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The Northern Renaissance

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Title: The Northern Renaissance


1
The Northern Renaissance
2
(No Transcript)
3
The Beginning
  • 1450 Recovery from the plague
  • Cities grew rapidly
  • Northern Europe strong monarchs
  • More religious than secular
  • Human dignity social reform

4
The Spread of Artistic Ideas
  • 1494 French King Charles VIII invades Naples
  • Many Italian artists fled north
  • Artistic styles
  • Renaissance ideas

5
French Artists
  • A new phase of Italian influence in France began
    with the French invasions of the Italian
    peninsula that began in 1494.
  • The most important royal patron was Francis I.
  • Actively encouraged humanistic learning.
  • School of Fontainebleu in France
  • He collected paintings by the great Italian
    masters like Titian, Raphael, and Michelangelo.

6
French- Jean Clouet Portrait of Francis I, 1525
7
Renaissance Art in Northern Europe
  • Should not be considered an appendage to Italian
    art.
  • But, Italian influence was strong.
  • Painting in OIL, developed in Flanders, was
    widely adopted in Italy.
  • The differences between the two cultures
  • Italy ? change was inspired by humanism with its
    emphasis on the revival of the values of
    classical antiquity.
  • No. Europe ? change was driven by religious
    reform, the return to Christian values, and the
    revolt against the authority of the Church.
  • More princes kings were patrons of artists.

8
Characteristics of Northern Renaissance Art
  • The continuation of late medieval attention to
    details.
  • Tendency toward realism naturalism
  • less emphasis on the classical ideal.
  • Interest in landscapes.
  • More emphasis on middle-class and peasant life.
  • Details of domestic interiors.
  • Great skill in portraiture.

9
German Artists
Lucas Cranach the Elder (1472-1553)
  • Court painter at Wittenberg from 1505-1553.
  • His best portraits were of Martin Luther (to the
    left).

10
German Artists - Albrecht DÃœrer
  • The greatest of German artists.
  • A scholar as well as an artist.
  • His patron was the Emperor Maximilian I.
  • Also a scientist
  • Wrote books on geometry, fortifications, and
    human proportions.
  • Self-conscious individualism of the Renaissance
    is seen in his portraits.
  • ? Self-Portrait 1500

11
Flemish Painters
  • Present day Belgium, France, and The Netherlands
  • More courtly and aristocratic work.
  • Court painter to the Duke of Burgundy, Philip the
    Good.
  • The Virgin and Chancellor Rolin, 1435
  • Jan van Eyck

12
Pieter Bruegel the Elder (1525-1569)
Flemish Painters
  • One of the greatest artistic geniuses of his age.
  • Worked in Antwerp and then moved to Brussels.
  • In touch with a circle of Erasmian humanists.
  • Was deeply concerned with human vice and follies.
  • A master of landscapes not a portraitist.
  • People in his works often have round, blank,
    heavy faces.
  • They are expressionless, mindless, and sometimes
    malicious.
  • They are types, rather than individuals.
  • Their purpose is to convey a message.
  • P. 44 in your textbook

13
Bruegels, Winter Scene, 1565
14
Bruegels, Parable of the Blind Leading the
Blind, 1568
15
Hans Holbein, the Younger (1497-1543)
  • One of the great German artists who did most of
    his work in England.
  • While in Basel, he befriended Erasmus.
  • Erasmus Writing, 1523 ?
  • Henry VIII was his patron from 1536.
  • Great portraitist noted for
  • Objectivity detachment.
  • Doesnt conceal the weaknesses of his subjects.

16
Hans Holbein the Younger
Henry VIII (left), 1540 and the future Edward VI
(above), 1543.
17
Northern Renaissance Writers
  • Erasmus (Dutch)
  • More (English)
  • Rabelais (French)
  • Shakespeare (English)

18
Northern Renaissance WritersThe Christian
Humanists
  • Desiderius Erasmus (Holland)
  • Wrote The Praise of Folly (1509)
  • Criticism the traditional Catholic Church
  • Indulgences
  • Rites
  • Papal hierarchy
  • Criticized the superstitions as well
  • Miracles through religious images
  • To improve, people should study the bible
  • Erasmus translated the Greek New Testament
  • Promoted translation into the vernacular as well
  • Rumored to be the person who laid the egg from
    which the Reformation hatched
  • In the land of the blind, the one-eyed man is
    king
  • Remained mostly neutral during the
    Reformationalso remained Catholic

19
Thomas More
  • Thomas More (England)
  • Wrote in Latin
  • Utopia A better model for society
  • Erasmus and More were close friends
  • Wrote arguments against Protestantism for Henry
    VIII
  • 1529 Chancellor for Henry VIII
  • 1531 Refused to take the oath
  • The kings great matter
  • 1535 Tried and executed for treason
  • His head was put on a pike in the over London
    Bridge for 1 month.

Portrait of Thomas More by Hans Holbein the
Younger
20
Another Perspective
  • François Rabelais (French)
  • Writer, doctor, humanist
  • Contrast to Erasmus and More
  • Secular rather than religious focus
  • Wrote in French vernacular
  • Gargantua and Pantagruel a comedy
  • Poked fun at society through their adventures
  • Believed that humans were essentially good

21
Northern Renaissance Writers
  • Shakespeare (English)
  • 1564-1616
  • Deep understanding of human behavior
  • Revered the classics
  • Comedies
  • Histories
  • Tragedies
  • Poetry

Unconfirmed Portrait of William Shakespeare
22
Elizabethan Age 1558-1603
  • The Golden Age in England
  • Growth in English music, literature, and poetry
  • Romance and a love of life
  • Women enjoyed a less constrained life
  • Portrait of Queen Elizabeth I

23
Printing Changes the World
  • Johann Gutenberg Mainz, Germany
  • Movable type 1440
  • Gutenberg Bible 1455
  • Printing spreads learning
  • Books were cheap and accessible
  • People interpreted the Bible

24
Page from a Gutenberg Bible
25
End of the Renaissance
  • Humanism-Individual achievement
  • New ideas
  • Expanded learning
  • Democratic ideas arise
  • Renaissance ends and greater changes begin
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