Title: The Renaissance
1The Renaissance
2Objectives
- The student will demonstrate knowledge of
developments leading to the Renaissance in Europe
in terms of its impact on Western Civilization
by - Identifying the economic foundations of the
Italian Renaissance - Sequencing events related to the rise of Italian
city-states and their political development,
including Machiavellis theory of governing as
described in The Prince
- Citing artistic, literary, and philosophical
creativity, as contrasted with the medieval
period, including Leonardo da Vinci,
Michelangelo, and Petrarch - Comparing the Italian and the Northern
Renaissance, and citing the contributions of
writers
3The Renaissance
- Late Middle Ages, Europe suffered from both war
and plague - Those who survived wanted to celebrate human life
and the human spirit - People began to question institutions like the
church - In Northern Italy, writers began to express this
new spirit and experiment with different styles
4 rebirth
- Renaissance means rebirth
- Between 1350- 1550 Italians witnessed a rebirth
of the ancient Greek and Roman worlds - Rival of art and learning
- Italy of three advantages
- Thriving cities
- Wealthy merchant class
- Classical heritage of Greece and Rome
- Three Characteristics of the Renaissance
- Urban society
- Recovery from disasters
- Emphasizing individual ability
5Urban Society
- Powerful city-states emerged from the Middle Ages
- City-states center of Italian political,
economic, and social life - Italy urban compared to rural Europe
- Had a growing secular, or worldly, viewpoint
- Increasing wealth, enjoyment of material things
- Cities conducive to spreading of ideas
6City-States
- No centralized monarchy developed during the
Middle Ages - lack of single strong ruler
- Three city-states remained independent
- Milan, Venice, and Florence
- Prospered from
- Flourishing trade during the Middle Ages
- Profited from the Crusades
- Able to extend trading into Eastern ports
- Developed Mercantile fleet
- Merchants did not inherit wealth, earned it (and
status) with with, believed they deserved wealth
and power because of their individual merit
7Milan
- Northern Italy
- Crossroads of main trade routes from Italian
cities to Alps Mountains - One of the richest Italian cities
- Rulers
- Visconti family dominated the region starting in
the 14th century - Became Dukes of Milan and the Lombardy region
- Last Visconti ruler died in 1447
- Francesco Sforza conquered the city and became
its new duke - Was a leader of mercenaries
- Built strong centralized state
- Created an efficient tax system- generated
enormous revenues for the government
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9Venice
- Link between Asia and Western Europe
- Republic with a Doge as leader
- Really ran by small group of merchant-aristocrats
- Traders that became wealthy through crusades
- Ran government affairs for their own
self-interests - Tremendous trading power and international
economic power
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11Florence
- Region of Tuscany
- 14th century controlled by small group of wealthy
merchants that controlled government - Led successful wars that established Florence as
a major city - The Medici Family
- Cosimo deMedici
- 1434, took control of city
- Controlled government, did not seek office
himself, Dictator of Florence - Had banks throughout Italy
- Wealthiest man in Europe
- Lorenzo deMedici The Magnificent
- Grandson of Cosimo
- Dominated the city, patron of the Arts
- Economic Decline
- Late 1400s
- Increased cloth competition drove down profits
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14Renaissance Society
- Middle Ages three estates or social classes
- Nobility, peasants, and townspeople
- Renaissance
- Nobility
- Only 2- 3 of population
- Held important political posts
- Expected to fulfill certain ideals
- Peasants
- Mass of population, 85-90
- Serfdom declined with end of Middle Ages and end
of Manorial system - Labor converted to rent paid in money
- Townspeople
- Merchants and artisans
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16Society in towns or cities
- Patricians
- Top of society
- Wealth from trade, industry, and banking
- Dominated communities economically, politically,
and socially - Burghers
- Shopkeepers, artisans, guild masters, guild
members - Produce goods and services
- Workers and Unemployed
- Pitiful wages
- 30-40 of population
- Urban poverty increased in late 14th and early
15th century
17Family and Marriage
- Family bond important during Renaissance
- Marriage
- Arranged by parents
- Often to strengthen business ties
- Most important part of contract was dowry
- Money paid to husband by wifes family upon
marriage
- Center of family
- Father-husband was center of family
- Gave it his name
- Managed finances
- Made decisions
- Fathers Authority
- Absolute
- Children did not reach adulthood until they
went before a judge and they were formally freed - Varied between early teens and late twenties
18Humanism
- Study of Classical Texts
- Leads to Humanism
- Intellectual movements focused on human potential
and achievements - Studied Ancient Greek values, tried to reconcile
them with Christian teachings - Influenced art and architects to carry on
classical traditions - Popularized study of subjects common to classical
education
- Emphasizing individual ability
- High regard for human worth
- Well-rounded universal person
- Leonardo da Vinci
- Painter
- Sculptor
- Architect
- Inventor
- mathematician
19Renaissance Man
- Educated men should master almost every area of
study - Called universal man, today called renaissance
man
- Baldassare Castiglione (1528)
- The Book of the Courtier by Baldassare
Castiglione - Described characteristics have character,
talent, skills of warrior and an education,
follow certain standard of conduct, aim was to
serve prince in effective and honest way - Should be charming, witty, and educated in the
classics - Should sing, dance, play music, and write poetry
20The Renaissance Man defined
- Leonardo Da Vinci
- Painter
- sculptor
- inventor
- scientist
- Best known for painting the Mona Lisa and the
Last Supper
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24Writers changing Literature
- Petrarch
- One of the earliest and most influential
humanists - Father Renaissance Humanism
- Great poet, wrote in both Latin and Italian
- Looked at forgotten Latin manuscripts, spread
