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Sensation and Perception: Vision, hearing and the other senses

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Title: Sensation and Perception: Vision, hearing and the other senses


1
Sensation and Perception Vision, hearing and the
other senses
  • Week 12
  • HP502 Introductory Psychology Learning, Memory
    and Cognition
  • Mr Simon Morris
  • BA(Soc.Sc.) Monash, PostGrad Dip. Psych. Monash
  • smorris_at_students.ballarat.edu.au

2
(No Transcript)
3
Lecture outline
  • Vision
  • Hearing (audition)
  • Smell
  • Other senses

4
Vision
  • Vision is the best understood of all the senses.
  • The function of the eye is to detect
    electromagnetic radiation (light).
  • Vision is functional in that it allows for
    detection of
  • Movement (Is that moving object a predator or a
    friend?)
  • Colour (Is that fruit ripe or is it spoiled?)

5
The nature of light
  • Light detection is particularly useful because
  • Light travels rapidly (in contrast to sound waves
    in hearing) allowing for rapid detection of
    events in the environment.
  • Light travels in straight lines (no distortion)
    the geometry of objects is preserved in visual
    perception.
  • Light interacts with the surfaces of objects in
    the environment (is reflected or absorbed).
  • Electromagnetic energy travels in waves
    characterised by patterned movement, or
    oscillation.
  • Different forms of radiation have waves of
    different lengths, or wavelengths.
  • For example gamma rays are as short or shorter
    than the diameter of an atom, while radio waves
    may oscillate once in a kilometre.

6
Electromagnetic Spectrum
7
The electromagnetic spectrum
  • Electromagnetic (EM) energy travels in waves or
    oscillations.
  • The waves vary in frequency with gamma waves at
    the low end (10-5 nM) and radio waves at the
    upper end (1013 nM).
  • Humans are sensitive to only a small range of the
    EM scale (400-700 nM).
  • The physical dimension of wavelength translates
    in the psychological dimension of colour, just as
    the physical intensity of light is related to the
    subjective sensation of brightness.

8
The human eye and retina
9
Elements of the eye
  • Cornea The tough transparent tissue covering the
    front of the eyeball.
  • PupilThe opening of the centre of the iris that
    constricts or dilates to regulate the amount of
    light entering the eye.
  • Lens The disc shaped elastic structure of the
    eye that focuses light.
  • Retina The light sensitive layer of tissue at
    the back of the eye that transduces light into
    neural impulses.

10
Structure of the retina
11
Elements of the retina
  • The retina is a multi-layered structure about as
    thick as a sheet of paper.
  • ConesOne of two types of photoreceptors
    specialised for colour vision which allow
    perception of fine detail.
  • Rods Are more sensitive to light than cones, and
    allows vision in dim light. Produce black, white
    and grey.
  • Bipolar cells Neurons in the retina that combine
    information from many receptors and excite
    ganglion cells.
  • Ganglion cells Nerve cells in the retina that
    integrate information from multiple bipolar
    cells, the axons of which bundle together to form
    the optic nerve.

12
Transduction of Light
  • Light travels through the retina and impinges on
    photoreceptors at the back of the eye.
  • Both rods and cones contain photosensitive
    pigments that change chemical structure in
    response to light.
  • This process is called bleaching because the
    pigment breaks down when exposed to light,
    leading to photoreceptors to lose their
    characteristic colour.
  • Bleaching must be reversed before a photoreceptor
    is restored to full sensitivity.

13
Receptive fields
  • Once the rods and cones have responded to
    patterns of light, the nervous system must
    somehow convert these patterns into a neural code
    to allow the brain to reconstruct the scene.
  • Each ganglion cell has a receptive field.
  • A receptive field is a region within which a
    neuron responds to appropriate stimulation.
  • Neurons at higher levels of the visual system
    (the brain) also have receptive fields, which
    means at the higher and higher levels of
    processing, the visual system keeps creating maps
    of the scene the eye has observed.

14
Receptive fields .
15
Receptive fields .
  • Receptive field That aspect of the external
    world that produces a change in firing rate of a
    given sensory cell.
  • Sensory neurons show a baseline rate of firing
    rate of firing can increase or decrease in
    response to external stimuli.
  • Centre-surround shape A spot of light placed on
    the centre of the field produces an on response
    (increase in firing rate), the same spot of light
    placed on the outside of the field reduces the
    firing rate.

16
Visual Pathways in Brain
17
From the eye to the brain
  • Impulses first pass through the optic chiasm,
    where the optic nerve splits.
  • Information from the left half of each retina
    (which comes from the right visual field) goes to
    the left hemisphere, and vice versa.
  • The information then travels to the brain via the
    optic tracts, which are a continuation of the
    ganglion cells.
  • From there, the visual information flows along
    two separate pathways within each hemisphere.

