Title: Revisionist History
1Revisionist History
- Historical revisionism is the reexamination of
the accepted "facts" and interpretations of
history, with an eye towards updating it with
newly discovered, more accurate, and less biased
information. Broadly, it is a skeptical approach,
that history as it has been traditionally told
may not be entirely accurate. - While reinterpreting past events in light of new
facts is the essence of good scholarship, corrupt
history may distort these facts as a means of
influencing readers' beliefs and actions for
politically motivated reasons.
2Farewell My Concubine
Revisionist history
- Historical Reading(Scar, Root-Seeking)
- The film as revisionist history a statement
against the Communist -Marxist metanarrative
(rooted in Legalism) - Homosexuality depicted as a perversion
- State suppression of individuality, creativity,
traditions, mythologies - 8 Model Plays (under Mao)
37 Periods of Chinese History in FMC
First Empire 200 BCChu-Han Wars, legend of
King Yu 1925 Beginning of Nationalism 1937
Japanese invasion 1949 Communists takeover (PRC
est.) 1966-1976 Cultural Revolution 1977
Economic and social reforms (11 years
after CR, when film begins) 1993 After
Tiananmen Square (1989) (when film
was made)
4Chinese Legalism
- School of LawWarring States Period (475 BC to
221 AD)(Seven warring states, including Chu, Qin
and Han) - Written laws with clear and strict punishments
- Iron-fist rule, with no exceptions
- Punishments must be heavy to maintain order and
ensure no one challenges authority - Pragmatism takes precedence over custom and
tradition - Families divided if they became too large
- Strict order and structure
5Chinese Legalism
- Man is inherently selfish and evil
- The emperor is the son of heaven
- It is his mandate to rule
- All subjects to the emperor must know and keep
his place in order to maintain harmony in the
cosmos - Dissent violates the order of the cosmos
- To maintain order, Legalism advocated burying
dissenters alive, burning books, secret police
and encourage neighbors to inform on each other - Women were owned by men
6Legacy of Mao?
- Founder of the Peoples Republic of China
- The Long March (1933-35), retreat from Chinese
Nationalist Part - Repelled Japanese (1937-1945)
- Defeated Chiang Kai Shek (1949)
- Great Leap Forward Rapid industrialization and
collective agriculture (resulted in death of 15
to 40 million) - Cultural Revolution
- Destroyed and prohibited traditional Chinese art,
traditions and religious icons and temples
7Legacy of Mao?
- Detractors
- Responsible for the deaths of 40 million to 70
million people - Three-Anti and Five-Anti campaigns (against
corruption, waste, bureaucracy, bribery, theft of
state property, tax evasion, cheating on
government contracts and espionage) resulted in
tens of thousands of executions and suicides - Era of fear, in which family members and
neighbors spied and reported on each other - Damaged and destroyed much of Chineses culture,
traditions, and religious treasures
8Legacy of Mao?
- Supporters
- Laid the foundation for modern China
- Brought stability to a large complex nation
- Improved education, housing and health care
- Reduced crime and corruption
- Eliminated unemployment and inflation
- Opened trade with the West
- Savior of the nation and visionary
9The Gang of Four
- Leaders of Cultural Revolution
- Arrested one month after Maos death (1976)
- Accused of being counter-revolutionaries
- Blamed for the worst excesses of the societal
chaos during the revolution - Viewed by many as a show trial
- Scapegoats for the new government
- Maos wife only one who remained defiant and
defended herself said she was a true
revolutionary, loyal to Maos orders and vision - She committed suicide in 1991
10Chen Kaige
- Born in 1952 (now lives in New York)
- Graduated from Beijing Film School
- Influenced by scar literature movement (during
the Hundred Flower Movement) - Father was a well-known director
- Became a member of the Red Guard and denounced
his father - Only Chinese film to win the Palme dOr
- Hong Kong film-goers rated it the Chinese film
of the century - Initially banned in China
- Available via black market DVDs
11A Feminist ReadingofFarewell My Concubine
12PostModern Attack on Metanarratives
Reconstructing identity
- Feminist films challenge dominant cultural
metanarratives - Farewell My Concubine
- Legalism and communism (Mao Marxism)
- The state is the answer
- Fire
- Patriarchial-based myths and legends
13Feminism
Deconstructing icons
- A challenge to patriarchial / phallocentric
metanarratives - Political/social
- Psychological
- Mythic/literary
- Based upon concept that identity is a culturally
based social construction (not natural)
14Feminist Literary Theory
The Second Sex
- SIMONE DE BEAUVOIR (1908-1986)
- The Second Sex
- Questioned the othering of women by Western
philosophy - Rediscovery of forgotten womens literature
- Revolutionary advocacy of sexual politics
- Questioning of underlying phallocentric, Western,
rational ideologies - Celebration of pluralism gender, sexual,
cultural, ethnicity, postcolonial perspectives
POSTSTRUCTURALISM
15Feminist Literary Theory
Gender As a Social Construct
- Exorcise the male mind
- Deconstructs logocentricism of male discourse
- Sees gender as a cultural construct
- So are stereotypes
- Focus on unique problems of feminism
- History and themes of women literature
- Female language
- Psycho-dynamics of female creativity
POSTSTRUCTURALISM
16Feminist Literary Theory
Feminizing Freud
- JULIA KRISTEVA (1941-)
- Psychologist, linguist novelist
- Influenced by Barthes, Freud Lacan
- Dismantles all ideologies
- Disagrees with patriarchal views of Freud and
Lacan - Pre-Oedipal maternal body source of semiotic
aspect of language
POSTSTRUCTURALISM
17Feminist Literary Theory
Madness, Holiness Poetry
- Masculine symbolic order represses feminine
semiotic order - Semiotic open to men and women writers
- Semiotic is creative--marginal discourse of the
avant garde - Raw material of signification from pre-Oedipal
drives (linked to mother) - Realm of the subversive forces of madness,
holiness and poetry - Creative, unrepressed energy
POSTSTRUCTURALISM
18Feminist Literary Theory
Binary Equals
as
- ALICE JARDINE, Gynesis (1982)
- Woman as a binary opposition
- Man/woman
- Rational/irrational
- Good/evil
- Implied male logocentricism
- The concept of jouissance
POSTSTRUCTURALISM
19Helene Cixcous
The Joy of Jouissance
as
- Critic, novelist, playwright
- Picks up where Lacan leaves off
- Denounces patriarchal binary oppositions
- Women enter into the Symbolic Order differently
- Deconstructs patriarchal Greek myths
- Femininity (jouissance) unrepresentable in
phallocentric scheme of things - Favors a bisexual view
POSTSTRUCTURALISM
20Helene Cixcous
Deconstructing Sigmund
as
- Women are closer to the Imaginary
- Women more fluid, less fixed
- The individual woman must write herself
- Feminine literature not objective erase
differences between order and chaos, text and
speech inherently deconstructive - Admires Joyce and Poe
- Men can produce feminist literature
POSTSTRUCTURALISM
21Queer Theory
Queer Ideas
as
- Gender and sexuality not essential to identity
- Socially constructed
- Mutable and changeable
- Self shaped by language, signs and signifiers.
