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Historical Influences on Floral Design

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Title: Historical Influences on Floral Design


1
Historical Influences on Floral Design
2
Introduction
  • For centuries, flowers have played an important
    role in many traditions and customs. Flowers
    continue to be used by many cultures around the
    world for decoration and adornment.

3
Introduction
  • Early civilizations throughout history have
    greatly influenced todays geometric and
    contemporary floral design styles. Today, floral
    design continues to change because of trends and
    cultural influences.

4
Ancient Civilizations
  • The ancient Egyptian, Greek, and Roman
    civilizations influenced floral art and design
    through their use and arrangement of floral
    materials.

5
Egyptians (2800-28 B.C.)
Floral materials were used for religious and
civic events to honor pharaohs/kings and gods.
They also used flowers for personal enjoyment and
decoration.
6
Egyptians (2800-28 B.C.)
  • Floral arrangements in this era were known to
    not show the stems of the flowers

7
Egyptians (2800-28 B.C.)
They also decorated banquet tables with open
vases, bowls, and baskets of flowers, fruits, and
vegetables.
8
Egyptians (2800-28 B.C.)
  • The Egyptians used clay pottery for most of the
    floral arrangements.

9
Egyptians (2800-28 B.C.)
  • Design styles of the Egyptians were simplistic,
    repetitious, and orderly. Predominant colors
    included the primary colors red, yellow, and blue.

10
Greeks (600-146 B.C.)
  • The Greeks wore wreaths upon their heads and
    garlands around their necks. They also scattered
    flower petals on the ground during banquets and
    festivals.

11
Greeks (600-146 B.C.)
  • The Greeks arranged loose flowers, fruits, and
    grains in upright cornucopias to present as
    offerings or gifts.

12
Romans (28 B.C.-325 A.D.)
  • The Romans continued the customs of the Greeks.
    However, the Romans also valued flowers for their
    fragrance and symbolism.

13
Byzantine (320-600 A.D.)
  • For a time after the fall of the Roman Empire,
    the Byzantine culture continued the floral art
    and design traditions of the Romans.

14
Byzantine (320-600 A.D.)
  • Byzantine floral designs included garlands
    constructed of narrow bands of fruit and flowers,
    alternated with foliage.

15
Byzantine (320-600 A.D.)
  • The Byzantine culture was also known for its
    symmetrical, conical, tree-style designs of
    foliage in containers, with flowers and fruit
    spaced at regular intervals throughout.

16
European Tradition
  • Historical periods of European culture that have
    influenced floral art and design include
  • Middle Ages
  • Baroque
  • English-Georgian
  • Renaissance
  • Flemish-Dutch
  • Victorian

17
European TraditionMiddle Ages (475-1400 A.D.)
  • Little is known about floral design during the
    Middle Ages with the exception of Persian art.
    Floral paintings show flowers arranged in vases
    in an informal, naturalistic style. Some Oriental
    influence is also seen in the color schemes of
    these floral paintings.

18
European TraditionMiddle Ages (475-1400 A.D.)
  • During the Middle Ages, wreaths and garlands
    served as decoration and personal adornment.
    Interest and emphasis in flowers and plant
    materials focused on their use in drinks,
    medicines, fragrances, and food.

19
European TraditionRenaissance (1400-1600)
  • During the Renaissance, an interest in gardening
    spread from Italy and throughout Europe. People
    began to appreciate the beauty and symbolism of
    flowers. Flowers started to represent religious
    history.

20
European TraditionRenaissance (1400-1600)
Examples of floral styles during this era
included
  • a single flower stem in a vase
  • massed symmetrical arrangements in urns and
  • compact, conical arrangements consisting of a
    variety of flowers with bright colors and
    distinctive forms.

21
European TraditionBaroque (1600-1700)
  • Floral designs characteristic of the Baroque
    Period originated in Italy and later spread into
    Holland and Belgium.
  • Early Baroque style arrangements were
    symmetrical, oval-shaped, and characterized by
    ornamentation including cherubs and scrolls.

22
European TraditionBaroque (1600-1700)
  • Later in the Baroque Period, design styles
    became asymmetrical, with a characteristic S
    curve or Line of Beauty that was later named
    the Hogarth Curve in honor of William Hogarth,
    an 18th century English painter.

