Title: Imagery
1Imagery
2Imagery Brainstorm
3Lecture Outline
- Theory
- What is imagery?
- Does imagery work?
- Imagery research
- Application
- Why do we use imagery?
- Imagery perspective
- Developing imaging ability
- Developing an imagery training programme
4What is imagery?
- Creating or recreating an experience in your
brain. - The imagery process
- information stored in memory (from experience)
- recall information
- shape information into meaningful images.
- Involves all the senses.
- Involves moods and emotions.
5Related Terms
- Mental Practice
- Mental Rehearsal
- Observational Learning
- improvement in performance/learning that results
from an individual watching someone else perform
it. - Visualization (does this really describe the
experience?)
6Factors Affecting the Effectiveness of Imagery
- Skill level of the performer
- Use of imagery with physical practice
7How Imagery Works An Ongoing Question
- Psychoneuromuscular theory (1894, 1931)
- Symbolic learning theory (1934)
- Bioinformational theory (1977, 1979)
- Triple code model (1984)
- Psychological skills hypothesis (recently)
- Functional equivalence theory (2001)
8Why do we use imagery?
- Control emotional responses
- Acquire and practice sport skills
- Acquire and practice strategy
- Cope with pain and injury
9Functions of Imagery
- Motivational Specific
- Motivational General - Mastery
- Motivational General - Arousal
- Cognitive Specific
- Cognitive General
10Motivational Functions
- Motivational Specific
- goal oriented responses
- e.g. imaging oneself winning an event
- Motivational General - Mastery
- coping in challenging situations
- e.g. imaging oneself being tough and confident
- Motivational General - Arousal
- arousal monitoring
- e.g. imaging oneself relaxed at competition
11Cognitive Functions
- Cognitive Specific
- sport skills
- e.g. imaging correct triggering technique
- Cognitive General
- sport strategies
- e.g. imaging making final in position other than
1st to avoid media pressure
12Imagery Perspective
- Internal and External Imagery
- Internal imagining the execution of a shot from
your own vantage point. - External viewing yourself from the perspective
of an external observer (video). - More common?
- More effective?
13Comparing Internal and External Imagery
- Olympic athletes use both internal and external
imagery. - Many athletes switch back and forth.
- Internal imagery may be more beneficial for
kinaesthetic awareness (Hale, 1982). - External imagery may be more beneficial for
skill performance (Hardy Callow, 1999).
14 Developing Imaging Ability
- Vividness
- Use all the senses to make images as vivid and
detailed as possible . - e.g. facility, spectators, emotions
- Exercises
- Image home
- Image correct skill execution
- Image a positive shooting experience
15 Developing Imaging Ability (2)
- Controllability
- Learn to manipulate images so they do what you
want them to. - Exercises
- Image skill execution
- Image performance against tough opponent
- Image emotions
- CONTROL!
16Developing an Imagery Training Programme
- Usually part of a larger psychological skills
training programme. - Tailor to individual!
- Imagery must be practiced!
- (Bernier, 1984)
17Developing an Imagery Training Programme (2)
- Is evaluating the athletes current level of
imagery skill through a questionnaire the first
step in setting up an imagery training programme?
18Guidelines for Practicing Imagery
- Proper setting
- Focused concentration
- Realistic expectations and sufficient motivation
- Vivid and controllable images
- Positive focus
- Videotapes (Observation)
- Image execution and outcome
- Image in real time
19When to use Imagery
- Before, during, and after practice
- Outside practice (home, school, work)
- Before, during, and after competition
- When recovering from an injury
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23Functionally active brain regions common to motor
preparation and motor imagery
SMA
PMC
ROL
CER
24The PETTLEP Model(Holmes Collins 1998 2001)
- Physical
- Environmental
- Task
- Timing
- Learning
- Emotion
- Perspective
25The New PETTLEP Model
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28What do the athletes
think?...these standing ones will be better
for my mental prep. cos it was like real time,
not like from the other angle person X has
used...it kinda sucked me into that person cos
it felt like I was shooting that one...it was
really weird...my breathing was slowing and I was
trying to stop myself talking to myself like real
shooting, like it was me......I was aware of
what I was doing but I wasnt really aware of
when the shot was going offThese standing
ones are better with the video like this refer
to internal video because I dont focus so
much on all the technical stuff like the first
one points to external video and you can
really feel the shot, ya know...