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Sensation and Perception

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Title: Sensation and Perception


1
Chapter 3
Sensation and Perception
2
Overview
  • Sensations include- smells, sights, sounds,
    tastes, balance, touch, and pain
  • Perception- the mental process of sorting,
    identifying, and arranging information into
    meaningful patterns
  • Both are the foundation of consciousness

3
The Nature of Sensation
  • The Basic Process
  • Producing a sensation
  • - stimulation of receptor cell
  • - receptor sends a signal along the

  • sensory nerves
  • - different channels of brain for
  • different sensory messages

4
cont. The Nature of Sensation
  • Doctrine of Specific Nerve Energies
  • - one to one relationship between
  • stimulation of specific nerve and
    type
  • of sensory experience
  • Decoding the senses
  • - different stimuli affect which
  • neuron, how many neurons, and
    rate
  • of fire

5
Sensory Threshold
  • absolute threshold- least amount of energy that
    can be detected as a stimulation 50 percent of
    the time
  • adaptation adjustment of the senses to the level
    of stimulation they are receiving
  • difference threshold
  • Webers Law

6
Subliminal Perception
  • People can be influenced by information of which
    they are not consciously aware
  • In a controlled laboratory setting people can
    process and respond to information of which they
    are not consciously aware
  • Advertisers put hidden messages and images in
    their advertisements?

7
Extrasensory Perception
  • ESP- a response to an unknown event not presented
    to any known sense
  • clairvoyance awareness of an unknown
  • object or event
  • Telepathy knowledge of someone elses
  • thoughts or feelings
  • Precognition foreknowledge of future
  • events

8
Vision
  • most important sense
  • Visual System
  • - light enters the eye through the
    cornea
  • - it then passes through the pupil
  • - inside pupil light moves through
    the
  • lens
  • - lens changes shape to focus on
    objects
  • either close or far

9
Cross section of human eye
10
Cont. Vision
  • Blind spot place on the retina where the axons
    of all the ganglion cells leave the eye and where
    there are no receptors
  • fovea- area of the retina that is the center of
    the visual field

11
The Receptor Cells
  • retina of each eye contains the receptor cells
    responsible for vision
  • contains 2 kinds of receptor cells
  • - rods
  • -cones
  • visual acuity the ability to visually
    distinguish fine details

12
Adaptation
  • dark adaptation process by which rods and cones
    become more sensitive to light
  • light adaptation rods and cones become less
    sensitive to light
  • afterimage sense experience that occurs after a
    visual stimulus has been removed

13
From Eyes to Brain
  • Messages from the eye must make their way to the
    brain for sight to occur
  • Optic nerve carries message from each eye to the
    brain
  • 1 million ganglion cells for every 125 million
    rods and cones
  • Optic chiasm point near the base of the brain
    where some fibers in the optic nerve from each
    eye cross to the other side of the brain

14
Right and Left Visual Field
Rods Cones
15
Cont. From Eyes to Brain
  • main destination for signals from the retina is
    the cerebral cortex
  • feature detectors highly specialized to respond
    to particular elements in the visual field
  • cortical blindness- caused by severe damage to
    the visual cortex

16
Color Vision Properties of Color
  • hue aspect of color that corresponds to names
  • saturation vividness or richness of a hue
  • brightness nearness of a color to white as
    opposed to black
  • most people can identify about 150 distinct hues

17
Theories of Color Vision
  • pigments of color absorb light
  • Trichromatic theory all color perception derives
    from three different color receptors in the
    retina
  • Trichromats
  • Dichromats
  • Monochromats
  • Opponent-process theory three sets of color
    receptors respond to determine the color you
    experience

18
Subtractive Color Mixing
Additive Color Mixing
19
Color Vision in Other Species
  • Color is in the eye of the beholder
  • Many animals have color vision
  • Some animals can see colors that we cant

20
Hearing
  • for some animals, hearing is their most acute
    sense
  • no species use sound to create music as
    extensively as humans do

21
Sound
  • a psychological experience created by the brain
    in response to changes in air pressure that are
    received by the auditory system
  • frequency number of cycles per second in a wave

  • amplitude is the magnitude of the wave
  • hearing undergoes adaptation so that it can
    function optimally under a wide variety of
    conditions

22
The Ear
  • Hearing begins when sound waves strike the
    eardrum and cause it to vibrate
  • prompts 3 tiny bones in the middle ear
  • vibrations of the oval window are transmitted to
    the fluid inside the cochlea
  • organ of corti lies on top of the basilar
    membrane and moves in sync with it

23
How We Hear
24
Neural Connections
  • each ear sends messages to both cerebral
    hemispheres
  • medulla is the switching station
  • primary destinations are the auditory areas in
    the temporal lobes

25
Theories of Hearing
  • Place Theory pitch is determined by the location
    of greatest vibration on the basilar membrane
  • Frequency Theory pitch is determined by the
    frequency with which hair cells in the cochlea
    fire
  • Volley Principle auditory neurons can fire in
    sequence

26
Hearing Disorders
  • 28 million Americans suffer from partial or total
    deafness
  • Common causes injury, infections, cigarette
    smoking, explosions, and long term exposure to
    loud noise
  • treatments inlucde hearing aids, surgery,
    implants, and some day soon neurgenesis

27
Deaf Culture
  • children born with hearing disorders are
    suggested not to seek restoring their hearing
  • high-pitched hum that persists even in the
    quietest room
  • -sound that seems to come from in your
  • head is called tinnitus

