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Photo Composition

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Title: Photo Composition


1
Photo Composition
  • Mastering the Art

2
Composition
  • The balance of all things in a photograph.
  • The elements
  • The way the light interacts with those elements
  • The way those elements are arranged
  • all part of a photograph.

3
Composition
  • The art of composition has its roots way back to
    the Renaissance.
  • The guidelines for creating a photograph were
    established centuries before the first camera was
    invented.

4
Basic Layout
  • Three different ways to layout the elements in a
    photograph.
  • Fill the frame. This will provide a clear
    description of what the photograph is about
  • The "rule of thirds
  • The "golden mean
  • Both the rule of thirds and the golden mean
    provide a means to capture the background in the
    photo as well as creating a compelling photograph
    that guides the eye of the viewer.

5
Rule of Thirds
  • Simply divide the frame into three parts, then
    place the subject (Green spots) on the two
    dividers (Red lines). See the diagram below.

6
Golden Mean
  • This is also basic but a bit more obscure.
    Mentally draw a line (Red line) from corner to
    corner of the frame. Then draw a line from the
    opposite corners to the line. The subject should
    lie at the intersection of these two lines.
    (Green spots) The reason for the obscurity of the
    technique is that it was developed in ancient
    Greece. Hence we have had more time to forget
    about it.

7
Golden Mean
8
Composition
  • These basic rules are the basic building blocks
    of composition. The aim here is to create a
    visually compelling photograph, something that
    captures the attention of the viewer.
  • The rule of thirds and the golden mean aim to
    create a photograph that leads the eye of the
    viewer around and tells a story behind the
    photograph.

9
Other Compositional Elements
  • Find a Clear Center of Interest
  • Self explanatory. Find something that captures
    you eye. Try to avoid distracting objects or
    shadows.

10
Other Compositional Elements
  • Fill the Frame
  • Get the subject into the frame so there is no
    doubt what the photo is all about.

11
Other Compositional Elements
  • Present a Clear Message
  • Try to avoid anything that would distract people
    from your main subject. Focus on the subject.
    Then before you press the shutter, check the
    edges of the frame for anything that would
    distract the viewer.

12
Other Compositional Elements
  • Compose Boldly
  • Have fun with your subject. Look for repetition
    or patterns. Keep your eye out for diagonals
    which are always interesting. Scan for
    contrasting colors and shapes.

13
Other Compositional Elements
  • Create Depth
  • Use the aperture to create depth. Make objects in
    front and behind your subject a little out of
    focus. This will provide the effect that isolates
    the subject from the background. Focuses
    attention on the subject.

14
Other Compositional Elements
  • Light and Dark
  • Basically light tones advance while dark tones
    retreat. Most people look at the lighter portions
    of a photograph first.

15
Other Compositional Elements
  • Shapes
  • Vertical and horizontal are bad, diagonal is
    good. Psychologists say that instincts honed back
    our caveman days are responsible for that.
    Diagonal images are visually more interesting
    that vertical and horizontal.

16
Other Compositional Elements
  • Framing
  • This is the use of elements in the foreground to
    frame the object in focus.

17
Other Compositional Elements
  • Lines
  • Vertical lines emphasize power, strength, and
    height.
  • Horizontal lines express stability and width.
  • Diagonal lines express dynamic energy.
  • Curving lines express sensuality.

18
Other Compositional Elements
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