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Conclusions and Interpretations of One Hundred Years of Solitude

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Title: Conclusions and Interpretations of One Hundred Years of Solitude


1
Conclusions and Interpretations of One Hundred
Years of Solitude
  • Kristen Johnson Brittany Patterson

2
Religion
  • Macondo is an Edenic city, where Úrsula and José
    Arcadio Buendía are like Adam and Eve, producing
    the long line of the Buendía family
  • The city is innocent in the beginning, with no
    death and no war
  • The incest of Úrsula and José Arcadio Buendía
    relates to the idea of Original Sin, and results
    in the inevitable burden of solitude in all the
    offspring
  • Just as God sent a flood as punishment for
    sinfulness in the Bible, Macondo recieves a flood
    of raid for almost five years after the banana
    massacre, as if it is a way of cleansing Macondo
    from all the impurity technology brought to it
  • The book begins with a story of creation and ends
    with total destruction

3
Time
  • Interpreted as Linear History
  •  - The story of Macondo demonstrates a linear
    history beginning with the founding of the town
    and ending with its destruction
  • - Can be seen in four major stages
     utopia/innocence, warfare and struggle,economic
    success coupled with spiritual decline, and then
    physical and moraldestruction
  • - The story is mostly told in this chronological
    order, so that major occurrences give the reader
    a sense of where the story is in time (the
    arrival of technology from the gypsies, the war,
    the railroad, the Europeans, etc)
  • Interpreted as Circular History
  • - Every child is named after a family member,
    and their personality traits are also repeated
    within every generation. The name creates a
    predestined character in the child.
  • - Every family member experiences extreme
    solitude
  • - The characters seem to have no control over
    their own history or destiny, so that history
    inevitably repeats itself and they have no real
    future besides what fate has for them
  • Its as if the world were repeating itself
    (320). - Úrsula
  • - This circular sense of time, along with the
    mythical elements of the novel, create the
    feeling that time is nothing more than an
    illusion, which leaves room for the reader to
    interpret the situations in a unique way

4
Society/Economy
  • The Insomnia Plague
  • - a statement about the economy which
  • depends on continuous and rapid change for
  • progress, but because it is based on
    self-interest
  • and profit gain, destroys the society it was
  • created to serve.
  • The Railroad
  • - shows how technology depletes Macondo of its
    thriving success and its vitality
  • Outsiders
  • - the Americans and Europeans are never
    incorporated into Macondo society, and remain
    distant from the Buendía family. This
    demonstrates the separation that Latin America
    feels from Europe and America and their need for
    their own identity.

5
Latin America
  • Some scholars believe that Marquezs style of
    magic realism is a comment about the supposed
    Latin American tendency to see history as fantasy
    and not quite real, just as they fail to see
    themselves as autonomous beings responsible for
    making their own history.
  • In One Hundred Years of Solitude nothing ever
    turns out as people expect everything surprises
    them all of them fail all are frustrated few
    achieve communion with others for more than a
    fleeting moment, and the majority not at all.
    Most of their actions--at first sight like the
    structure of the novel as a whole--are circular.
    . . . In short, they fail to become agents of
    history for themselves. . . . The only
    explanation possible is that they are living out
    their lives in the name of someone else's values.
    Hence the solitude, central theme (together with
    the quest) of Latin American history it is their
    abandonment in an empty continent, a vast
    cultural vacuum, marooned thousands of miles away
    from their true home.
  • - Gerald Martin
  • Scholars say that Marquez is claiming that this
    escape from reality through fantasy will lead to
    failure, just as the Buendía family inevitable
    perishes at the end and Macondo is destroyed.
    This happens once the parchments are finally read
    and the real history is known. This novel may be
    a way of recording true history so that it is not
    forgotten or fantasized.

6
Solitude
  • All characters are in solitude in their own way
  • Unable to fully connect to each other reader is
    kept at a distance.
  • In a way, because they share their solidarity,
    they are connected to each other.
  • Comala is in solitude in the beginning.
  • The more Comala is exposed to the world, the
    worse it becomes.

7
Sex
  • Passionate without being melodramatic, simple yet
    filled with graphic honesty.
  • Honest and realistic sex no exception.
  • Sex is not about passion, but more a physical
    need.
  • Example Jose Arcadio Buendia and Ursula.
  • Because the first view of sex is incest, the
    impression given of sex is bizzare yet honest.
  • More bizarre Aureliano Buendia falls in love
    with Remedios Moscote who is seven years old.

8
Sex, continued
  • Since One Hundred Years Of Solitude was
    published in 1967, it is obvious that Gabriel
    Garcia Marquez intended that the novel appeal to
    a modern audience. He introduces the characters
    of the Buendia family as a people with whom we
    are supposed to travel through one hundred year
    of life. Marquez gives us sexual relationships as
    one common ground to base our impression on. In
    our world of child abuse, prostitution, sexually
    transmitted diseases, rape etc..., we are able to
    see the strange sexual relationships depicted in
    this novel as no more bizarre than what we see
    going on around us. The development of the
    characters sexual relationships is an important
    tool that leads to better understanding of the
    individuals lives and experiences while at the
    same time giving the reader a familiar background
    common to all human experience.
  • Robin Fiorello

9
Women
  • Women are not weak, but powerful in their own
    way.
  • Empowerment comes either through age or strength
    of sexuality.

10
Women
  • Empowerment through age
  • Ursula
  • Matriarch of town
  • Bears three children for Jose Arcadio Buendia
    that she rears single handedly, against the laws
    of creation. (p. 85)
  • For this, she is considered equal to her husband.
  • The mother to children
  • Empowerment through sexual strength
  • Pilar
  • Sexual matriarch
  • The mother to adults
  • Has children with both Aureliano Buendia and Jose
    Arcadio. Has sexual relationships with Aureliano
    and Arcadio.
  • The attraction to her is passed down by
    generation, thus giving her a power that no one
    else in the family possesses.

11
Oprah
  • Oprah chose One Hundred Years of Solitude as her
    book club selection in 2004.
  • Instantly went from number 3,116 to number one.
  • Marquez is discovering that winning the Nobel
    Prize boosts literary reputations, but nothing
    helps sales more than Winfrey's endorsement.
    -USA Today
  • When Oprah selected it, she said "You have to be
    a bona fide reader for this. It takes us inside a
    world where the lines of magic and reality are
    blurred, so stay with it. It's not like anything
    you've ever read before.
  • Received criticism for choosing this novel
  • not the right audience for 100 years.

12
Bibliography
  • http//www.literatureview.com/fiction/fict_solitud
    e.html
  • http//www.usatoday.com/life/books/news/2004-01-28
    -solitude-oprah_x.htm
  • http//losingelphie.blogspot.com/2006/01/my-oprah-
    rant.html
  • http//links.jstor.org/sici?sici0029-51322819712
    42943A23C1873ALS3E2.0.CO3B2-Y
  • http//www.mala.bc.ca/johnstoi/introser/marquez.H
    TM
  • http//www.uniandes.edu.co/Colombia/banco_de_image
    nes/
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