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Writing at Bells Crossing: Putting the Pieces Together

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Title: Writing at Bells Crossing: Putting the Pieces Together


1
Writing at Bells Crossing Putting the Pieces
Together
  • Dr. Rebecca Kaminski
  • Dawn Hawkins
  • Upstate Writing Project

2
Starting at the Beginning Building Community,
Thinking about the Big Picture

3
The only way to raise the quality of writing in a
school is to create, share and celebrate the
specific criteria for that quality with everybody
on a regular basis.Barry Lane

4
  • We are talking about tools and carpentry, about
    words and stylebut as we move along, youd do
    well to remember that we are also talking about
    magic.
  • Stephen King

5
  • Embedding the traits into the writing process is
    the key to using the traits effectively and
    creating opportunities for significant growth.
  • Ruth Culham, p21

6
Big Picture
Writing Workshop

Writing Process
Traits
7
SC Exemplary Writing
putting it all together for a school wide
program of excellence at the highest level of
implementation.
8
Writing Workshop
9
Writing Workshop Philosophy
  • Writing goes on all the time.
  • Children should have an authentic purpose to
    write.
  • The writers workshop should be driven by student
    choice and needs.

10
Create An Atmosphere For Writing
11
Choice vs prompt
12
Conference Schedule
13
Students Peer-Evaluating
14
Students Self Assessing Writing Using a Rubric
Scale
15
Mini-Lessons
  • Mini-lessons focus on different types of writing,
    the art of writing, or the mechanics of writing. 
  • Mini-lessons are 5 - 20 minutes long. 
  • The content of the mini-lesson comes from an
    analysis of what the students need to know next. 
  • Mini-lessons offer the teacher the opportunity to
    show their own writing. Model for students by
    talking out loud when writing, making revisions
    as you go along.

16
When learners are well served, assessment becomes
a learning experience that supports and improves
instruction. The learners are not just the
students but also the teachers, who learn
something about their students.Regie
RoutmanConversations (2001)
17
What will your writing environment look like this
year?Sketch your classroom and share at your
table.
18
Is Your Classroom Process-Centered or Product-
Centered?
  • Process-Centered
  • work on different tasks at different rates.
  • write many short, interesting pieces of writing
    any of which may lead to longer pieces over time.
  • Small groups work together.
  • Writing is shared as it is created.
  • One piece may lead to another as it is
    discovered.
  • Failure is an opportunity to grow.
  • ?s Does this work? What else could I try?
  • Product-Centered
  • do the same tasks.
  • complete the same preset writing assignments.
  • Students work alone.
  • Share only when finished.
  • Student ask for the next task.
  • Important to get it right the first time.
  • ?s Is this long enough? Os this what you want?
    Will this be graded?

19
Writing Process
20
Writing Process is
  • ...the progression of
  • stages a writer goes through to create a
    product, from conception to birth.
  • Ruth Culham, p 21

21
The Writing Process Philosophy
  • The process is not linear, it is recursive and
    flexible.
  • The process is integrated throughout the
    curriculum and school day.

22
Working Through The Writing Process
  • Prewriting-Think It!
  • Drafting-Write It!
  • Conferencing-Talk About It!
  • Revising-Fix It!
  • Editing-Shine It!
  • Publishing-Share It!

23
Literature Models
  • I am looking for texts that have something in
    them or about them that can add to my students
    knowledge base of how to write well.
  • Ray, Wondrous Words

24
Organizing the Writing Process for Students
25
Writing process according to Barry Lane
  • Revision
  • Revision
  • Revision
  • Revision
  • Revision

26
  • Make sure (students) understand the difference
    between revision and editing. Construct a brick
    wall between the two! Revision is a composing
    tool editing involves the surface features of
    writing. If kids confuse the two, their revisions
    will be first aid..instead of the radical surgery
    that leads to improved writing.
  • Ralph Fletcher, 2001
  • Writing Workshop Essential Guide

