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Vocal Music of the Baroque

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Baroque vocal styles centered on the Italian love for Monody ... Many composers, including Scarlatti and Bach, wrote cantatas. Cantata. And more you say? ... – PowerPoint PPT presentation

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Title: Vocal Music of the Baroque


1
Vocal Music of the Baroque
  • Or, the History of Music, part IIIa

2
Still, the Italians
  • Baroque vocal styles centered on the Italian love
    for Monody
  • Remember that word?
  • Le nuove musiche the new music
  • Basically, a bunch of melody over simple basso
    continuoso
  • Monteverdis madrigals displayed this changing
    style

3
Baroque Opera Good Times.
  • Early operas, Euridice and Dafne, were very
    monodic
  • Music took a backseat toward clear speech
  • Were often mythological stories, written for
    aristocrats
  • Early on, they were still small works

4
Monteverdi pops up again
  • He became the music director at St. Marks
    Cathedral
  • Orfeo, Monteverdis first, was much more
    sophisticated that others
  • Orfeo called for a lot of specific
    instrumentation
  • His music was much more complex, interesting, and
    entertaining
  • Orfeo, again

5
Still, further clarification
  • About this time was the separation of recitative
    and aria
  • Recitative was for words, aria for music
  • Venice became the center of opera, building the
    first opera house

6
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7
Competing Opera Styles
  • Venetian opera used counterpoint and gave the
    orchestra fun stuff
  • Neapolitan was homophonic, focused on vocal
    melody
  • Eventually, Neapolitan won (except in France)
  • Neapolitan style due to Scarlatti

8
Yet another style!
  • Neapolitan opera became too serious.
  • So, opera buffa (comic opera) was born
  • This was common-man opera, stories about simpler
    lives and with normal folk performing
  • At first, it was low-class, but this changed
    through history

9
Frances Turn
  • France was the only part of Europe to develop a
    non-Italian opera style
  • Lully was the pioneer of said style
  • He wrote operas for Louis XIV, so they were
    pompous and refined
  • As a whole, they were more colorful and visually
    pleasing, but made less sense

10
England? Really?
  • Purcell wrote some stuff, but Handel was the big
    guy
  • His stuff appealed to all of England, regardless
    of class
  • It was influenced greatly by the Neapolitan style
    from Naples, Italy
  • The opera Xerxes

11
No more opera!
  • Cantata was also around
  • Italian in design, it was vocal work of
    recitative and aria with continuo underneath
  • It told a simple story
  • Many composers, including Scarlatti and Bach,
    wrote cantatas
  • Cantata

12
And more you say?
  • Oratorio sacred works with long narrative texts
  • It was like opera, but not as fancy
  • One of the most famous is Handels Messiah
  • Messiah
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