18
From the eye to the brain
  • The first pathway projects to the lateral
    geniculate nucleus of the thalamus and then to
    the primary visual cortex of the occipital lobes.
  • Neurons on the lateral geniculate nucleus
    preserve the map of the visual space in the
    retina. i.e., neighbouring ganglion cells
    transmit information to thalamic neurons next to
    each other, which in turn transmit this retinal
    map to the visual cortex.

19
From the eye to the brain
  • The second short pathway projects to a clump of
    neurons in the midbrain known as the superior
    colliculus, which is involved in controlling eye
    movements.
  • Its neurons respond to the presence of absence of
    visual stimulation in parts of the visual field
    but cannot identify specific objects.
  • Visual processing in the superior colliculus, and
    perhaps at the level of the lateral geniculate
    nucleus, leads to visual responses that can guide
    behaviour outside of awareness.

20
Visual cortex
  • From the lateral geniculate nucleus, visual
    information travels to the primary visual cortex
    in the occipital lobes. This is sometimes also
    known as the striate cortex.
  • The striate cortex is the first stop in the
    cortex for all visual information. Neurons begin
    to make sense of visual information through the
    use of feature detectors.
  • Feature detectors are neurons that only fire when
    stimulation in their receptive field matches a
    very specific pattern. E.g., particular
    direction, specific size or length, colour,
    contrast, texture

21
The what pathway
  • From the primary visual cortex, visual
    information flows along two pathways.
  • The what pathway runs from the striate cortex
    in the occipital lobes through the lower part of
    the temporal lobes. This involved in determining
    what an object is.
  • Primitive features such as lines are integrated
    into more combinations such as shapes.
  • At other locations along the pathway, the brain
    processes features of the object such as colour
    and texture.

22
The where pathway
  • The where pathway is involved in locating an
    object in space, following its movement, and
    guiding movement towards it.
  • This pathway runs from the striate cortex through
    the middle and upper regions of the temporal
    lobes and up into the parietal lobes.
  • Their locations make sense, with the what
    pathway located directly below those involved in
    language, particularly among naming objects. The
    where pathway is adjacent to circuits in the
    parietal lobes that processes information about
    the position of the body in space.

23
Perception of Colour
  • Colour is a psychological property. E.g., grass
    is not green to a cow because they lack colour
    receptors.
  • Three dimensions of colour
  • Hue is the apparent colour of an object (red,
    blue, etc)
  • Saturation is the purity of the colour (extent to
    which diluted with black or white)
  • Lightness is the extent to which a colour is
    light or dark.
  • Three different types of cones are found in the
    eye.
  • Cones are sensitive to different wavelengths of
    light
  • S-cones code for blue light.
  • M-cones code for green light.
  • L-cones code for red light.

24
Cone response curves
25
Theories of colour vision
  • Young-Helmholtz (Trichromatic Theory) Colour is
    explained by differential activation of three
    colour receptors in the eye.
  • Opponent-Process Theory Colours are derived from
    activity of three antagonistic systems
    (Black-white, Red-green, Blue-yellow).

26
Negative colour afterimages
27

28
Hearing
  • Hearing, or audition, allows sensation at a
    distance and is therefore of tremendous adaptive
    value.
  • The stimulus energy underlying hearing is sound.
  • The ear transduces sound, and sends it along the
    the neural pathways for auditory processing.

29
The nature of sound
  • All sound is produced by vibrations produced in
    the air. These rhythmic pulsations of acoustic
    energy (sound) spread outward from the vibrating
    object as sound waves.
  • Sound waves grow weaker with distance, but they
    travel at a constant speed, roughly 340 metres
    per second.

30
The nature of sound
  • Acoustic energy has three important properties
  • Frequency Each round of expansion and
    contraction between air molecules is known as a
    cycle. The number of cycles per second determines
    the sound waves frequency. Frequency is a
    measure of how often a wave cycles. Frequency is
    expressed in hertz, or Hz
  • Frequency corresponds to the psychological
    property of pitch, which is the quality of a tone
    from low to high.
  • Complexity Most sounds are a combination of
    sound waves, each with a different frequency.
    Complexity refers to the extent to which a sound
    is composed of multiple frequencies.
  • This corresponds to the psychological property of
    timbre, or texture of the sound.

31
The nature of sound
  • Amplitude Amplitude refers to the height or
    depth of a sound wave, that is, the difference
    between its maximum and minimum pressure level.
  • The amplitude of a sound wave corresponds to the
    psychological property of loudness the greater
    the amplitude, the louder the sound.
  • Amplitude is measured in decibels (dB). Zero
    decibels is the absolute threshold at which most
    people can hear a 1000 Hz tone.