27
Analyze the writing you have done- how did you
move through the writing process? What would you
do next?
28
Traits of Writing
29
61 TRAIT Model is
  • a vocabulary teachers use to describe their
    vision of what good writing looks like-any kind
    of writing.
  • Ruth Culham, pg 7

30
Keep in mind that the six traits are not a
curriculum, not a program. They are a way of
thinking about writing that leads to
understandingVicki SpandelCreating Young
Writers 2004
  • 6 1 Trait Writing

31
61 Traithttp//www.nwrel.org/assessment
  • The 61 Trait? Writing framework is a powerful
    way to learn and use a common language to refer
    to characteristics of writing as well as create a
    common vision of what 'good' writing looks like.
    Teachers and students can use the 61 Trait?
    model to pinpoint areas of strength and weakness
    as they continue to focus on continued writing
    improvement.

32
Two Groups of Traits
  • Revision Traits
  • Ideas
  • Organization
  • Voice
  • Word Choice
  • Sentence Fluency
  • Editing Traits
  • Conventions
  • Presentation

33
Ideas
  • make up the content of the piece of writing-
    the heart of the message.
  • Ruth Culham, pg 11

34
Ideas
  • The heart of the message
  • The theme plus the details
  • Interesting, important and informative details
  • Details that the reader would not normally
    anticipate
  • The extraordinary, the unusual that others may
    not see

35
Literature Models for Ideas
  • Saturday Market
  • By Patricia Grossman and Enrique Sanchez
  • The Recess Queen
  • By Alexis ONeill and Laura Huliska-Beith

36
Teaching the Ideas Trait
  • How do you get there?
  • Go from big to small-narrowing the topic
  • Hunt for details (observations)
  • Study Pictures
  • Teach students the art of questioning (who, what
    when, where, how, does)
  • Use oral skills (talking is an excellent form of
    pre-writing)
  • Draw
  • Use snapshots
  • What are you teaching?
  • Main idea or message
  • Clarity
  • Detail (and interest)
  • Noticing/observing

37
Lesson Plan for Ideas Trait
  • Standard 1W1.1-5W1.1 Demonstrate the ability to
    choose a topic, generate ideas, and use oral and
    written prewriting strategies.
  • Mini Lesson Narrowing the topic Draw pizza on
    board (family) then draw slice of pizza (grandpa)
    then draw pepperoni on pizza (grandpa the checker
    champ).
  • Mini Lesson put to practice Have students draw
    their own pizza and work through the steps to
    narrow their topic. Have a few students share how
    they narrowed their topic.
  • Students Write and Conferencing
  • Sharing/Questions Keep the comments focused on
    narrowing the topic.

38
Organization
  • is the internal structure of the piece, the
    thread of meaning, the logical pattern of the
    ideas.
  • Ruth Culham, p 11

39
Organization
  • Design and structure of a piece
  • Holds the information together
  • Presents information that is both comprehensible
    and memorable
  • For example Interesting lead, problem/solution,
    interesting ending

40
Literature Models for Organization
  • Strong Leads
  • How I Became a Pirate
  • By Melinda Long and David Shannon
  • Linear Plot Structure
  • Diary of a Spider
  • By Doreen Cronin and Harry Bliss
  • Circular Plot Structure
  • If You Take a Mouse to School
  • By Laura Numeroff and Felicia Bond

41
Teaching the Organization Trait
  • How do you get there?
  • Choose strong leads (mini-lessons)
  • Use visuals (books, comic strips etc.)
  • Make predictions based upon the opening sentence
  • Put things in order (recipes, expository writing,
    letters)
  • Use patterns
  • Use idea webs to plan
  • Use lists
  • Powerhouse conclusions (mini-lessons)
  • What are you teaching?
  • How to begin
  • How to end
  • Sense of order, patterning, sequencing
  • How to link ideas together-transitions

