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Instrumental Music of the Enlightenment

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Chapter 13. Instrumental Music of the Enlightenment. Domenico Scarlatti (1685-1757) ... Sinfonia: evolved from Italian opera overture. three movements ... – PowerPoint PPT presentation

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Title: Instrumental Music of the Enlightenment


1
Chapter 13
  • Instrumental Music of the Enlightenment

2
Domenico Scarlatti (1685-1757)
  • Son of Alessandro Scarlatti
  • Spanish Court
  • Wrote 555 keyboard sonatas

3
Sonata in D Major, K. 119, 89
  • Timbre Harpsichord
  • Idioms
  • Guitar figurations
  • Maraca rhythms

4
Sonata in D Major, K. 119, p.2
  • Phrases Regular four-measure phrases
  • Harmony repeated dissonanat chords
  • Binary form (AABB)

5
Sonata Form by the 1830s
  • Exposition Development Recapitulation Coda
  • 1 T 2 K 1 T
    2 K
  • I V modulates I
    I
  • i vi i
    i
  • 1 first or primary theme
  • 2 second(ary) theme
  • T bridge or transition
  • K closing

6
Early Symphonies
  • Sinfonia evolved from Italian opera overture
  • three movements
  • fourth movement added between 2 and 3.

7
Symphony in F Major by Sammartini, 90
  • Mvt. 1
  • Form Monothematic Binary
  • Characteristics
  • hammerstrokes
  • scalar melody

8
Empfindsam Style
  • Two SOBs (Sons of Bach)
  • Wilhelm Friedemann
  • Carl Philipp Emanuel
  • keyboard composer

9
Sonata IV in A Major, 91
  • C.P.E. Bach
  • Mvt. II
  • Harmony chromatic
  • Rhythm Scotch snaps
  • Ornamentation grace notes, appogiature, mordents

10
German Symphonic Composers
  • Johann Stamitz
  • Mannheim orchestra
  • dynamic range
  • Mannheim crescendo

11
Sinfonia a 8 in E-flat Major, 92
  • La melodia germanica, no. 3
  • Mvt. I
  • Characteristics
  • Hammerstrokes
  • Mannheim crescendo
  • violin sighing motif
  • oboe horn motif

12
Johann Christian Bach
  • composers of symphonies and piano concerti
  • 40 keyboard concertos (1763 to 1777)

13
Concerto for Harpsichord or Piano and Strings in
E-flat Major, 93
  • Double exposition Sonata form
  • First exposition all in tonic
  • Second exposition modulates to dominant
  • Recapitulation all in tonic
  • no secondary theme
  • Orchestra plays transitions and reinforces
    cadences.

14
François-Joseph Gossec - France
  • Paris composition center
  • composed symphonies and comic operas

15
The Eighteenth Century Orchestra
  • 25 to 35 players
  • Strings
  • WW one flute, 2 oboes, 2 bassoons. Doubled
    strings
  • Brass 2 horns, sometimes trumpets
  • Sometimes percussion
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