Title: BARBARA KRUGER
1BARBARA KRUGER
- Kruger focuses her attention on social issues
which expose myths that surround capitalism,
consumerism, the power of the media and sex
stereotyping. - Krugers messages are succinct, pungent,
confrontational and aimed at hitting quickly with
extreme force- just like advertising.
2We dont need another heroBarbara Kruger, 1986
- Iconography what does a clenched fist and
displayed bicep represent? - How does this work address gender stereotypes?
Compare to Norman Rockwell The Muscleman 1941
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4Barbara Kruger
- Born in New Jersey in 1945.
- Often described as a 'social commentator and a
political agitator' - Worked early in career as a graphic designer, art
director and picture editor. - Krugers artworks appear in museums and galleries
on billboards, bus cards, posters, parks, signs,
train platforms and various other public places
making her work highly accessible to all (not
just us art folk).
5Barbara Kruger
- Trademark black letters lay against a slash of
red background. - Instantly recognisable slogans which challenge
and test her viewers. - Easy to identify with- using relevant issues of
contemporary society throughout her works. - Hard not to provoke personal and real
discussions with its audience. - Comment on the womans role in this work who has
been put in place by another
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7Barbara Kruger
- Confronting, demanding and persuasive text.
- Gives viewers a sense of promise and/or hope, yet
we are not actually told what we are purchasing. - Relaying that consumerism and has the power to
simply change the world - Kruger installs instant hope within ourselves-
till we soon realise that we have just been
tricked by a master of her craft.
8- Comment on how Kruger has used recognisable
slogans from our society to provoke both interest
and outrage from her audience about gender roles
and equality
9 Binary oppositions
MAN WOMAN
SELF OTHER
CULTURE NATURE
ACTIVE PASSIVE
SUBJECT OBJECT
SURVEYER SURVEYED
DOMINANT SUBMISSIVE
REASON EMOTION
PUBLIC PRIVATE
Kruger is interested in DISRUPTING these binary
oppositions that form the basis of many of our
gender stereotypes
Untitled (We wont play nature to your culture)
1983
10Context from 1970s to 1980s Feminism
- Backlash against Feminism from the Right
- 1980s Gender studies in US universities but
gender bias in galleries is actually worse than
in 1970s - Rise of Postmodernism ? pluralism, deconstruction
, identity politics the idea that being a woman
is socially constructed - In art ? appropriation of images, increased use
of language
11- Your gaze hits the side of my face
- Iconography comment on Krugers choice of image
- Composition why is the text laid out like this?
- What feminist concerns come through?
12- You invest in the Divinity of the Masterpiece
- What image has Kruger appropriated?
- What is the feminist message of this work?
- Comment on the composition
13What big muscles you have!, 1986 152,5 x 208 cm,
Centre Pompidou, Paris.
14 cogito ergo sum
Rene Descartes
Consumerism Capitalism
- How does Kruger manage to blur the boundaries
between high and low art here? - - In what ways can this work be seen to offer a
critique of consumerism and sexism?
15 TEXT
- Kruger layers famous photographs which her
audience are often familiar with, with cutting,
biting and aggressive text that involves the
viewer in the struggle for power and control that
her captions speak to. - Kruger wishes to change the way society looks at
and reads images which are presented to them,
Kruger wants us not to take her work just on face
value. - Do actions speak louder than words???
16SLOGANS
- Kruger includes well known slogans to draw in her
viewers. - Consumerism is present in Krugers work as she
explores themes of greed, self-indulgence and
manipulation. - Kruger chooses to use only bw in the background
as she wishes for her text to be seen first--
from this we gain an impression which is then,
often changed by the image that follows.
 What does this artwork say about consumerism
defining ones self??
17Political Controversy
- Krugers work is often politically based and
highly controversial at the time of print. - Comment on the use of American President George
Bush in this work. - What do you think the words Kruger has
included into the image are implying?? - What is the reference to war??
18Feminism
- Kruger was highly influenced by the feminist
movement in America. - Kruger was regularly fighting for equal rights
and opportunities in her confronting
compositions. - Kruger allowed this image to be displayed on
postcards and flags with the added text "Support
Abortion, Birth Control, and Women's Rights
during a pro-choice rally in Washington D.C
during election month. - Kruger wanted to make a political statement about
abortion is this work, explain how she has
achieved this?? - What do you think the word battleground implies
in this context??
19Krugers aims and concerns
Krugers art work in the public sphere What is
the effect of the juxtaposition of these
images? In what way can using a public media
site (billboard) be seen as a post-modernist
and/or feminist strategy?
20Gender Roles
- Marilyn Monroe- the most beautiful woman of all
time, thought to be the perfect, ideal woman. - Women wanted to be her, men wanted to be with
her. - Actress- linked to famous men including JFK.
- Coined the term Blonde Bombshell
- What do you think the text is trying to say in
this artwork about women and their role in
society?
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22ART
- Recontextualisation of infamous artwork by
Michelangelo. - Focusing attention on moment of creation- the
touch. - Text is placed over the quoted masterpiece, thus
obscuring it and dominating it. Kruger parodies
the work of Michelangelo by imitating it in a
fashion that ridicules its authority, power and
extreme beauty. - Comment on the use of the words invest
divinity - masterpiece in this appropriated
artwork..
23Double Meaning
- Kruger often exposes us to an aesthetically
pleasing image with a hidden under text. - Kruger simply does not want to give us the
meaning of her work. She wants to challenge us,
to provoke interest for us to question her
method- Essentially how we translate Krugers
compositions is up to our own experiences,
knowledge and personal interpretation. - This composition uses a mirror and ones
reflected image. By looking at the image and text
separately explain how this artwork is a obvious
contradictory
24Installations
- Installations provide their audience with the
opportunity to be totally immersed within an
artwork. - Very confrontational.
- What does this artwork scream as a first
impression?? - What impact would the use of all walls, strong
colours, emotional faces and bold text in this
installation have on its audience?? - What makes an installation more powerful than a
5x7 print??
25-
- APPROPRIATION-Use of anothers work in a new
context with no intention of altering its meaning
/ visual impact in a way that both recognises and
subverts the authority of the original.
26- PARODY-
- The imitation of someone or something in a way
that ridicules or makes fun of them - PASTICHE
- Work consisting of motifs borrowed from
multiple sources often with mixed styles or
appropriations from a number of well-known
artworks.
27- IRONY-
- Literal meaning is the opposite to the
intended meaning, often in a playful or satirical
manner. - TRANSGRESSION-
- An act which goes beyond set rules, beyond the
limits.
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29Homework? - Post Modern
- Look through newspapers or magazines and find an
A4 image which you think has a strong message
that you could appropriate. Eg) smoking, drink
driving, skin cancer, plastic surgery, cruelty to
animals etc. - Cut out this image and stick it in your
sketchbook - Now start brainstorming for original slogans
which could single-handedly destroy your images
message. - Once you have decided on a slogan you must place
it upon your image creatively . - Once complete you must use some form of
technology to hand in your work to your teacher
eg) photo, scanned copy, photoshop image etc be
creative and remember- make it humorous. Good
Luck
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