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Chapter 4: North America/Black America

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Chapter 4: North America/Black America Music from Africa Work Songs & Field Hollers Spirituals Ragtime Blues Jazz Gospel * * * * Work Songs & Field Hollers Work Song ... – PowerPoint PPT presentation

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Title: Chapter 4: North America/Black America


1
Chapter 4 North America/Black America
  • Music from Africa
  • Work Songs Field Hollers
  • Spirituals
  • Ragtime
  • Blues
  • Jazz
  • Gospel

2
Work Songs Field Hollers
  • Work Song accompanies work and makes time pass
    more pleasantly usually multiple singers
    regular pulse/beat that goes with work. (ex.
    Rosie)
  • Field Holler sung by solo worker free or
    flexible rhythm no accompaniment one of the
    ancestors to the blues. (ex. sung by Baby Doo
    Caston)

3
Ho Boys, Cancha Line Em
  • Chain-gang Work Song
  • Strophic (repetitive)
  • Primary motor rhythm is strong and straight
    (work), syncopation makes the melody lift and
    rise above the work.
  • Call-and-response between song leader and group -
    with direct repetition of sung line by the group.

4
Ho Boys, Cancha Line Em
  • Intro
  • Ho, boys, is you right?
  • I done got right (repeat)
  • Verse 1
  • If I could I surely would
  • Stand on that rock where Moses stood (response)
  • Chorus
  • Ho boys, cancha line em?
  • Ho boys, cancha line em?
  • Ho boys, cancha line em?
  • See Eloise go linin' rail.

5
  • Verse 2
  • July the red bug, July the fly
  • If August aint a hot month, I sure hope to die
    (response)
  • Chorus
  • Ho boys, well they cant wait
  • Ho boys, well they ain't time
  • Ho boys, well they cant wait
  • See Eloise go linin' rail.

6
  • Verse 3
  • I got a woman on Jennielee Square
  • If you wanna die easy, let me catch you there
    (response)
  • Chorus
  • Ho boys, cancha line em?
  • Ho boys, cancha line em?
  • Ho boys, cancha line em?
  • See Eloise go linin' rail.
  • go linin' rail.
  • go linin' rail.

7
Selected Characteristics of African-American Music
  • Blue Notes
  • Blues Scale
  • Motor Rhythm
  • Syncopation (define this)
  • Swing
  • Improvisation

8
Blues Scale Comparison
9
Swing Eighths Comparison
10
Work Songs Field Hollers
  • Purpose
  • Themes
  • Tradition
  • Musical characteristics
  • Differences

11
Work Songs (cont.)
  • Field Holler
  • sung by Baby Doo Caston (CD I24)
  • Work Song
  • Rosie (CD II1)

12
Religious Music
  • Amazing Grace (CD I22 and 23)
  • Compare and contrast
  • Apply characteristics listed above
  • Influence on other music
  • Spirituals (Dr. Payne)

13
(No Transcript)
14
The Blues
  • Originated in the Deep South
  • Mississippi Delta Blues (Charley Patton, Robert
    Johnson)
  • Active throughout South, slightly different in
    each region.
  • A Feeling (Ive got the blues, but thats ok)
  • A Form (12-bar blues, Quatrain-Refrain)
  • Influenced Jazz, Rock nRoll, and Country

15
Strophic?
  • same music repeated, different words.
  • Ex. 1 Verse, Chorus, Verse, Chorus, Verse,
    Chorus, etc.
  • (most songs heard on radio today)
  • Ex. 2 Succession of verses or choruses
  • (Hymns, Ballad Songs, and the 12-bar Blues form)

16
Blues Form
  • Combined the spiritual, field holler work song,
    and the 3-line ballad (as sung by songsters).
  • 3-Line Vocal Stanza (or strophe)
  • 2nd Line repeats 1st, 3rd line rhymes with above.
  • Example
  • Im gonna lay down my head on some lonesome
    railroad line.
  • Im gonna lay down my head on some lonesome
    railroad line.
  • And let that 515 train pacify my mind.

17
Diagram of Blues Form (12-bar Blues)
Line 1 (4 measures) Line 2 (4 measures) Line 3
(4 measures)
Voice Fill Voice Fill Voice Fill
I (2) I (2) IV (2) I (2) V (2)
I (2)
Tonic Subdominant Tonic Dominant
Tonic
  • Line 1 (4 measures)
  • I (2) - Im gonna lay down my head on some
    lonesome railroad line.
  • I (2) - instrumental fill
  • Line 2 (4 measures)
  • IV (2) - Im gonna lay down my head on some
    lonesome railroad line.
  • I (2) - instrumental fill
  • Line 3 (4 measures)
  • V (2) - And let that 515 train pacify my mind.
  • I (2) - instrumental fill

18
Examples from Textbook
  • Lazy Bill Lucas
  • Poor Boy Blues (CD II 2) -- 12-Bar Blues
  • She Got Me Walkin (CD II 3) -- 12-Bar
    Quatrain-Refrain (stop-time) Form
  • Otis Rush
  • Aint Enough Comin In (CD II8) -- 12-Bar Blues
    with Bridge

19
How do these compare?
  • I Need 100 (II4)
  • Kokomo Blues (II5)
  • From Dark Till Dawn (II6)
  • You Dont Love Me (II7)

20
Discussion Points
  • Do the blues help you -- personally?
  • Is some blues music better than others?
  • Do you get bored with some blues music?
  • Does marketing diminish the blues?

21
Spirituals
  • African-American songs, usually with a religious
    text.
  • Originally monophonic and a cappella, these songs
    are antecedents of the blues.
  • Spirituals were primarily expressions of
    religious faith, sung by slaves on southern
    plantations.
  • Examples Swing Low, Sweet Chariot Were You
    There Woke Up This Morning Follow the Drinking
    Gourd Go Tell it on the Mountain

22
Assignment 4
  • Compose the lyrics for at least 2 stanzas
    (strophes) of a 12-Bar Blues. This should result
    in six total lines of text. The proper rhyme
    scheme for the ends of the lines should be used
    (as shown in text examples).
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