32
Frequency and amplitude
33
The ear
  • Transduction of sound occurs in the ear, which
    consists of an outer, middle and inner ear.
  • The outer ear collects and magnifies sounds in
    the air the middle ear converts waves of air
    pressure into movements of tiny bones and the
    inner ear transforms these movements into sound
    waves in fluid that generate neural signals.

34
The Ear
35
Transduction
  • The hearing process begins in the outer ear,
    which consists of the pinna and the auditory
    canal.
  • The pinna is not essential for hearing, but its
    irregular shape helps locate sounds in space,
    which bounces off its folds differently when they
    come from various locations.
  • At the end of the auditory canal is a thin,
    flexible membrane known as the eardrum or
    tympanic membrane.
  • The eardrum reproduces the cyclical vibration of
    the object that a created the noise on a
    microcosmic scale.
  • When the eardrum vibrates it sets in motion three
    tiny bones in the middle ear, called ossicles.

36
Transduction
  • These bones named for the distinctive shapes, are
    called the malleus (hammer), incus (anvil) and
    stapes (stirrup).
  • The ossicles further amplify the sound by two or
    three times before transmitting vibrations to the
    inner ear. The stirrup vibrates against a
    membrane called the oval window, which forms the
    beginning of the inner ear.

37
Transduction of Sound
38
The inner ear
  • The inner ear consists of two sets of
    fluid-filled cavities the semicircular canals
    (involved in balance) and the cochlea (involved
    in hearing).
  • The cochlea is a three-chambered tube in the
    inner ear. When the stirrup vibrates against the
    oval window, the oval window vibrates, causing
    pressure waves in the cochlear fluid. These waves
    disturb the basal membrane, which separates two
    of the cochlea chambers.
  • Attached to the basilar membrane are the ears
    15,000 receptors for sound called the hair cells.
  • The movement of the hair cells triggers action
    potentials in sensory neurons forming the
    auditory nerve, which transmits auditory
    information to the brain.

39
Neural pathways
40
Neural pathways
  • Sensory information transmitted along the
    auditory nerves ultimately finds its way to the
    auditory cortex in the temporal lobes.
  • The auditory nerves from each ear projects to the
    medulla, where the majority of its fibres cross
    over to the other hemisphere.
  • From the medulla, bundles of axons project to the
    midbrain (inferior colliculus), then on to the
    thalamus.
  • The thalamus transmits information to the
    auditory cortex in the temporal lobes, which has
    sections devoted to different frequencies.
  • In humans and other animals, some cortical
    neurons on the left temporal lobe respond
    exclusively to particular sounds characteristic
    of language of the particular animal.

41
Sound localisation
  • Humans use two main cues for sound localisation
    differences between the two ears in loudness and
    timing of the sound.
  • High-frequency sounds particularly rely upon the
    relative loudness in the ear closer to the source
    as the head blocks some of the sound from hitting
    the other side.
  • Low-frequency sounds relies more on the
    split-second difference in the arrival time of
    sound at the two ears.

42
Smell
  • Smell (olfaction) serves a number of functions.
    It enables us to detect danger, discriminate
    palatable from spoiled foods and recognise
    familiar others.
  • Many other species communicate through
    pheromones, scent messages detected through an
    auxiliary olfactory system that regulates the
    sexual behaviour of many animals and directs a
    variety of behaviours in insects.

43
Olfaction
44
Transduction
  • The environmental stimuli for olfaction are
    invisible molecules of gas emitted by substances
    and suspended in the air.
  • The thresholds for recognising most odours are
    remarkably low as low as one molecule per 50
    trillion molecules of air for some molecules.
  • Although the nose of the sense organ for smell,
    the vapours can enter threw the nose or mouth.
  • When food is chewed, vapours travel up the back
    of the mouth into the nasal cavity this process
    accounts for much of the flavour.

45
Transduction
  • Transduction of smell occurs in the olfactory
    epithelium, a small pair of thin structures less
    than 2.5cm2 in diameter at the top of the nasal
    cavities. Chemical molecules in the the air
    become trapped in the mucus of the epithelium,
    where they make contact with the olfactory
    receptor cells that transduce the stimulus into
    olfactory sensations.

46
Neural pathways
  • The axons of olfactory receptor cells form the
    olfactory nerve, which transmits information to
    the olfactory bulbs, multi-layered structures
    that combine information from receptor cells.
  • This information then travels to the primary
    olfactory cortex, a primitive region of the
    cortex deep in the frontal lobes.
  • Unlike other senses, smell is not relayed through
    the thalamus on the way to the cortex.
  • However the olfactory cortex has projections to
    both the thalamus and limbic system, so that
    smell is connected to both taste and emotion.

47
Other senses
  • Skin senses
  • Proprioceptive senses
  • Vestibular sense provides information about the
    position of the body in space by sensing gravity
    and movement.
  • Kinesthesia provides information about the
    movement and position of the limbs and other
    parts of the body relative to one another.

48
Conclusions
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