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CrossCultural Collaboration

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Title: CrossCultural Collaboration


1
Cross-Cultural Collaboration
  • Whose Culture is it Anyway?
  • Deborah Bosely

2
Our Definition- Lets Collaborate!
  • Instructions In two minutes, we are going to
    define, for this class collectively, what
    collaboration means (or could mean). As the sheet
    of paper circulates add some (no more than 6)
    words to what the previous writer says- a
    continuous trend of thought - to help formulate a
    definition for collaboration.

3
Definition of Culture
  • An established set of values and a way of
  • thinking and behaving that is passed from
  • generation to generation.
  • Alan C. Purves on culture
  • -its not limited to our private interactions,
    but
  • influences behavior in classroom and workplace
  • -impacts how we eat, walk, relate to others

4
Definition of Collaboration
  • True Collaboration When the success of the
    group is paramount and all individuals must
    contribute to that success, you have true
    collaboration. No group member can be left behind
    and everyone within the group will do whatever it
    takes to reach the common goal. Also, in a truly
    collaborative situation, each individual within a
    group needs to succeed in order for the entire
    group to succeed.

5
Bosleys Caveats
  • No hierarchy of accepted behavior implied- all
    cultures are ethnocentric
  • Cant label a persons behavior by generalizing
    to his/her culture
  • Collaborative groups defined groups of 3 or more
    students create one written document and receive
    both a group grade or the product and an
    individual grade for their participation in the
    process
  • Terms defined
  • - Euro- North American white middle
    class males whose values and cognitive
    frames are those that dominate educational
    paradigms
  • - International- collaborators who grew
    up outside of mainstream America.

6
Bosley- Her students on collaboration.
  • I liked working in my group, but the other
    students expected me to disagree with them. I
    could never do that publicly it would embarrass
    them too much. Japanese student
  • I never asked questions because if I did it
    would make the leader seem as if she didnt know
    what she was talking about. Vietnamese student
  • Question What implications would comments such
    as these have for us as teachers, technical
    writers, scientists, or whatever your
    designation, when we seek to engage others-
    students, researchers, or other group
    participants- in a collaborative situation?

7
Cultural Differences in Behavior-1
  • 4 cultural characteristics influencing grp.
    behav.
  • Group or Individual Emphasis
  • Achievement Responsibility
  • Decision-Making Strategies
  • Thinking Communication Styles
  • Students age 14 working on classroom project in
    a group- Golden Valley, Minnesota, USA.

8
Cultural Differences in Behavior- 2
  • Euro- North American
  • Ideal of the individual
  • Emphasis on achieve- ment-competition
  • Decision-making- Euro centric solipsism
  • Rational
  • Problem solved correct answer
  • Oral messages Talkative- provide context orally
  • Written messages Clarity important.
    Generalgtgtelaborate
  • International
  • Collective experience
  • Emphasis on just being harmony
  • More assenting in decision making
  • Emotive
  • Problem solved overcome difficulty
  • Oral messages Quiet- rely on context for meaning
  • Written messages Creative expression. Beauty,
    surprise, flow.

9
Whats problematic?
  • Successful collaboration is often stymied by
    culture-bound behaviors and the expectations
    placed upon achievement and responsibility as
    appropriate group behavior
  • Euro-North American criteria for success and
    standards of achievement are not universal.
  • We tend to evaluate students in a collaborative
    endeavor by the quality of the groups product
    and individual participation. Yet, we want our
    ENA students to show group allegiance, but reward
    individual behavior and we expect our
    International students to embrace individualism
    because thats how part of the project is graded.
    This dichotomy is problematic for some students.
  • When individual achievement is emphasized that
    persons relationship within the group is
    undermined.

10
Bosleys Response
  • I had to change the premises that grounded
  • everything I taught about collaborative work.
  • She
  • gtrewrote individual evaluation forms
  • gtre-evaluated choices for grouping students
  • gtredesigned her assessment of final products.

11
Questions We Might Ask??
  • Given that the means by which we design and
    evaluate collaborative groups are culture-bound,
    what implications does this have for how we
    design collaborative groups?
  • How can we dissolve inherent hierarchical
    structures that are sometimes evident in some
    collaborative interactions?
  • How might gender impact collaboration within
    mixed groups?

12
Making the Collaborative Project More Responsive
to Cognitive Needs of non-Westerners.
  • Pedagogical Strategies
  • ?Discuss communication style differences.
  • ?Develop role-playing depicting various cultures
    responses to group situations
  • ? Keep record of and discuss a variety of
    culture-bound behaviors
  • ?Have students interact with international
    employees at local companies and discuss
    differences.
  • ?Allow students to voice their own sanctioned,
    cultural behavior in discussion groups
  • ?Assign values clarification exercises to give
    students opportunity to see that differences do
    not mean judgments
  • ?Be prepared to deal with resistance to cultural
    integration.

