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Medieval and Renaissance Visions of Hell

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Maps of Dante's Hell. Gustave Dore's illustration for Canto 3 ... To which the Hell I suffer seems a Heav'n. Paradise Lost 4.73-79 ... – PowerPoint PPT presentation

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Title: Medieval and Renaissance Visions of Hell


1
Medieval and Renaissance Visions of Hell
  • Prof. David A. Salomon
  • davidsalomon_at_bhsu.edu

2
9th century Harrowing of Hell, England
3
The Verduner Altar, c. 1180
4
Petites Heures of Jean, Duke of Berry, BNF Lat
18104 Pet., 14th century
5
Estruplund. c.1542. Harrowing of Hell. Sect 2,
south arch.
6
(No Transcript)
7
Maps of Dantes Hell
8
Gustave Dores illustration for Canto 3
9
From William Blakes illustrations for Dantes
Inferno
10
Detail of a stained glass window
11
The Geocentric Model
12
Copernicus De Revolutionibus orbium, 1543
13
Artists Reconstruction of the Globe
14
Detail of Globe Stage Floor
15
Artists Reconstruction of Globe Stage Ceiling
16
The stage (ceiling) of the new Globe Theater
17
(No Transcript)
18
From the Winchester Psalter
19
Richard Burton, The Anatomy of Melancholy, 1621
20
Title page of Galileos Dialogus De Systemate
Mundi, 1641
21
Me miserable! Which way shall I flyInfinite
wrath, and infinite despair?Which way I fly is
Hell myself am HellAnd in the lowest deep a
lower deepStill threatning to devour me opens
wide,To which the Hell I suffer seems a
Heavn Paradise Lost 4.73-79
22
(No Transcript)
23
It it be now, tis not to come if it be to come,
it will be now if it be not now, yet it will
come. The readiness is all.
Hamlet 5.2.216-217
24
They sat them down to weep, not only TearsRaind
at thir Eyes, but high Winds worse withinBegan
to rise, high Passions, Anger, Hate,Mistrust,
Suspicion, Discord, and shook soreThir inward
State of Mind, calm Region onceAnd full of
Peace, now tosst and turbulent Paradise Lost
9.1121-1126
25
Thus Adam to himself lamented loudThrough the
still Night, not now, as ere man fell,Wholesome
and cool and mild, but with black
AirAccompanied, with damps and dreadful
gloom,Which to his evil Conscience
representedAll things with double terror. On the
groundOutstretcht he lay, on the cold ground,
and oftCursd his Creation, Death as oft
accusdOf tardy execution, since denounctThe
day of his offense. Paradise Lost 10.845-853
26
Peter Iselburg, Emblemata Politica, 1620s
27
Pop Culture Appropriations of Devils and Angels
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