Cicero, Homer, and Virgil - Typically wrote sonnets (14-lined poems)
- Used pure classical Latin
- Boccaccio
- Wrote Decameron
- Uses cutting humor to illustrate the human
condition - Presents his characters in all their
individuality and all their folly
25Niccolo Machiavelli
- Wrote The Prince (1513)
- Central thesis
- How to acquire and keep political power
- Ethics
- Middle Ages stressed ethics of leaders
- Machiavelli said that princes must understand
human nature, which was self-centered - Political policy should not be based on moral
principles
- Must be strong and shrewd, be able to trick his
enemies and even own people for the good of the
state - World
- Examines the imperfect conduct of humans
- Idea that people are selfish, fickle, and corrupt
- In real world, Prince must sometime mislead
people and lie to opponents
26Machiavelli
Machiavelli saw himself as an enemy of oppression
and corruption Critics attacked his cynical
advice and even claimed he was inspired by the
devil Machiavellian came to be a term used to
refer to deceit in politics
27Education in the Renaissance
- Humanists believed that education could
dramatically change human beings - At core were liberal studies
- History, moral philosophy, rhetoric, letters,
poetry, mathematics, astronomy, music, physical
education - Preparation for life
- Aim was to create not just great scholars, but
complete citizens - Model for basic education in Europe until the
20th century
- Females
- Some did attend school
- Taught same subjects, as well as how to ride,
dance, sing, play the lute, and appreciate poetry - Did not learn mathematics or rhetoric
- Religion and morals were most important for
education Christian ladies to become good wives
and mothers
28Artistic Renaissance in Italy
- Artists sought to imitate nature
- Wanted people to see the reality of the objects
or events they were portraying - Developed a new world perspective
- Human beings became the focus of attention
- New Techniques
- Frescoes
- 1st masterpieces of Renaissance were frescoes
painted by Masaccio in Florence in 15th century - Fresco is a painting done on fresh, wet plaster
with water-based paints - Looks like the paintings come alive, created a
new realistic style of painting
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30Renaissance Art
- New Renaissance style was modified by others
- Two major developments
- Stressed technical side of painting
- Understanding the laws of perspective
- Organization of outdoor space and light through
geometry - Investigation of movement and human anatomy
- Realistic portrayal of the individual person,
especially the human nude
31Artistic Renaissance in Italy
- Perspective
- Making distant objects smaller than those close
to the viewer - Scenes appeared three-dimensional
- Used shading to look more realistic
- Women Artists
- Work was secret
- Very few women were recognized
- Architecture
- Rejected Gothic style
- Adopted style of Ancient Greeks and Romans
- Domes were used often
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34Artistic Renaissance in Italy
- Sculpture
- Donatello
- Spent time in Rome studying sculpture and
architecture - Copied statues of Greek and Romans
- Famous works include statue of St. George
- Made sculpture more realistic by carving natural
postures and expressions that reveal personality
- Architecture
- Filippo Brunelleschi
- Inspired by classical Rome
- Medicis hired him to design the San Lorenzo
Church in Florence - Church unlike Medieval and Gothic offers warmth
and comfort of spiritual needs - Sought to reflect human-centered world
35Donatellos Sculptures
36Brunelleschi
37Masters of the Renaissance
- High Renaissance from 1490 1520
- Last stage of Renaissance painting
- Masters
- Leonardo
- Wanted to capture the perfection of nature and
the individual - Raphael
- Famous for Madonna paintings
- Tried to achieve an ideal of beauty far
surpassing human standards - Painted frescoes in Vatican Palace
- Michelangelo
- Accomplished painter, sculptor, and architect
- Painted the ceiling of the Sistine Chapel
- Depicts Biblical history from Creation to the
Flood - Took four years to complete
- Humans with perfect proportions, beauty godlike
- Glorified human body
- Scupltures Pieta and David
38Raphael
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40Renaissance in the North
- Spread from Italy to the Low countries
- Belgium, Luxembourg, and Netherlands
- Invasion of French King into Italy drove artists
and writers north in 1494 C.E. - Did not decorate ceilings and walls of churches,
made illustrations
- Flanders was important school of art
- Jan van Eyck
- One of the 1st to use oil painting
- Imitated nature by observing and portraying
reality - Albrecht Durer
- German painter
- Visited Italy, copied Italian laws of perspective
41Jan van Eyck
42Albrecht Durer
43Other Notable Contemporaries
- Erasmus
- Christian Humanist
- Wrote The Praise of Folly
- Thought to improve society, everyone should read
the Bible - Sir Thomas Moore
- Christian Humanist
- Wrote Utopia which means no place
- About imaginary land inhabited by peace-loving
people
- William Shakespeare
- English Playwright
- Themes included dramatic conflict, human flaws,
and human nature - Famous works include Macbeth, Hamlet, Romeo and
Juliet, and A Midsummer Nights Dream
44The Printing Revolution
- Johann Gutenberg reinvented movable type around
1440 C.E. - Then invented the printing press
- Machine that pressed paper against a tray full of
moveable type - Printed completed Bible in 1455 C.E.
45Effects of Printing Revolution
- Enabled a printer to produce hundred of copies of
a single work - Books became cheap, more people could afford
- More books meant more people could learn how to
read - People began to interpret the Bible for
themselves, became more critical of priests and
demanded reforms
46Objectives
- The student will demonstrate knowledge of
developments leading to the Renaissance in Europe
in terms of its impact on Western Civilization
by - Identifying the economic foundations of the
Italian Renaissance - Sequencing events related to the rise of Italian
city-states and their political development,
including Machiavellis theory of governing as
described in The Prince
- Citing artistic, literary, and philosophical
creativity, as contrasted with the medieval
period, including Leonardo da Vinci,
Michelangelo, and Petrarch - Comparing the Italian and the Northern
Renaissance, and citing the contributions of
writers