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School of Drama and Creative Industries

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BA(Hons) Costume Design and Construction. BA(Hons) Drama and Theatre Arts ... National Council of Drama Training accredited programme. 30 hours a week contact time ... – PowerPoint PPT presentation

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Title: School of Drama and Creative Industries


1
School of Drama and Creative Industries
  • A Different Approach to PDP and Employability

2
School of Drama and Creative Industries
  • Five undergraduate programmes
  • BA(Hons) Acting and Performance
  • BA(Hons) Costume Design and Construction
  • BA(Hons) Drama and Theatre Arts
  • BA(Hons) Performing Arts Management
  • BA(Hons) Theatre Production

3
BA(Hons) Acting and Performance
  • National Council of Drama Training accredited
    programme
  • 30 hours a week contact time
  • 30 weeks a year
  • Four strands
  • Acting
  • Voice
  • Movement
  • World of Work

4
World Of Work
  • Embedded into all years of the programme
  • Development of skills, knowledge and the ability
    to be a reflective practitioner
  • Build from contextual modules through to sector
    specific skills

5
World of Work Year 1
  • Introduction to the vocabulary, working methods
    and practises current within theatre, film,
    television and radio organisations
  • Contextualises the industry and the range of
    future career prospects
  • Research and reflective journal paper based

6
World of Work Year 2
  • Audition Processes
  • The role of the Casting Director, and what to
    expect at a casting
  • Seminars with agents, professional actors and
    representatives of professional bodies
  • Development of Stagecraft
  • Development of a Professional Attitude

7
World of Work Year 3
  • Quasi-professional repertory company
  • Transition from student-actor to professional
    actor
  • Advice on CVs, writing letters, targeting
    employers, show reels, voice reels, websites and
    finding work
  • Advice on self-management
  • Visits to professional companies

8
World of Work Year 4
  • The development of
  • A comprehensive professional portfolio that can
    include visual and aural recorded material
  • A comprehensive list of professional contacts
    that will be of practical use to the student in a
    wide range of professional contexts.
  • Focus on areas not previously explored e.g. voice
    overs
  • Recognition of and reflection on their own
    particular casting strengths
  • Work in the professional environment

9
Conclusion
  • Increasing importance to embed into the programme
    at all levels
  • Develops a professional portfolio for actors that
    fully prepares them for the industry
  • The need for students to be reflective
    practitioners in order to be employable.
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