28
The Other Senses Smell
  • Detecting Common Odors
  • Olfactory epithelium nasal membranes containing
    receptor cells sensitive to odors
  • Olfactory bulb the smell center in the brain
  • Communicating with Pheromones
  • Pheromones chemical molecules that communicate
    information other members of a species, and
    influence their behavior
  • Vomeronasal organ (VNO) location of receptors
    for pheromones in the roof of the nasal cavity

29
Taste
  • Flavor of food arises from a complex combination
    of taste and smell
  • Taste buds structures on the tongue that
    contain the receptor cells for taste
  • Each taste bud contains a cluster of taste cells
    that are replaced about every seven days

30
Taste
  • Some tastes we recognize are bitterness,
    saltiness, sourness, and sweetness.
  • The tip of the tongue is most receptive to
    sweetness and saltiness, the back to bitterness,
    and the sides to sourness
  • Papillae small bumps on the tongue that
    contain taste buds

31
Taste
  • Different parts of the tongue are more sensitive
    to different tastes
  • Taste displays adaptation when you eat salted
    peanuts the saltiness is strong at first but
    gradually becomes less noticeable

32
Kinesthetic and Vestibular Senses
  • Kinesthetic senses senses of muscle movement,
    posture, and strain on muscles and joints
  • Stretch receptors receptors that sense muscle
    stretch and contraction
  • Golgi tendon organs receptors that sense
    movement of the tendons, which connect muscle to
    bone
  • Vestibular senses the senses of equilibrium and
    body position in space
  • Vestibular sacs sacs in the inner ear that
    sense gravitation and forward, backward, and
    vertical movement

33
Sensations of Motion
  • Certain kinds of motion trigger strong reactions
    in some people
  • According to one theory, motion sickness stems
    from discrepancies between visual information and
    vestibular sensations, in other words, our eyes
    and our body sense are sending our eyes
    contradictory information

34
The Skin Senses
  • Our skin is our largest sense organ
  • Various skin receptors gives rise to sensations
    of pressure, temperature, and pain
  • Skin displacement of as little as .00004 inch can
    result in a sensation of pressure
  • Our faces and hands our most sensitive to touch

35
Pain
  • Pain serves as a warning signal for our body
  • Phantom limb phenomenon when people undergo
    amputation of an arm of leg, they often continue
    to feel that the limb is still there
  • New research suggests that injuries stimulate the
    release of chemicals that convert free nerve
    endings from touch and pressure sensors into pain
    sensors

36
Pain
  • Individual Differences
  • Gate control theory the theory that a
    neurological gate in the spinal cord controls
    the transmission of pain messages to the brain
  • Biopsychological theory the theory that the
    interaction of biological, psychological, and
    cultural factors influence the intensity and
    duration of pain
  • Alternative Approaches
  • Placebo effect pain relief that occurs when a
    person believes a pill or procedure will reduce
    pain. The actual cause of the relief seems to
    come from endorphins

37
Perception
  • Perceptual Organization
  • Figure entity perceived to stand apart from the
    background
  • Ground background against which a figure
    appears
  • Perceptual Constancies
  • Perceptual constancy a tendency to perceive
    objects as stable and unchanging despite changes
    in sensory stimulation
  • Size constancy the perception of an object as
    the same size regardless of the difference from
    which it is viewed
  • Shape constancy a tendency to see an object as
    the same shape no matter what angle it is viewed
    from
  • Color constancy an inclination to perceive
    familiar objects as retaining their color despite
    changes in sensory information

38
Perceiving Distance and Depth
  • The image of the world on the retina is
    essentially two-dimensional, yet we perceive the
    world as three dimensional thanks to our ability
    to perceive distance and depth
  • Monocular cues visual cues requiring the use of
    one eye
  • Binocular cues visual cues requiring the use of
    both eyes

39
Perceiving Distance and Depth
  • Monocular Cues
  • Aerial perspective monocular cue to distance
    and depth based on the fact that more distant
    objects are likely to appear hazy and blurred
  • Texture gradient monocular cue to distance and
    depth based on the fact that objects seen at
    greater distances appear to be smoother and less
    textured
  • Linear perspective monocular cue to distance
    and depth based on the fact that two parallel
    lines seem to come together at the horizon
  • Motion parallax monocular distance cue in which
    objects closer than the point of visual focus
    seem to move in the direction opposite to the
    viewers moving head, and objects beyond the
    focus point appear to move in the same direction
    as the viewers head

40
Perceiving Distance and Depth
  • Binocular Cues
  • Stereoscopic vision combination of two retinal
    images to give a three-dimensional perceptual
    experience
  • Retinal disparity binocular distance cue based
    on the distance between the images cast on the
    two retinas when both eyes are focused on the
    same object
  • Convergence a visual depth cue that comes from
    muscle controlling eye movement as the eyes turn
    inward to view a nearby stimulus

41
Perceiving Distance and Depth
  • Locating Sounds
  • Monaural cue cue to sound location that
    requires just one ear
  • Binaural cue cue to sound location that
    involves both ears working together

42
Perceiving Movement
  • Autokinetic illusion the perception that a
    stationary object actually is moving
  • Stroboscopic motion apparent movement that
    results from flashing a series of still pictures
    in rapid succession, as in a moving picture
  • Phi phenomenon apparent movement caused by
    flashing lights in sequence, as on theater
    marquees

43
Visual Illusions
  • Perceptual illusion illusion due to misleading
    cues in stimuli that give rise to inaccurate or
    impossible perceptions

44
Individual Differences and Culture
  • Perception is a combination of information from
    our senses, past experiences, and the wiring of
    our brains

45
Enduring IssuesDiversity Universality
  • Our perception of our environment is influenced
    by our motivation, values, expectations,
    cognitive style, experience and culture, and our
    personality.

PARIS IN THE THE SPRING
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