42
Lesson Plan for Organization Trait
  • Standard 2W1.3-5W1.3 Demonstrate the ability to
    develop an extended response around a central
    idea, using relevant supporting ideas.
  • Mini Lesson Sometimes in non-fiction writing we
    often begin by telling what we know about our
    topic. (For example we might write This is a
    story about great white sharks.) Although this
    tells about your topic it may not get the reader
    excited about your topic. One way to get your
    reader interested is to bring them to the place
    where they can see your topic in its natural
    habitat. Use words to describe this place. Begin
    with the setting.
  • Mini Lesson Put To Practice Think about your
    non-fiction topic and its natural habitat. Write
    a few leading sentences to introduce your topic.
    Have a few students share their leads.
  • Students Writing and Conferencing
  • Sharing/Questions Small group sharing/Have
    students share their leads to their non-fiction
    writing.

43
Black Mamba SnakesBy Brady
  • In the jungle a black mamba snake slithers down
    a tree. He is searching for his next victim.
    Black mamba is the fastest snake alive. Snakes do
    not care for their young. Snakes can go for
    months with no food. If you were a black mamba
    snake you would eat rats for lunch. Snakes need
    their senses to help them. The black mambas
    babies are blue. I hope I never see a black
    mamba snake in the wild because he is so fast.

44
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45
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46
Narrative Writing Writing a Simple Story Primary
Level
_______________________ ________________________
________________________ ________________________
________________________
Beginning Picture
__________________________________________________
__________________________________________________
_________________________
Middle Picture
__________________________ _______________________
___ __________________________ ___________________
_______ __________________________
Ending Picture
? Ann Shaw, 2002
47
Voice
  • is the soul of the piece. Its what makes the
    writers style singular, as his or her feelings
    and convictions come out through the words.
  • Ruth Culham, p 12

48
Voice separates writing that is read from writing
that is not read.Donald Murray
49
Voice
  • Personality of writer on paper
  • Confidence of writer to reveal her passion for
    topic
  • Reveals the writers true self
  • Writers inner voice on paper
  • Shows the writers honesty

50
Literature Models for Voice
  • Love That Dog
  • By Sharon Creech
  • Dont Say Aint
  • By Irene Smalls

51
Teaching the Voice Trait
  • What are you teaching?
  • Putting energy into writing
  • Recognizing voice
  • Selecting personally important topics
  • Connecting to an audience
  • How do you get there?
  • Write notes and letters
  • Show students how to put personal self into their
    writing (If I were)
  • Nurture voice in an atmosphere of sharing
  • Make room for alternatives
  • Write in character
  • Act it out
  • Grabs the readers attention

52
Lesson Plan For Teaching Voice
  • Standard 2W1.3-5W1.3 Demonstrate the ability to
    revise writing for audience and purpose and
    through collaboration, conferencing, and
    self-evaluation.
  • Mini Lesson Have the students turn to a partner
    and retell about a special event in their lives.
    While the students are talking walk around the
    room and record comments the students make on
    post-its. When the talking time is up share some
    of the comments the students make. (My birthday
    party was awesome! I smoked J.J. in the race.)
    Discuss how the comments have voice. Encourage
    your students to write like they would talk to a
    friend.
  • Mini Lesson Put To Practice Have your students
    look at some of their previous writing. Can they
    revise a sentence to add voice? Share their
    changes.
  • Students Write/Conferencing
  • Sharing/Questions Listen for examples of good
    voice. Point these out to the students.

53
Word Choice
  • is at its best when it includes the use of
    rich, colorful, precise language that moves and
    enlightens the reader.
  • Ruth Culham, p 12

54
Word Choice
  • Using the right words at the right moment
  • Contributes to clarity (specific words)
  • Evokes feelings, moods, likes and dislikes
  • Paints pictures for the reader
  • For young writers it often means learning new
    words

55
Literature Models for Word Choice
  • Show Dont Tell! Secrets of Writing
  • By Josephine Nobisso
  • The Weighty Word Book
  • By Levitt, Burger, and Guralnick

