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Studying Horror Films

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Studying Horror Films The Conventions ... Horror movies have been around since silent movies (Nosferatu). Obviously being scared is something the audience want. – PowerPoint PPT presentation

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Title: Studying Horror Films


1
Studying Horror Films
  • The Conventions

2
So You Think You Know Horror
  • Name the films that the following characters
    appear in

3
The Conventions of Horror Films
  • List the conventions of horror movies
    (conventions are the elements you expect in a
    horror film)
  • Complete the conventions sheet attached

4
Horror Movie Conventions 1
  • Blood
  • Death
  • Killing
  • Villain
  • Victims
  • Haunted houses and isolated settings
  • Monsters
  • Evil

5
Horror Movie Conventions 2
  • Weapons
  • Darkness
  • Storms
  • Chase sequences
  • Gore
  • Violence
  • Screams
  • Ghosts

6
Suggested horror movies to watch
  • Scream
  • The Ring
  • Gothika
  • The Others
  • Blair Witch

7
Narrative and Character
  • Narrative most, according to Propp, film
    narratives follow this structure
  • Equilibrium disequilbrium a new state of
    equilibrium
  • According to Propp again, there are certain
    characters in films and stories with certain
    functions
  • the hero the one on the quest and the one who
    saves the
  • day
  • the villain the evil one who causes the
    disequilbrium
  • the helper a person who helps the hero on
    their quest/the sidekick
  • the victim at the mercy of the villain
  • the donor someone who has something special
    which will help the hero
  • Complete the narrative and character worksheet
    on the horror movies that you watch

8
History of the Horror Movie Condensed
  • Horror movies have been around since silent
    movies (Nosferatu). Obviously being scared is
    something the audience want. The horror movie
    received a huge revival in the late 70s early
    80s (Omen and Nightmare on Elm Street) but died
    a sad death in the late 80s and throughout most
    of the 90s.
  • However, with the advent of the horror smash
    parody Scream the genre is, once again, extremely
    popular.
  • What was frightening back in the silent movie
    days and what is frightening now may well have
    changed. As society changes so do our fears.
  • For example, when moving image was first invented
    footage of a moving train caused fear in the
    audience because people really believed that the
    train would come straight out of the screen
  • www.darkwebonline.com/top100horror1.asp
  • The web address above will take you through the
    top one hundred horror movies.

9
Camera Angles
  • Extreme Close Up
  • This is used to
  • Emphasise something.
  • What is this image
  • Emphasising? In other
  • Words, what is the
  • Connotation of this
  • Image?

10
Camera Angles
  • Close Up
  • This is where the
  • subject fills the frame
  • it shows emotion.
  • what is the connotation
  • of this
  • close up?

11
Camera Angles
  • Dutch Tilt
  • Where the subject is
  • tilted. Often used in
  • horror to create
  • disorientation. What
  • is the connotation of this
  • Dutch Tilt?

12
Camera Angles
  • Extreme Long shot
  • This is where the setting
  • Fills the frame. It is
  • An establishing shot which
  • Sets the scenewhat is the
  • Connotation of this shot?

13
Camera Angles
  • Long shot
  • this is where
  • we see the subject
  • in relation to their
  • surrounding
  • the setting dominates.
  • what is the connotation
  • of this image?

14
Camera Angles
  • Medium long shot
  • this is where the setting
  • and the subject are
  • in equal proportion.
  • What is the connotation
  • of this still?

15
Camera Angles
  • Medium Shot this
  • is when the subject is cut
  • off at the waist. You
  • can still see their costume
  • but also some of their
  • emotions. What is
  • the connotation of this still?

16
Camera Angles
  • Medium Close Up
  • When you can still see
  • some of the subjects
  • physique but their emotions
  • are clearly evident. What
  • is the connotation of this
  • still?

17
Camera Movement
  • Zoom when zooming in the camera does not move
  • Tracking (dollying) the camera moves smoothly
    towards or away from the subject
  • Pan the camera moves from left to right
    following a moving subject.
  • Hand-held camera produces a jerky movement,
    creating a sense of reality/chaos
  • Steadicam a hand-held camera worn with a
    harness to achieve a steady shot

18
Editing
  • This occurs everytime that a film is cut. A film
    is never shot in the order that the events
    happen. This would cost a fortune all
    sequences with the same location will be shot at
    the same time regardless of where they appear in
    the narrative. Sometimes the opening sequence to
    a film will be the last sequence to be shot.
    When a sequence has high octane action the
    cuts/editing is fast and numerous
  • Chase sequences are very good to demonstrate this

19
Soundtrack and Sound effects
  • Soundtrack this is the music playing in the
    background. It can be diegetic or non-diegetic.
    If the sound is part of the narrative, the action
    (eg a radio playing in the shot) it is
    diegetic. However, more often than not, the
    soundtrack is non-diegetic. Music playing in the
    background which is not evident in the action.
  • Sound effects these are the effects added
    during post-production. For example, explosions,
    birdsong
  • Jaws watch a shark approaching sequence without
    the sound and then with the sound!? Notice the
    difference

www.filmsound.org       
20
Costume
  • Costumes tell you something about the character
    (the genre too)? What are the
  • Connotation of the following costumes?

21
Props
  • What are the connotations of the props in these
    images?

22
Lighting
  • What are the connotations of the lighting used in
    the stills below?

23
Mise-en-scene
  • If you were to pause a moment in a film, that
    frame would be mise-en-scene. Textual analysis
    of elements within this frame, in terms of
    denotation and connotation, is mise-en-scene.

24
Mise-en-scene
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