Title: Printed
1Printed Published MaterialsVisual Literacy
- EEV Workshop
- Dr. Michele Dornisch
2Page Layout
- On a printed page, what are different page
layouts you might have? - On a transparency, whats the best way to layout
the page? - On a PowerPoint page, what are possible layouts?
- On a webpage, what are possible layouts? What
types do you like best?
3The Reading Z
- What is the reading Z?
- Keep this principle in mind when designing the
page. - Where would you put a headline considering this
principle?
4Good Design Practices
- Limit the amount of information on a page
- Write short paragraphs
- Use subheadings for easy skimming
- Use consistent fonts and sizes
- Headings should be 1/3 larger than text
- Be consistent
- Use lots of white space
- Apply consist margins and columns
- Align columns
- Dont justify text unless theres a good reason
- Avoid widows and orphans
5Four Basic Principles
- Proximity
- Alignment
- Repetition
- Contrast
6Proximity
- Group related items together
- Items NOT related to each other should NOT be in
close proximity
7Proximity (what to avoid)
- Avoid too many separate elements on a page
- Dont stick things in the corners and in the
middle of the pages - Avoid leaving equal amounts of white space
between elements unless each group is part of a
subset
8Alignment
- There are several ways to align text on a page
left align, right align, center align, justified
align - Nothing should be placed on the page arbitrarily
every item should have a visual connection with
something else on the page - Centering text can be
- Amateurish
- Dull
- Consider using
- Strong flush left
- Making centered text more dramatic
9Take a few minutes (5)
- Read the following page
- http//www.sheriftariq.org/design/align/index.html
10Alignment
- Stick to one alignment on the page either flush
left, flush right, or centered (proximity 6 7). - Make sure every item on the page has some visual
alignment with another item on the page. - Avoid centered headings and subheads over
indented paragraphs - Make sure columns and other items on the page are
aligned.
11Repetition
- You should repeat some aspect of the design
throughout the entire piece - Bold font
- Thick line
- Type of bullet
- Color
- Design element
12Repetition
- Avoid repeating the element so much that it is
annoying or overwhelming
13Contrast
- Contrast is created when two elements are
different - If two items are not exactly the same, then make
them different. Really different
14Other Elements to Consider
- Color
- White Space
- Typography (Fonts)
15Color
- How to combine colors on the color wheel
Take a break read about color
http//www.sheriftariq.org/design/color/index.html
16White Space
- Use a lot of White Space! Read the following page
and return to all of us. - http//www.sheriftariq.org/design/whitespace/index
.html
17Typography
- Fonts
- Old style or serif fonts have feet to help
guide readers eye from one letter to another -
they are good for the body of the text - Choose serif fonts such as Century Schoolbook,
Bookman Old Style, Times New Roman - Sans serif fonts are without feet - they are
good for headings - Choose fonts such as Franklin Gothic Book and
Arial Black
18Typography
- Font Sizes
- Forget teeny, tiny sizes (anything under 10
point) - small sizes are difficult to read - 12 or 14 point is probably best (14 is primary
size - avoid thinking of it as baby type) - Font Weight
- If you want to save space, use a light weight font
19Typography
- Font Style
- Font styles are meant to add emphasis, not
distract - Dont do more than two things to one character
(bold and italics are fine, but dont add shadow
and underline too) - UPPERCASE LETTERS ARE DIFFICULT TO READ -
restrict the use of uppercase to short phrases
like WARNING - Read the following two pages http//www.sheriftar
iq.org/design/fonts/rules.html - http//www.sheriftariq.org/design/fonts/common.htm
l
20Graphics
21The Rule of Thirds
The most important elements should appear near
the intersections of the lines dividing the
visual into thirds
22Placing graphics on a Page
- Aim for the upper-center or top 2/5ths of the
page for graphics or key information - Normally, the most important graphic is just
above the center of the page - The Rule of Thirds - divide the page into nine
parts - the four intersections just off the
center are good places for important points
23Selecting Graphics
- Is the graphic relevant, or just cute?