13
Synchronizing Todays Readings
14
Theories
  • Fish Bartholomae 1980s knowledge as an
    individual construction gtgt knowledge is a
    function of the linguistic norm of a discourse
    community writing as a social process
  • Alexis de Toqueville French aristocratic who
    came to US in 1831, and later wrote Democracy in
    America - In his analysis of the American
    character, uses the term individualism- a calm
    and considered feeling that disposes a citizen to
    isolate himself . . . he gladly leaves the
    greater society to looks after itself. His
    solution- a strong tradition of community and
    public discourse.
  • John Dewey 1889, School and Society-
    interactionist and
  • constructivist approach to learning and
    knowledge.

15
Theories Contd
  • Dewey contd
  • Deweys progressive education ideas that
    learning occurs in interaction, that social
    context is of utmost importance in the classroom,
    and that we should reform our traditional model
    (which privileges the individual) by enhancing
    the moving spirit of the whole group . . . held
    together by participation in common activities.
    Supported seeing the education of each individual
    in a social and communal context.
  • Paolo Friere 1968 Pedagogy of the Oppressed-
    Challenges the traditional teaching of writing
    calls for a commitment to social and political
    contextualizing of all learning and a
    renegotiation of power and authority in all
    classroom. Much work on literacy.

16
Theories Contd
  • Peter Elbow 1973/1998 Writing Without Teachers-
    Encouraged writers to work in groups and read
    aloud for oral responses. In spite of this
    however, his work rests on assumptions about
    individualism and individual creativity that fail
    to problematize traditional conceptions of the
    author and deny the social nature of writing.
  • Kenneth Bruffee 1984 Collaborative Learning and
    the Conversations of Mankind Social construction
    and collaborative learning- Who we are and what
    we write and know are functions of interaction
    and community. Thus writing and reading are
    essentially and naturally collaborative, social
    acts
  • Others Ede Lunsford mentioned- James Berlin,
    John Trimbur, Robert Slavin.

17
Challenges to the Pedagogy of Collaboration and
Cultural Barriers to Communication.
  • Ede Lunsford
  • Collaborative learning theories failed to
    challenge traditional concepts of individualism
    the way knowledge is constructed among members of
    a community- single authorship, social nature of
    learning.
  • Historical, social, theoretical and pedagogical
    forces all centered on a destabilized
    author/writer and on context, community and the
    social nature of knowledge/learning- present
    challenges to higher education in general, and
    teaching of composition in particular
  • These challenges power authority in the
    classroom (organization, evaluation), classroom
    design/setting, curriculum design, examination
    system, time constraints (on group cohesion,
    content coverage, learning)

18
Challenges- Contd
  • Ede Lunsford- contd
  • Inclusiveness recognizing, valuing and
    incorporating individual diversity into the
    whole.
  • Horton
  • Communication challenges across barriers of
    language and culture- in international markets,
    but even within a single country

19
Challenges Contd
  • Horton contd
  • 2. Graphics as a universal language- What we
    should and shouldnt do when designing documents
    for international use.
  • Bosley
  • Mentioned- by Ede Lunsford (p.118)-focused on
    building
  • collaborative writing in classroom contexts
    (emphasizing cultural
  • constraints)- touched on the socio-cultural
    contexts more so
  • than theoretical standpoints highlighted by Ede
    Lunsford, but
  • both have implications for the pedagogy of
    collaboration and its
  • effectiveness in higher education. Bosley and
    Horton intersect at
  • the point of cultural differences impacting
    communication.

20
Questions?- from Ede/Lunsford
  • It is important to address issues not only of
    gender,
  • but class, race and power about collaborative
    writing in
  • institutional settings. What are the
    consequences of a
  • goal-oriented view of collaboration for women
    and
  • students of color in our classrooms? How about
    in the
  • workplace?
  • If in a Bakhtinian sense all writing, whether
    drafted by an individual working alone or by a
    group of persons working together, is
    collaborative, how can we best help students
    recognize and build upon this heteroglossic
    understanding of language?
  • diversity of voices, styles of discourse, points
    of view distinct varieties within a single
    linguistic
  • code.

21
Questions?
  • Which is a better collaborative writing
    assignment- one that strives to enable students
    to confront language in all its heteroglossic
    richness or one that helps students learn how
    practically and efficiently to get the job of
    writing together done?
  • What are some cultural implications for designing
    graphics for international documents considering
    the trend of communicators using this tool as a
    universal language?
  • diversity of voices, styles of discourse, points
    of view distinct varieties within a single
    linguistic
  • code.

22
Presented by
  • Carol Manget- Johnson
  • Dr. Baotong Gu
  • ENGL 8115- Technical Writing
  • 8 October, 2007
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