Movement

1
Movement

• Pretest/Posttest

2
1

• An axial movement is one in which
• A. the performer spins around on an axis.
• B. the performer moves around in a circular
  motion.
• C. the performer is anchored to one spot as
  opposed to traveling from one location to another.

3
2

• Call and response is a movement structure in
  which
• A. a movement is repeated by each member of a
  group in turn.
• B. a movement is performed by a soloist or group
  and repeated by another soloist or group.
• C. a movement is performed by one member of a
  group other group members then respond to the
  soloist with a complementary movement.

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3

• The movement space surrounding a still or moving
  body which includes all directions and levels
  within reach of a person is called the
• A. kinesphere.
• B. elevation.
• C. choreographic structure.

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4

• Movement that travels from place to place,
  usually identified by weight transference on the
  feet (walking, running, hopping, leaping, or
  jumping) is known as
• A. dynamic movement.
• B. locomotor movement.
• C. nonlocomotor movement.

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5

• A binary compositional form which consists of two
  distinct, self-contained sections that share
  either a character or quality (such as tempo,
  movement quality, or style) is known as
• A. AB.
• B. call and response.
• C. imitation.

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6

• A choreographic form in which individuals or
  groups perform the same movement beginning at
  different times is known as
• A. syncopation.
• B. canon.
• C. initiation.

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7

• The compositional form in which a leader begins a
  movement and others echo the movement is known
  as
• A. echolocation.
• B. palindrome.
• C. flocking.

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8

• A choreographic structure in which a series of
  movements is performed and then retrograded back
  to the beginning (forward then backward) is known
  as
• A. reordering.
• B. palindrome.
• C. rephrasing.

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9

• Creative expression is said to
• A. open an avenue for the application of
  individual ideas and feelings.
• B. allow individuals to express ideas and
  feelings verbally or in written language only.
• C. create chaos in a structured setting like a
  classroom.

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10

• Aesthetic criteria are applied to
• A. the costumes dancers wear during a
  performance.
• B. the scenery in the background of a movement
  performance.
• C. the judged standards of the artistic merit of
  a work of art.