- Is it important to the presentation, or extra?
- Does it add information, duplicate info., or
provide another way of looking at info.? - Does it present too much or too little
information at once? - Is it clear and self-explanatory?
- Would another form be better to express the
intent?
24Placing Graphic Elements
- Make sure the graphic doesnt interfere with
reading the information - Each graphic should have a purpose graphics
should reinforce, not distract - Numbering implies an order of importance or a
ranking
25Designing Projected Materials
26Designing projected materials
- Use a horizontal orientation of 7.5 x 9.5 in.
27Designing transparencies
Use graphical ideas (accompanied by text is okay)
28Designing transparencies
Single concept
29Designing Handouts
Minimum Verbiage
30Laying Out Projected Materials
- Stick to one idea
- Limit the number of words
- Use verbs
- Stick to phrases
- Use only key words
- Carefully choose
- Fonts
- Sizes
- Styles
- Use visual elements
- Leave white space
31Graphs and Charts
32Use tables for numeric data
Graphs and charts
33Use line charts for trends
34Use bar charts for comparisons
35Use pie charts for relative size
36Use Organization charts to show structure
37Use Flowcharts to show a procedure or sequence
38Designing Projected Slides
39Directionals
If you want viewers to read the display in a
particular sequence, use arrows or other
directionals
40Arrangements of elements
Elements should be arranged in familiar patters
The Geometric or O pattern
41Arrangements of elements
Elements should be arranged in familiar patters
The T pattern
42Arrangements of elements
Elements should be arranged in familiar patters
The Z pattern
43Balance
A psychological sense of equilibrium is achieved
when the weight of the elements in a display is
equally distributed on each side of an axis,
horizontally and vertically
44Consistency
- When creating a series of displays (overhead,
handouts, screens) be consistent in arrangement
of elements (similar elements in similar
locations - headings, text, graphics) - Use the same text for headlines and body
- Use the same color scheme throughout
45Visual Literacy
The Primary literacy of the 21st Century will be
visual.
The child born into poverty will be even more
affected by visual influences than more
advantaged classmates.
46Visual Literacy
Students need to recognize that attaining visual
literacy is the necessary first step in acquiring
visual intelligence, which is essential for any
sort of critical thinking in the 21st century.
"Seeing is believing" goes the old saying, but
this axiom has never been less true than it is
today. We live in an age where photos, video, and
film can be digitally altered to represent any
reality imaginable an era in which what we see
is not what we getwhat we see is what the person
creating the image wants us to see .
47What is Visual Literacy?
The learned ability to interpret visual messages
accurately and to create such messages.
48A Visually literate person should be able to
- Interpret, understand, and appreciate the meaning
of visual messages - Communicate more effectively by applying the
basic principles and concepts of visual design - Produce visual messages using computers and other
technologies and - Use visual thinking to conceptualize solutions to
problems
49Why use Visuals?
- To provide a concrete referent for ideas (visuals
have resemblance to the thing they represent) - To simplify information that is difficult to
understand - To provide a redundant channel (when accompanying
written - or spoken - information, visuals
present a different modality)
50Important Issues to Consider
51Interpreting/Decoding Visuals
- What are the developmental effects of
interpreting visuals? - Up until about the age 12, learners interpret
visuals section by section rather than as a whole
(the result is that abstract symbols may fail to
communicate as intended)
52Which depicts motion best?
53Interpreting/Decoding Visuals
- What are the cultural effects of using visuals?
- Different cultural groups may perceive visual
materials in different ways
54Well Designed visuals communicate clearly across
boundaries of language and culture
55Visual preferences
- Most learners prefer colored visuals over black,
but there is no significant difference in amount
of learning - People prefer photos over line drawings (but line
drawings may communicate better)
56Goals of Visual Design
- Ensure legibility
- Reduce the effort required to interpret the
message - Increase viewers active engagement with the
message - Focus attention on the most important part of the
message