56
Teaching the Word Choice Trait
  • How do you get there?
  • Act out words
  • Make poster, charts
  • Toss the ball (like, good, nice, things)
  • Do a sentence as a play (Hungry dogs ran
    rapidly.)
  • Create greeting cards, advertisements, bumper
    stickers
  • Revise weak verb pieces (Two Bad Ants)
  • Keep personal dictionaries
  • Use a thesaurus
  • Collect favorites (woozy, shabby)
  • Create alphabet books
  • What are you teaching?
  • Being choosy about words
  • Identifying favorite words
  • Using strong nouns
  • Vivid verbs
  • Descriptive words

57
Lesson for Word Choice
  • Standard3W1.4, 4W1.4,5W1.4 Demonstrate the
    ability to revise writing for clarity, sentence
    variety, precise vocabulary, and effective
    phrasing through collaboration, conferencing, and
    self-evaluation.
  • Mini Lesson Tired Words-Sometimes in our writing
    we tend to overuse certain words (like, good,
    nice, big, little, happy, funny). Today we are
    going to focus on the word _____. Ive noticed in
    your writing that we are using ______. Lets put
    it to bed. Take out your thesaurus. What other
    words can we use instead of ______. Record new
    words on overhead and later place in Tired
    Words pocket.
  • Mini Lesson Put To Practice Have students look
    at their own writing. Find a tired word and
    replace it with a better word choice. Have a few
    students share their changes.
  • Students Write/Conferencing
  • Sharing/Questions Keep the focus on word choice.
    Celebrate the good word choices.

58
Choosing Great Words
59
Sentence Fluency
  • is the flow of the language, the sound of word
    patterns-the way the writing plays to the ear,
    not just to the eye.
  • Ruth Culham, p12

60
Sentence Fluency
  • The rhythm and flow of language
  • Both word choice and sentence fluency contribute
    to voice
  • Its what makes the language flow
  • The way words play to the ear
  • Sentence variety

61
Literature Models for Sentence Fluency
  • How I spent my summer vacation
  • By Mark Teague
  • Something Beautiful
  • By Sharon Wyeth

62
Teaching the Sentence Fluency Trait
  • How do you get there?
  • Notice sentences in students writing
  • Keep an open discussion on the sentence going
    (count the number of sentences in a students
    writing.)
  • Using an overhead from a page in text, make a
    list of sentence beginnings.
  • Show how punctuation divides sentences (Play
    where do my periods go.)
  • Read fluent passages aloud
  • Focus on poetry, and music
  • Brainstorm rhyming words and display in room
  • Play create a sentence construction game (Give
    me a sentence with five words. Etc.)
  • Phone yourself (PVC phones to hear your own voice
    reading your sentences)
  • What are you teaching?
  • Sentence sense-What is a sentence?
  • An ear for variety
  • Different sentence patterns

63
Lesson Plan for Sentence Fluency
  • Standard 3W1.4-5W1.4 Demonstrate the ability to
    revise writing for clarity, sentence variety,
    precise vocabulary, and effective phrasing
    through collaboration, conferencing, and
    self-evaluation.
  • Mini Lesson Use an overhead of childrens
    literature or a novel that students are presently
    reading. Highlight how sentences begin and
    transition into the next sentence. Discuss things
    that the students notice about the authors
    style.
  • Mini Lesson Put To Practice Have the students
    look at their writing from the previous day and
    evaluate their own sentence variety. Share some
    of their observations.
  • Students Write/Conferencing
  • Sharing/Questions Have students focus on
    sentence variety while the students are sharing.