- Self becomes a subject in language, with more
multiplicity of meaning. - Western ideas of sexual identity come from
science, religion, economics and politics and
were constructed as binary oppositions
POSTSTRUCTURALISM
22Queer Theory
Deconstructing Sex
as
- Queer theory deconstructs all binary oppositions
about human sexuality. - Encourages the examination of the world from an
alternative view. - Allows for the inclusion of gender, sexuality,
race and other areas of identity by noticing the
distinctions between identities, communities, and
cultures. - Challenges heterosexism and homophobia, in
addition to racism, misogyny and other oppressive
discourses while celebrating diversity.
POSTSTRUCTURALISM
23Different Ways to Read a Film/Novel
- Archetypal
- Freudian / Lacanian
- Ideological
- Deconstructionist
- Feminist
- Queer
- Post-colonial
24Internal Battle of the Sexes
Jacques Lacan (1901-81)
- IMAGINARY (feminine)
- Mother
- Plentitude
- Creative
- Dreams fantasies
- Illogical
- Madness
- Holiness
- Freedom
- Rebellion
- Ideal
- Individual expression
- SYMBOLIC (masculine)
- Father
- Lack and desire
- Restrictive authority
- Ordered reality
- Logic
- Controlled sanity
- Ritual
- Repression
- Social conformity
- Accepted imperfection
- Social conformance
PSYCHOANALYTIC CRITICISM
25Farewell My Concubine
Revisionist history
- Historical Reading(Scar, Root-Seeking)
- The film as revisionist history a statement
against the Communist -Marxist metanarrative
(rooted in Legalism) - Homosexuality depicted as a perversion
- State suppression of individuality, creativity,
traditions, mythologies - 8 Model Plays (under Mao)
26Farewell My Concubine
You are who you love
- Psychological reading
- Love and and identity
- The other defines us
- Lack of the other frustrates our desire for
fulfillment - Yin/yang (hermaphrodite)
- Douxi idealized image of Xialou
- Juan idealized image of Douxi
- Frustrated, broken relationships
- Pressure of state leads to betrayals
- Psychological neuroses
27Farewell My Concubine
A Lacanian twist
- Psychological reading
- Social construction of identity
- We all have female side that is repressed by the
patriarchal symbolic order (language and laws) - Plot driven by ironic twist of Lacan theory
- Douxi forced to become girl
- Douxi lives in Kristevas world of poetry,
holiness and madness
28Farewell My Concubine
Freudian slip-ups
- Freudian reading
- All people are bisexual
- Bisexuality/Oedipal complex resolved by presence
of father figure (order/rules) - Douxis is never resolved
- Master becomes his father / superego(the
authoritarian gaze) - Ego is battleground between id and superego
29Farewell My Concubine
Displacing our anxieties
- Freudian reading
- Desires frustrated develops neuroses and employs
defense mechanisms - Depression
- Repression
- Paranoia
- Displacement
- Projection
- Transfers/displaces unresolved conflicts and
aggressions onto substitute object (Xialou and
opera)--cathexisis
30Farewell My Concubine
Language speaks us
- Lacanian reading
- Douxis identity constructed outside himself
- Language used to construct his identity
- Remains in the imaginary stage
- Never adjusts to the patriarchial symbolic order
- Searches for the ideal (maternal state of
plentitude) experiences perennial lack - Existential hero of the feminist order
(creativity, beauty, holiness, poetry, loyal to
the ideal)
31Farewell My Concubine
The yin and the yang
- Metaphysical reading
- Yin/yang
- Incompleteness in this life
- Yearn for perfection
- Desire for harmony with all nature
- Adoration of enlightenment (the bodhisattva )
- Suffering is the result of desire
- There is foulness in men and women
- Karmic retribution
32Farewell My Concubine
Karma
- Metaphysical reading
- Calamity and misfortune cannot gain entrance
of their own into a persons life. It is the
individual who calls them in.
33Farewell My Concubine
- Great films can be read on many levels
- Historical /social
- Psychological
- Metaphysical