, XXVII. Virgil to Dante, 130

78
I found myself heavily weighed down with the
sense of being tired of living and scared of
dying. I suppose that the more I loved him, the
more hatred and fear I felt for the death which
had taken him from me, as if it were my most
ferocious enemy.

• Confessions, 59

79
There was something else I wanted to know
something else was nudging my arm. I wanted to
find out then, and find out quickly, whether I
was a louse like all the rest, or a man? Would I
be able to step over or not!

• Crime and Punishment, Rask to Sonya, 419

80
historians must and ought to be exact, truthful,
and absolutely free of passions, for neither,
interest, fear, rancor, nor affection should make
them deviate from the path of the truth, whose
mother is history, the rival of time, repository
of great deeds, witness to the past, example and
adviser to the present, and forewarning to the
future.

• Don Quixote, Cervantes on the original DQ
  manuscript, 68

81
Her mind was less difficult to develop. She was a
woman of mean understanding, little information,
and uncertain temper. When she was discontented
she fancied herself nervous.

• Pride and Prejudice, On Mrs. Bennet, 3

82
And time and time again that reading led our eyes
to meet, and made our faces pale, and yet one
point alone defeated us. When we had read how the
desired smile was kissed by one who was so true a
lover, this one, who never shall be parted from
me, while all his body trembled, kissed my mouth.
A gallehault indeed, that book and he who wrote
it

• Inferno, V.130-137. (Francesca)

83
As we see ground that lies fallowto produce a
sound and natural birth must be fertilized with
different seed, so it is with our minds. If we do
not occupy them with some definite subject which
curbs and restrains them, they rush wildly to and
from in the ill-defined field of the imagination.

• Montaigne, On Idleness, 27

84
Do you not ask who are these spirits whom you
seek before you? Id have you know, before you go
ahead, they did not sin and yet, though they
have merits, thats not enough, because they
lacked baptism, the portal of faith that you
embracefor these defects, and for no other evil,
we now are lost and punished just with this

• Inferno, IV.30-41. (Virgil to Dante)

85
The reason for the unreason to which my reason
turns so weakens my reason that with reason I
complain of thy beauty. And also when he
readthe heavens on high divinely heighten thy
divinity with the stars and make thee deserving
of the deserts they greatness deserves.

• Don Quixote, Alonso Quexana reading, 20

86
This same causegoverns the heart and the lungs,
and the pulse, the sight of a charming object
imperceptibly spreading within us the flame of a
feverish emotion. Are these the only muscles and
veins that swell and subside without our consent,
not only of our will, but also our thoughts?

• Montaigne, On the Power of the Imagination, 43

87
Not a whit, we defy augury. There is
specialProvidence in the fall of a sparrow. If
it be now, tisNot to come if it be not to
come, it will be now if itBe not now yet it
will come. The readiness is all.

• Hamlet, Hamlet 5.2.217

88
And in order to oppose the laws of Nature, one
has to possess exceptional powers, which often
turn out to have been used, not only in vain, but
to the serious harm of those who employ them.

• Decameron, Intro to Day 4, Boccaccio, 290

89
Indeed, we seem to have to other criterion of
truth and reason than the type and kind of
opinions and customs current in the land where we
live.

• Montaigne, On Cannibals, 109

90
I have often observed how little young ladies are
interested by books of a serious stamp, though
written solely for their benefit. It amazes me, I
confessfor certainly, there can be nothing so
advantageous to them as instruction.

• Pride and Prejudice, Mr. Collins, 52

91
Without thinking highly of men or matrimony,
marriage had always been her object it was the
only honourable provision for well-educated women
of a small fortune, and however uncertain of
giving happiness, must be their pleasantest
preservation of want.

• Pride and Prejudice, Charlotte Lucas, 93

92
And I say to you, my lord, that the same applies
to the three laws which God the Father granted to
his three peoples, and which formed the subject
of your inquiry. Each of them considers itself
the legitimate heir to His estate, each believes
it possesses His one true law and observes his
commandments.

• Decameron, I.iv, Melchizedek to Saladin, 44

93
Loveliness and stillness clasped hands in
the bedroom, and among the shrouded jugs and
sheeted chairs even the prying of the wind, and
the soft rose of the clammy sea airs, rubbing,
snuffling, iterating, and reiterating their
questionswill you fade? Will you perish?

• To the Lighthouse, Time Passes, 129

94
What other books, what other words, what other
letters, are more sacred, more reputable, more
worthy of reverence, than those of the Holy
Scriptures? And yet there have been many who, by
perversely construing them, have led themselves
and other to perdition. All things have their own
special purpose, but when they are wrongly used a
great deal of harm may result

• Decameron, Epilogue, 800

95
He wept out of six eyes and down three
chins,tears gushed together with a bloody
froth.Within each mouthhe used it like a
grinderwith gnashing teeth he tore to bits a
sinner,so that he brought pain to three at once.

• Inferno, XXIV. Lucifer

96
When I am in this storehouse, I ask that it
produce what I want to recall, and immediately
certain things come out some things require a
longer search, and have to be drawn out as it
were from more recondite receptacles.

• The Confessions, X.12 (p.185)

97
Hamlet, cast of characters

• Hamlet
• Hamlet
• Hamlet, Sr.
• GertrudeClaudius
• OpheliaLaertesRosencrantzGuildensternHoratio
• MarcellusFortinbrasOsricPlayer-KingPolonius
• Yoric

98
Crime and Punishment Characters

• RaskolnikovSonyaDunya RaskolnikovPorfiryRazumi
  kinSvidrigailovMarmeladovLizavetaThe
  PawnbrokerLt. GunpowderKaterina
  IvanovaNastasya PetrovnaPulcheria
  RaskolnikovMarfa PetrovnaLuzhinZossimov

99
Pride and Prejudice

• Elizabeth BennetCharles DarcyMr. BennetMrs.
  Bennet
• Jane
• MaryKittyLydiaMr. CollinsCharlotte LucasLady
  Catherine de BourghAnne de BourghMr. Bingley
• Miss BingleyMr. WickhamColonol
  FitzwilliamGeorgiana DarcyMr Mrs. Gardiner
• Sir Lucas Lady LucasMaria Lucas

100
To the Lighthouse

• Mr. RamsayMrs. RamsayLily BriscoeCharles
  TansleyAugustus CarmichaelWilliam BankesPaul
  RayleyMinta DoyleMrs. McNabMacalisterJames,
  Prue, Andrew, Cam, Jasper,
• Roger, Rose, and Nancy Ramsay

101
Don Quixote

• Don Quixote
• Alonso Quexana
• Sancho Panza
• Dulcinea
• Aldonza
• The Priest
• The Barber
• Dorotea
• Zoidara
• Don Diego
• Don Lorenzo
• Amadis of Gaul
• Cide Benengali
• Master Pedro
• Cardenio
• Marcela
• Grisostomo
• Princess Minocomina

102
Decameron

• Alatiel
• Abraham
• Saladin
• Ambruglio
• Zinerva
• Bernabo
• Griselda
• Gualtieri
• Alibech
• Rustico
• San Ciappaletto
• Jehannot
• Count of Antwerp
• Masetto the Gardener
• Madonna Fillippa
• Giotto

103
The Aeneid

• Aeneas
• Dido
• Creusa
• Anchises
• Pyrrhus
• Turnus
• Lavinia
• Latinus
• Amata
• Pallas
• Nisus
• Euryalus
• Dares
• Entullus
• Polydorus
• The Sibyll
• Juno
• Camilla
• Evander (Pallas Dad)