64
Conventions
  • represent the pieces level of correctness- the
    extent to which the writer uses grammar and
    mechanics with precision.
  • Ruth Culham, p12

65
Conventions
  • Spelling
  • Punctuation
  • Capitals
  • Grammar and usage
  • Paragraphing

66
Literature Models for Conventions
  • Punctuation Takes A Vacation
  • By Robin Pulver
  • What Are You So Grumpy About?
  • By Tom Lichtenheld

67
Teaching the Conventions Trait
  • What are you teaching?
  • A proofreaders eye and ear
  • Awareness of conventions
  • Sense of self as editor
  • How do you get there?
  • Let students edit their own work-as much as
    possible
  • Model instead of correcting
  • Keep editing conferences focused
  • Encourage temporary spelling
  • Encourage word banks and personal dictionaries
  • Brainstorm word possibilities before writing
    (theme related)
  • Teach Editors Symbols appropriate for grade
    level
  • Provide interesting tools (red pencils)
  • Play the treasure hunt game

68
Lesson Plan for Conventions Trait
  • Standard 3W1.5,4W1.5, 5W1.5 Demonstrate the
    ability to edit for language conventions such as
    spelling, capitalization, punctuation, agreement,
    sentence structure (syntax) and word usage.
  • Mini Lesson How to place punctuation in
    dialogue. Place an overhead from a book that the
    students have been reading in class. Use
    different colors of highlighters to highlight the
    different types of punctuation. Then make a list
    of how the punctuation is used.
  • Mini Lesson Put To Practice Have students review
    their own writing in their writers notebook and
    correct any errors in dialogue punctuation. Have
    students share their corrections.
  • Students Write/Conferencing
  • Students Share/Questions Try to keep the focus
    on conventions. Have students self-assess their
    own writing by showing on a scale of 1-4 what
    they would score themselves on conventions.

69
Presentation
  • zeros in on the form and layout- how pleasing
    the piece is to the eye.
  • Ruth Culham, p12

70
Presentation
  • How text is formatted and presented
  • Varies if text is hand written or word processed
  • Text is readable and understandable
  • Integration of visuals
  • Use of white space
  • Titles, page numbering and bullets

71
Literature Models for Presentation
  • The Great Fuzz Frenzy
  • By Janet Stevens and Susan Stevens Crummel
  • Science Verse
  • By Jon Scieszka and Lane Smith

72
Displaying Published Writing
73
Presentation
  • What are you teaching?
  • Format
  • Neatness
  • Handwriting
  • Word Processing
  • Fonts and font sizes
  • Use of illustrations
  • Spacing and Paragraphing
  • How do you get there?
  • Modeling
  • Mini-lessons
  • Show examples and non examples
  • Work Sorts (Exceeds Criteria, Meets Criteria,
    Does Not Meet Criteria)

74
OttersBy Natalie
  • In a river otters are swimming. Otters
    breathe air. Otters are born alive .They
    drink their mothers milk. When they are born
    they have no hair. The otter is the smallest
    mammal in the sea. Otters are mammals. They are
    good players. They would play all day if they
    have to. They will fight if they feel they are in
    danger. There are two kinds of otters. There is
    the river otter and a sea otter. Otters eat fish
    or leaves. Otters are good hiders. If you were an
    otter you could slide in the mud and not get in
    trouble.

75
Quick Break and Collaborative Writing Activity in
8 Mixed GroupsThe Important Thing about the
Traits (adapted from M.W. Browns books)(30
min)
76
Getting Started
  • Goal Setting
  • Action Plans
  • (grade level groups)

77
What needs work
  • Greater emphasis on current theory and research.
  • Commitment to strong writing instruction that is
    shaped by student writing.
  • Utilize the 61 traits to develop ongoing
    assessment aimed at improving student writing.
  • Incorporate numerous read alouds throughout the
    school day.in all subject areas and to model the
    craft of writing.
  • Encourage variety in genre choice in student
    reading.

78
Classroom Goals
  • Incorporate the teaching demos. Use your writing
    to model the process and trait.
  • Keep Writing in Notebooks/Dated
  • Journals for free response
  • Writing folders to collect writing that will show
    growth over time.
  • Use literature to model good writing.
  • Introduce the vocabulary of the traits.

79
How will you introduce the traits in your grade
level?Get visualp 26
80
Go Back to your classroom sketchwhat do you need
to add?Make a shopping list on the back!
81
Finale
  • Share the Important Thing About the Traits
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