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Theories About Symbolic Activity

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Chapter 5 Theories About Symbolic Activity Symbolic Interactionism George Herbert Mead Mind, Self, and Society (1934) Mead thought that symbols were the basis of ... – PowerPoint PPT presentation

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Title: Theories About Symbolic Activity


1
Chapter 5
  • Theories About Symbolic Activity

2
Symbolic Interactionism
  • George Herbert Mead
  • Mind, Self, and Society (1934)
  • Mead thought that symbols were the basis of
    individual identity and social life. In his
    opinion, individuals can acquire identity only by
    interacting with others. As we do so, we learn
    the language and the perspectives of our social
    communities

3
Symbolic Interactionism
  • Mind
  • Mead described mind as the ability to use
    symbols that have common social meanings. As
    children interact with family, peers, and others,
    they learn language, and concurrently they learn
    the social meanings attached to particular words
    (p. 90).

4
Symbolic Interactionism
  • Mind
  • The ability to use symbols that have common
    meanings allows individuals to share ideas and to
    communicate about ideas rather than simply
    behaving toward one another as animals do (p.
    90).

5
Symbolic Interactionism
  • Self
  • Mead regarded self as the ability to reflect on
    ourselves from the perspective of others. Before
    children develop a concept of themselves, they
    first experience others acting toward them,
    labeling them, defining them (p. 91).

6
Symbolic Interactionism
  • Self
  • The concept of the looking glass self calrifies
    Meads view of the human self. Symbolic
    interactionists explain that we learn to see
    ourselves mirrored in others eyes. In other
    words, our perceptions of how others see us are
    lenses through which we perceive ourselves. We
    learn to see our selves in terms of the labels
    others apply to us (p. 91).

7
Symbolic Interactionism
  • Self
  • Self-fulfilling prophecy

8
Symbolic Interactionism
  • I vs. Me
  • The I is impulsive, creative, spontaneous, and
    generally unburdened by social rules and
    restrictions. Thus, the I is the source both of
    creative genius and individuality and of criminal
    and immoral behavior

9
Symbolic Interactionism
  • I vs. Me
  • The ME is the socially conscious part of the
    self, who reflects on the Is impulses and
    actions

10
Symbolic Interactionism
  • I vs. Me
  • The ME is analytical, evaluative, and above all
    aware of social conventions, rules, and
    expectations. The I might think it would be
    great fun to go skinny-dipping on a crowded
    beach, but the ME would probably remind the I
    that skinny-dipping is not generally socially
    approved (p. 92).

11
Symbolic Interactionism
  • Particular Others
  • Generalized Other
  • Role Taking

12
Dramatism
  • Dramatism begins with the premise that life is a
    drama and that it can be understood in dramatic
    terms. Thus, communicators involved in
    situations are seen as actors performing dramatic
    scenes on the metaphorical stage of life (p. 97).

13
Dramatism
  • Kenneth Burke
  • Substance
  • Consubstantiality
  • Communication is the primary way that we
    increase our identification, or
    consubstantiality, with others and diminish our
    division, or separateness, from others (p. 98).

14
Dramatism
  • Guilt as the motive for action.
  • Hierarchy
  • Perfection
  • Negative Terminology

15
Dramatism
  • Reducing Guilt
  • Mortification
  • Victimage/Scapegoating

16
Dramatism
  • The Dramatistic Pentad (Hexad)
  • The act
  • The scene
  • The agent
  • Agency
  • The purpose
  • Attitude

17
Narrative Paradigm
  • Walter Fisher
  • We continually weave discrete events and
    experiences together into coherent wholes that
    have all the features of stores a plot
    characters action a sequence of beginning,
    middle, and end and a climax (p. 105).

18
Narrative Paradigm
  • Rationalism vs. Narration (see pg. 107).
  • Narrative Rationality
  • Coherence Do all parts of the story seem to
    fit together believably?
  • Fidelity Fidelity concerns whether a story
    rings true to listeners in terms of their own
    experiences, values, beliefs, and self-concepts
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