23
European TraditionBaroque (1600-1700)
24
European Tradition Flemish-Dutch (1500-1700)
  • The Flemish-Dutch period was an age of discovery
    in horticulture. During this period, diverse
    plants such as chrysanthemums, cacti,
    nasturtiums, and sunflowers were introduced to
    Europe by merchant marines who had traveled to
    other regions of the world.

25
European Tradition Flemish-Dutch (1500-1700)
  • Paintings of floral arrangements from the
    Flemish-Dutch period show a variety of flowers
    from all seasons, which would not have existed in
    an actual floral arrangement.

26
European Tradition Flemish-Dutch (1500-1700)
Accents of fruits, shells, nests, and additional
flowers near the base of the container were also
characteristic of Flemish designs.
27
European TraditionEnglish-Georgian (1700s)
  • During the English-Georgian period of the 1700s,
    the English were passionate about flowers and
    gardening. Floral design features characterized
    during this period included
  • Symmetrical and triangular forms.
  • One flower type, or a variation of one
    color.
  • Flower fragrance.

28
European TraditionEnglish-Georgian (1700s)
  • A characteristic floral design of the
    English-Georgian period was the nosegay, a small
    hand-held bouquet of fragrant flowers. The
    nosegay was carried by both men and women and was
    believed to provide relief from the unpleasant
    odors and infectious diseases that were prevalent
    during that period.

29
European TraditionEnglish-Georgian (1700s)
30
European TraditionVictorian (1830-1890)
  • During the Victorian or Romantic period, floral
    design techniques were taught and recognized as a
    professional art. Floral design schools were
    being to get their start. Design styles that
    influenced those of this era were Baroque,
    Classic, and Rococo.

31
European TraditionVictorian (1830-1890)
32
European TraditionVictorian (1830-1890)
  • Design styles characteristic of the Victorian
    era were either
  • large, compact masses of flowers or
  • light, open, and informal.

33
European TraditionVictorian (1830-1890)
  • The compact massed nature of Victorian designs
    did not allow open spaces or a center of interest
    to be distinguishable. However, one distinct
    feature of these designs was the use of trailing
    plant materials to create a romantic touch.

34
Asian Influence
  • In contrast to Western or European floral design
    that emphasized massed arrangements, Asian floral
    art focused on line, simplicity, and symbolism.

35
Asian Influence
  • Flower Meanings
  • Bamboo Modesty
  • Hollow Stems Empty Heart
  • White Lily Chastity Fertility

36
Asian InfluenceChinese (500 B.C.-100 A.D.)
  • Chinese arrangements placed in ornate containers
    were large and made with few varieties of plant
    materials. The floral designs focused on few
    flowers and interesting branches with a vertical
    element. The emphasis in Chinese designs focused
    on naturalism.

37
Asian InfluenceChinese (500 B.C.-100 A.D.)
38
Asian InfluenceJapanese (621 A.D.-Present Day)
  • Japanese design styles are more carefully
    planned and stylized compared to Chinese designs.
    Ikebana is the Japanese art of floral design,
    which literally means to arrange flowers.

39
Asian InfluenceJapanese (621 A.D.-Present Day)
40
Asian InfluenceJapanese (621 A.D.-Present Day)
  • Significant Flowers in Japan
  • Chrysanthemum A flowering herb in China
    that has become a part of the Japanese seal
  • Easter Lily Native flower to Japan

41
Asian InfluenceJapanese (621 A.D.-Present Day)
  • Ikebana design features three primary elements
    or line placements
  • Shin (Heaven)
  • Soe (Man)
  • Hikae or Tai (Earth)

42
Asian InfluenceJapanese (621 A.D.-Present Day)
These elements are emphasized in Japanese design
through design simplicity and the use of negative
space.
43
American Design StylesEarly American
  • Floral arrangements of early American colonists
    consisted of native plant materials placed in
    household containers. Curly Willow and rocks are
    popular in design.

44
American Design Styles
45
American Design Styles
  • A distinctive American style of design began to
    evolve creating distinctive lines and form within
    arrangements. Pyramidal or fan shape becoming
    the most popular.

46
American Design Styles
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