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Courtly Love and Chivalry

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Title: Courtly Love and Chivalry


1
Courtly Love and Chivalry
  • A code of behavior for Medieval knights

2
The Medieval Knight
  • Medieval knights were generally younger sons of
    noble families.
  • Young noble boys would learn the arts of combat
    and etiquette in noble households, serving as
    squires befoe becoming full-fledged knights.

3
  • As a member of the first estate, a knights
    role in the world was to protect his country by
    fighting in wars.
  • Honor in battle was his aim, and he was expected
    as well to be humble, courteous, faithful to his
    lord and his wife, and unmotivated by material
    gain.
  • The Knight in the Canterbury Tales is an ideal in
    this way.

4
Eustache Deschamps Du Bachelier dArmes
  • You who desire the order of chivalry
  • Must lead a new life,
  • Lie awake in prayer devotedly,
  • Flee sin, pride, and villeiny,
  • Must defend the Church,
  • The widow also, support the orphan,
  • Be brave and guard the people,
  • A valiant, loyal man who takes nothing from
    others.
  • Thus a knight must govern himself.

5
You must have a humble heart, always must labor
in And pursue the deeds of chivalry, Fignt in
just wars, be a great crusader, Engage in
tournaments, and joust for your lady, Must always
act honorably So that no man can find fault with
you Nor find cowardice in your deeds, And among
all people you must hold yourself to be
least. Thus must a knight govern himself.
6
You must cherish your lords rights, And above
all guard his lordship, Show generosity, be a
true judge, Follow the company of valiant
men, Listen to and learn from their sayings, And
comprehend the brave deeds of heroes, So that you
can acieve great exploits, As Alexander the Great
did in former times. Thus must a knight govern
himself.
7
  • Since knights were only supposed to think about
    and practice warfare all the time, they ran into
    trouble during peacetime.
  • Knights with nothing to do were liable to start
    wandering the countryside raping and pillaging.
    This is not just because they were bored -- much
    of their livelihood was composed of money and
    goods taken from the enemy during and after
    battle.

8
  • To keep knights from doing this, rulers would
    either drum up an excuse to send them off to war,
    engaging them to battle for an ally, for example,
    or invite them to demonstrate their fighting
    skills in staged tournaments.
  • Tournaments became an increasingly popular form
    of entertainment during the Middle Ages, drawing
    spectators from all over -- including ladies.

9
Courtly Love
  • Associated with these tournaments was the idea of
    courtly love an idealized form of love that
    ennobled a knight and pushed him to fight his
    best.
  • The rules of courtly love required each knight to
    fight for a particular lady, and to gain honor in
    her name.

10
  • A courtly lover swore unwavering devotion to one
    lady, who was coy at first and made him prove
    himself before she would bestow her favors.
  • Desire to impress his lady drove a knight to
    valiant acts and compelled him to act politely.
  • In this relationship, the lady had the upper
    hand, and the knights duty was total humble
    servitude and submission.

11
  • An ideal lover was lovesick all the time, struck
    to the heart by Cupids arrow and wasting away
    from the pains of love.
  • This was love for loves sake, not for mercenary
    reasons -- which were the main factors
    determining marriage at the time.
  • Consequently, ideal courtly love was adulterous
    love. Only with an unattainable woman could a
    man love for loves sake.

12
  • The ideals of chivalry and courtly love were
    similar both required men to act polite and
    fight nobly.
  • Both courtly love and chivalry hinged on a
    concept of absolute loyalty chivalry to ones
    lord and courtly love to ones lady.
  • Both had a religious connection the chivalrous
    knight fought for God and country and fulfilled
    his God-given role in the world courtly love was
    in many ways a religion of love, with rituals and
    commandments.

13
Realities of Chivalry
  • In real life, knights were not as perfectly
    faithful to their lords and modest as the rules
    of chivalry required. Knighthood was their
    profession, and they fought to maintain
    themselves. Regular pillaging was a major
    component of this, and along with pillage,
    slaughter of innocent townspeople or
    less-than-noble acts were not uncommon.
  • On the other hand, ideals of bravery were not as
    compelling as chivalry demanded, and amorphous
    concepts of honor did not always hold water
    when faced with real mortal danger.

14
Realities of Courtly Love
  • Likewise, what was idealized as love for loves
    sake often boiled down to lust.
  • Adultery, although romanticized in literature and
    art, was a major sin in Medieval society.
  • Nor did a knight necessarily devote himself to
    one lady for life The Knight of La Tour Landry
    describes young knights flirting with one lady,
    pledging undying love, and then on being turned
    down, seeking out another lady to pledge undying
    love to.
  • Doubtless some ladies actually did bestow
    themselves on young knights, but to do so was
    adulterous lust, not the ennobling union of
    romance literature.

15
  • The ideals and rules of both chivalry and courtly
    love may have been invented to keep order in a
    system in which younger sons (who did not inherit
    the family estate) became members of strangers
    households. Encouraging hormonal young men to
    fight for a noblemans name and sublimate his
    aggressions in (unconsummated) love for the
    noblemans wife would keep them from spending
    these energies in more destructive ways.

16
The End
17
Bibliography
  • Miller, Robert, ed. Chaucer Sources and
    Backgrounds. New York Oxford UP, 1977.
  • Schwartz, Debora. Backgrounds to Romance
    Courtly Love. Online. Accessed 9/23/03.
  • Tuchman, Barbara. A Distant Mirror The
    Calamitous Fourteenth Century. New York Alfred
    A. Knopf, 2002.
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