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Baroque Music Part I

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Baroque Music Part I 1600-1750 The Baroque Style baroque= equally proportioned Has an emphasis on incorporating movement and contrast into all art forms. – PowerPoint PPT presentation

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Title: Baroque Music Part I


1
Baroque MusicPart I
  • 1600-1750

2
The Baroque Style
  • baroque equally proportioned
  • Has an emphasis on incorporating movement and
    contrast into all art forms.
  • Very rich and powerful rulers require derision.

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Baroque Lifestyle
  • Absolutism
  • A rulers right to have absolute
  • power over their subjects.
  • A king could throw a worker into jail because
    that worker wanted to quit his job.
  • Its still bad to be a peasant

6
Baroque Greats
  • Scientific Discovery
  • Newton
  • Galileo
  • Music Giants
  • Johann Sebastian Bach
  • George Frederic Handel
  • Antonio Vivaldi
  • Henry Purcell

7
Characteristics of Baroque Music
  • Unity of Mood
  • A piece of music usually expressed only one
    feeling throughout the entire piece
  • Repeating rhythm and melodies, often through all
    voice parts (choral) and all instrument families.

8
Characteristics of Baroque Music
  • Music uses relatively small dynamic ranges. This
    is due to physical limitations of instruments.
  • Terraced Dynamics- were also used and refer to
    the sharp contrast from loud and soft. Heard
    here
  • Such as the harpsichord, clavichord, voice,
    Baroque orchestra.

9
Chords and Basso Continuo
  • Basso Continuo
  • Bass part usually played by two instruments a
    keyboard instrument (harpsichord) and a Bass
    instrument (double Bass, bassoon, cello).
  • Has a very rich and grand feel.
  • Start example 244

10
Basso continuo
11
The Baroque Orchestra
  • Baroque orchestras are small!
  • Usually only 10-40 players
  • Basso Continuo Strings
  • Brass, Woodwinds, and Percussion used very rarely!

12
The Baroque Orchestra
13
Baroque Forms
  • Movements
  • a piece that sounds fairly complete and
    independent but is part of a larger composition.
  • Generally broken up by fast, slow, fast.

14
Music in Baroqe Society
  • Composers made money by having a patron!
  • Patron
  • someone who supported a composer by paying them
    for their music and requesting new music to be
    composed

15
Music in Baroque Society
  • Music on demand!
  • Main source of entertainment in royal courts.
  • One court might have an orchestra, a church
    choir, and opera singers

16
Music in Baroque Society
  • Music director
  • Composer who works for a patron
  • In charge of composing all the music at court.
  • Rehearsed the orchestra, choir, and all other
    musicians at court.
  • Good
  • Pay and popularity were high
  • Compositions always performed
  • Bad
  • Still a servant of the patron

17
HOT Question What are some modern day examples
of Patron/Musician relationships?
18
The Elements of Opera
  • opera a drama in which most or all of the lines
    are sung to an orchestral accompaniment and is a
    staged drama.
  • aria a song for solo voice(s) with orchestral
    accompaniment. Is an emotional rant that has few
    words.
  • recitative a vocal line that imitates speech
    (secco), and may be accompanied by continuo
    (accompanio). Serves to advance the plot.
  • libretto the text of the opera. (Comic or
    seria)
  • librettist one who writes a libretto (story).

19
Early operas
  • Based on the Greek myth
  • Written for aristocracy
  • 1637 first public opera house in Venice, Italy.
    Italy considered home of opera.
  • L Orfeo by Claudo Monteverdi, the first opera
    of any mention. Overture heard here

20
Early Opera cont
  • overture or prelude the orchestral introduction
    to an opera. Generally highlights thematic
    material.
  • French opera had mandatory Ballet sections,
    distanced from Italian opera.
  • Jean-Baptiste Lully Baroque opera great who
    expanded the orchestra to achieve greater effect.
    Puts the pomp sound in French Grand Overture.
    Excerpt from Armide.
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