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Erasures

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... Rhetoric and Belles Lettres in the British Cultural Provinces. ... Civilization: The Emergence of Modern Industrial Society, Earliest Times to 1900. ... – PowerPoint PPT presentation

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Title: Erasures


1
Erasures
  • The Absence of the Pencil in Rhetoric and
    Composition Studies

Peter England Texas Tech TCR Online
2
A Rough Sketch
  • Cumberland, England (1550)
  • London street corners by 1790 (Petroski)
  • Dallas, Texas, 1941

Peter EnglandTexas Tech www.webpages.ttu.edu/pen
gland
3
Pencils are Revision
  • Mechanics of Revision
  • Breadcrumbs
  • Erasers (mid 18th century)
  • Users
  • Engineers, artists, architects, mechanics,
    designers, etc.

Peter EnglandTexas Tech www.webpages.ttu.edu/pen
gland
4
Focus on Print
  • Economic sexiness
  • We study rhetoric as social action print has
    incalculable social value

Peter EnglandTexas Tech www.webpages.ttu.edu/pen
gland
5
Print is Objectifying
  • Ong
  • the objectifying potential inherent in writing is
    not fully realized until print (281)
  • Typography makes words out of preexisting
    objects (types) as one makes houses out of
    bricks it hooks up the words in machines and
    stamps out on hundreds or thousands of surfaces
    exactly the same spatial arrangement of
    wordsconstituting the first assembly line. . .
    (281)

Peter EnglandTexas Tech www.webpages.ttu.edu/pen
gland
6
Fair Copy
  • McLuhan on print the first two centuries of
    printing from movable types were motivated much
    more by the desire to see ancient and medieval
    books than by the need to read and write new
    ones (155).
  • McLuhan typography represented the epitome
    of detachment and disinterestedness of the
    Enlightenment (159).

Peter EnglandTexas Tech www.webpages.ttu.edu/pen
gland
7
Going to Press
  • Where are pencils in rhetoric and composition
    studies?
  • Historical studies?
  • Documents related to composition?

Peter EnglandTexas Tech www.webpages.ttu.edu/pen
gland
8
Hypothesis
  • Theories of correctness have dictated, and
    continue to dictate, the technology we use to
    write.
  • Can we interrogate rhetorical and composition
    theory through the tools we use to write?

Peter EnglandTexas Tech www.webpages.ttu.edu/pen
gland
9
Extended Conclusions
  • Are we missing something?
  • OS, hardware, ergonomics?

Peter EnglandTexas Tech www.webpages.ttu.edu/pen
gland
10
Doodling
  • Who cares about PowerPoint?
  • Computers, but not operating systems
  • Print, but not pens and pencils
  • Writing, but not paper.

Peter EnglandTexas Tech www.webpages.ttu.edu/pen
gland
11
Bibliography
  • Keen, Paul. The Crisis of Literature in the
    1790s Print Culture and the Public Sphere.
    Cambridge Studies in Romanticism. New York
    Cambridge University Press, 1999.
  • Miller, Thomas P. The Formation of College
    English Rhetoric and Belles Lettres in the
    British Cultural Provinces. Pittsburgh
    University of Pittsburgh Press, 1997.
  • McLuhan, Marshall. Understanding Media The
    Extensions of Man
  • Ong, Walter. From Mimesis to Irony Writing
    and Print as Integuments of Voice. Interfaces
    of the Word Studies in the Evolution of
    Consciousness and Culture. Ithaca Cornell UP,
    1977.
  • Petroski, Henry. The Pencil A History of
    Design and Circumstance. New York Alfred A.
    Knopf, 1990.
  • Smith, Thomas M. Late nineteenth-Century
    Communications Techniques and Machines.
    Technology in Western Civilization The
    Emergence of Modern Industrial Society, Earliest
    Times to 1900. Kranzberg, Melvin, and Pursell,
    Carroll W., Jr., Eds. New York Oxford
    University Press, 1967.

Peter EnglandTexas Tech www.webpages.ttu.edu/pen
gland
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